do you have the midi file for this, or is that too private?

made in beepbox because i missed making music like some of my older stuff

this is banger i am proud ehehehe

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music: @thingojira
track 16 features mioh
artwork: @xoma18
writeup: @archibald-buttsqueak

Dear Friend,

Salutations, chap. It has been a quite a cold series these days and weeks. There has been ice-a-plenty, and the freezeful winds whisper sweet-nothings, such as "you're not about this life, pal. go back inside"

I sit in my chamber writing this to you, lamp lit. I'm grateful for this warmth... I'm not talking about the lamp. Deep in the monochrome solitude of my manor, my heart burns... in the romantic way. And it is all caused by the heat of this new and outstanding album, 'new time romantic', by crazygoji.

As a fellow romantic, it would be in your best interest to listen to this album. Its pleasant goofs and lovable romps has evoked feelings within myself that I haven't felt since I have been acquainted with you. Do you remember that windy April day where we laid outside on the hills eating watermelon? Somehow, I was reminded of this memory while listening to the album opener, 'watermelon good times', my heart and body immediately put into a trance.

crazygoji doesn't hold back this expression of romance. The subaqueousness of 'operators anonymous' brought me back to times in Costa Rica, where we joyously swam with the mysterious dolphins. 'major simpleton' immersed me back into the tranquil times at my humble manor with you, watching The Simpsons in the newly installed IMAX theatre. 'max goof' and 'spotless' took me back to the clubs in Ibiza, where Jodie Foster herself (I'm quite sure it was her... although she seemed a bit tall... hm...) complimented our romanticful dance moves. Does this excite you? I am confident you are making that face you always made when you got excited. I'm chuckling just imagining it... it kind of looked like this emote: (⓿_⓿)

But I digress.

'times new romantic' perfectly captures the halcyon days of our very romantic relationship together. After we separated I became cold and bitter, like the dry air of winter. However, this music has reinvigorated my capacity to love. I feel jubilant. I feel vivacious. Goofy. Romantical.

As you listen to these sounds, I believe it's power will lift your spirits as well, it's sheer groove and jovial atmosphere will have you embracing the love of the Earth itself. Believe me! I have hugged the floor a few times during my listening of this album, which is quite odd... I'm not sure how it made me do all that.

As I finish writing this letter, I hope that you are well. These new times are uncertain. But I am sure you will prosper... romantically.

Sincerely yours,

Archibald Buttsqueak


"Oh good heavens... 'bubbly brain' has, without a doubt, turned my brain into bubbles!"
— Archibald Buttsqueak, hugging the floor

"This album is really nice. I just could not stop dancing. 'seven deez' had me doing the worm! Made me remember the time I complimented that sick dancing couple in Ibiza."
— Jodie Foster (I'm like 65% sure. She looks just like her, though...)

"I was glad a friend of mine recommended this album to me. I haven't heard from him in years but I was really surprised to get a letter yesterday. Not really sure how he's doing though... he couldn't stop talking about 'times new romantic' and hugging floors... he's probably OK."
— Zoogarg the Alien

times new romantic

Buy all

cyanic intermezzo

All composed, arranged, produced, and performed/programmed by me.

Mineshaft Saunter

This is the first MIDI cover I've made in fucking aaaaaaaages that uses Microsoft's GS Wavetable Synth built into windows. The last time I made a MIDI in this manner was like... 6 years ago?

I wanted to see if I could use it to match certain sounds used in the original song with those from the MSGS synth. Well I say that, but I'm actually not using anything Microsoft-y in this cover, I'm instead using a soundfont based on MSGS run through a MIDI engine, in this case, Qsynth, a Qt frontend for FluidSynth that runs on Linux.

But I've stayed true to the limits of MSGS the whole way through, not using any Chorus or Reverb effects, everything you heard is as accurate to MSGS as can be. If I wanted to do an echo, I had to duplicate a channel, and copy/paste notes around, detune and change the volume of said notes, just as you would with the real thing. It also adds a bit of a chiptune-y charm to the creative process, and the sound itself. It was a bit of a pain trying to get everything where it needed to be, especially cuz I had to do a bunch of channel changes using MIDI CCs to get everything to fit. I very nearly ended up using all 16 channels, and even considered breaking the limit and using 32 instead, but I kept it to 15, and used MIDI CCs where necessary, as I said.

