A selection of music that I contributed to the game NOISZ STΔRLIVHT, a visual novel / bullet hell / rhythm game hybrid for mobile developed by Anarch Entertainment.

These are some of the songs that play during various visual novel story segments in the game, with a wide variety of moods.

Get the game on iOS and Android:
App Store: https://apps.apple.com/us/app/noisz-starlivht/id1582334373
Google Play: https://play.google.com/store/apps/details?id=com.AnarchEntertainment.NOISZSTARLIVHT

Website: http://anarch.games/starlivht/

Creepy Lab

there is no discount

Soundtrack Written By pngsequence, Jaq, 2018-2021.

Opening, Arcanian Decay, Meeting An Unusual Stranger, AND NOW YOU DIE!, and Matcha Valley written by Jaq, others by pngsequence.

twitter.com/pngsequence
twitter.com/jaqqcues

Magus Array (Alpha Soundtrack)

Arcanian Decay

Original -- Atari MIKEY -- Atari Lynx

Watch out! The Toons are coming!
Made in Furnace

Here Come The Toons!

The song, I think, resembles a feeling when you're sitting patiently, waiting on a bus or a job interview or going somewhere else for a walk.

I wrote this song in this commission outside of the album, "Sound Canvas Works", I haven't come up with many ideas but this is the part when I decided to make it simple.
It was supposed to end this song a bit longer than 5 minutes but adding more melodies and sections
might take a lot of thought to modulate and needs to end the same key in F-sharp major, so my
intention was to end it at 4 minutes.
In the end, it was only made as a draft and it wasn't included in the final writing (thus leaving only the bass, EPs and drums) but I had to keep it because the song has to be simplistic.

The instruments of this song contains a balance between live and electronic instruments;
Bass, leads, pads and effects are synthesized while
Two electric pianos, sax, drums (and bongos) were intended to make it sound real.

Sysex and instrument patches can be critical to some MIDI players and hardware sound modules,
including the user drum, insertion effects on EPs, micro effects on delay and EQ and modulations on saxophones.
No additional processing required.

POWER! SuperDIGI

On Hold (Remaster)

Just playing around with some dumb samples I made. I just wanted to make a chiptune with one of the most frustrating ADPCM chips out there. ;)

Lyrics:
-------------------------------
Move It
Or Lose
M-M-M-Move It

Hey There Nerd
What Is It?
Get Out My Way
But Why?
'Cause I Said So
Oh, Okay
--------------------------------

Move It Or Lose It

Postcard

[Intro] Postcard

A short jungle-like loop (one of the first tracks I made with Deflemask).
Uses the default samples from Deflemask and ones that I've found and edited myself.

Downloads:
https://drive.google.com/drive/folders/1tGTrdjZZfOp9zLxVLraIZlmuvMp2Ub35

Space Beat (YM2151 + Sega PCM)

This is the first MIDI cover I've made in fucking aaaaaaaages that uses Microsoft's GS Wavetable Synth built into windows. The last time I made a MIDI in this manner was like... 6 years ago?

I wanted to see if I could use it to match certain sounds used in the original song with those from the MSGS synth. Well I say that, but I'm actually not using anything Microsoft-y in this cover, I'm instead using a soundfont based on MSGS run through a MIDI engine, in this case, Qsynth, a Qt frontend for FluidSynth that runs on Linux.

But I've stayed true to the limits of MSGS the whole way through, not using any Chorus or Reverb effects, everything you heard is as accurate to MSGS as can be. If I wanted to do an echo, I had to duplicate a channel, and copy/paste notes around, detune and change the volume of said notes, just as you would with the real thing. It also adds a bit of a chiptune-y charm to the creative process, and the sound itself. It was a bit of a pain trying to get everything where it needed to be, especially cuz I had to do a bunch of channel changes using MIDI CCs to get everything to fit. I very nearly ended up using all 16 channels, and even considered breaking the limit and using 32 instead, but I kept it to 15, and used MIDI CCs where necessary, as I said.

This also means that, considering I wanted to match the ADSR envelope on each of these sounds, and the sounds themselves have their own ADSR that can't be changed with CCs, I had to actually automate the volume knobs on each one myself, semi-manually. FL Studio makes it really really easy to work with MIDI automation events, and copy/pasting stuff is painless, I'll spare you the details right now, but I'll just say there's a good reason I use FL for MIDI stuff, it's got all the joys of an old-school MIDI sequencer with none of the frustration.

But yeah, that's about all I have to say about this one. Hope you enjoy listening as much as I did making it!

[Microsoft GS Wavetable Synth] ~ Hexion: "The Hexagon I've Dreamed Of [Form Select Mode]" MIDI Cover

Composed and Arranged by June Chikuma / Programmed by Akihiro Sato, Hironao Yamamoto & Ichiro Shimakura / 
from SNES DoReMi Fantasy Original Soundtrack / 
竹間ジュン / SFC ドレミファンタジー　～ミロンのドキドキ大冒険～


DoReMi Fantasy Toying Around (Moderated Lo-Fi Electronic Waltz Mix)

Musha Aleste - For The Love Of (OPL3 + PCM Remix)

Hey ho there, I make the chippy and non-chippy bois!!/??1/

Avi: @KayllaCat on Twitter

Chippy Toolz:
Furnace
FamiTracker 0.4.6
FastTracker II (FT2 Clone)
OctaMED Sound Studio 1.03c (OctaMED V7)
OctaMED V4

Non-chippy toolz:
FL Studio 20
Renoise

[Microsoft GS Wavetable Synth] ~ Hexion: "The Hexagon I've Dreamed Of [Form Select Mode]" MIDI Cover

Sixtyforce

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