This also means that, considering I wanted to match the ADSR envelope on each of these sounds, and the sounds themselves have their own ADSR that can't be changed with CCs, I had to actually automate the volume knobs on each one myself, semi-manually. FL Studio makes it really really easy to work with MIDI automation events, and copy/pasting stuff is painless, I'll spare you the details right now, but I'll just say there's a good reason I use FL for MIDI stuff, it's got all the joys of an old-school MIDI sequencer with none of the frustration.

But yeah, that's about all I have to say about this one. Hope you enjoy listening as much as I did making it!

[Microsoft GS Wavetable Synth] ~ Hexion: "The Hexagon I've Dreamed Of [Form Select Mode]" MIDI Cover

🌘 Eclipsed Requiem: A Funeral in Shadowed Starlight
“Eclipsed Requiem” feels like the requiem for a fallen time—an elegy cast in darkness where light is eclipsed and souls drift through cosmic silence. It’s not simply mournful—it’s transcendental lamentation, a ritual of eclipse and release.

🎵 Musical Interpretation of the Celestial Eclipse

1. Opening – The Edge of Oblivion
The track opens with sparse piano or bell-like tones, delicate and cold—like distant stars fading into eclipse. Ambient hums swirl beneath: a slow, inevitable silence creeping in. The listener stands on a precipice, suspended between night and void.

2. Gathering Dusk – Shifting Shadows
Gradually, drones deepen, and subtle pads engulf the soundscape. A low-frequency murmur emerges, vibrating with grief. This is not sorrow expressed—it is sorrow embodied, a gathering darkness swallowing shards of light.

3. The Requiem Motif – Celestial Voices
At the core, vocal textures—either ghostly chants or reverberated whispers—rise like ethereal psalms. They drift above the shadows, weaving minor-leathered melodies that feel ancient, mournful, and timeless. These voices are laments that echo across cosmic vacancy.

4. Midpoint – Sorrow’s Crescendo
The emotional gravity intensifies: strings swell or synth arpeggios tremble into existence. Music bends into minor ambient trance—each note weighted with loss. There’s beauty here, but fragile—like light fleeting across a blackened firmament.

5. Eclipse Apex – Silence as Climax
All sound resolves in quiet resignation. Layers peel away, until only a single resonant tone remains—then fades. The ‘eclipse’ happens in silence, internal and devastating. The final breath of sound is a surrender.

6. Denouement – Remnants of Memory
Hushed echoes linger—residual textures, granular atmospheres, the faint echo of voices. It’s memory grieving absence. A reminder: the eclipse passed, and the light may never return.

🕯️ Emotional & Symbolic Resonance

Transcendent Mourning: This is not a song of heartbreak, but of cosmic farewell—a requiem delivered under the obscured sky.

Elegy in Silence: Silence becomes weighty, oppressive, reverent—a vessel for the story beyond sound.

Eclipse as Transformation: The eclipse is both end and threshold, a ceasing and becoming. Within the void, possibility still flickers.

Spiritual Stillness: Rather than despair, there’s a meditative acceptance—an unspoken peace that lingers in the aftermath of mourning.

🩸 Best Used For:

Scenes of cosmic tragedy or transcendence in storytelling

Moments where temporal cycles collapse or light is consumed

Rituals of remembrance or tribute in ethereal, major‑minor tonal worlds

Background ambience for introspective, twilight reflections or cathartic endings

🔮 Symbolism & Final Reflection
“Eclipsed Requiem” is the chant of collapsing worlds—it doesn’t wail, but whispers dirges at the moment light is swallowed. In the dark, there is still meaning. Loss becomes ceremony; absence becomes presence.

It is a requiem not just for what was lost, but for what must change—and yet lives on in memories that endure beyond the eclipse.

Eclipsed Requiem

friður

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Mostly original samples here again.

All composed, arranged, and produced by me.

ｆｕｎ ｉｎ ａ  ｃｕｂｅ

an edit of my favorite track on my new albumbumbum.

Made Me Feel Even More Everything (Rough)

All music and production by FLOOR BABA 

Album art by Styles Munson 
twitter.com/stylesmunson

Your Self

This is a sample track I made once to be considered for a game that was in development. They weren't interested, but I quite like this one still and will probably re-use it for something in the future. I'd like to add another section to it.

Slippery Snow

Composition, Arrangement: Yoann Turpin. 2020
Artwork: https://www.deviantart.com/andylittle/art/Super-Mario-UFO-Land-772076238

Chiptune: "What if I have a Spaceship !?!" (For Christophe. K)

Feel free to use my music! If you do, please credit! Thanks :D
I’ll try to respond to all messages!
She/Her

Discord:   fuzzy6

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