Immunotherapy music. Homage to the eponymous Italian anatomist who discovered cholera.

Filippo Pacini, Nozomu Matsumoto [Rave 041, 2022]

FOLLOW US:
Instagram:
Yoyaku: https://www.instagram.com/yoyaku.fr/
Yoyaku record store: https://www.instagram.com/yoyakurecordstore/
Soundcloud: https://soundcloud.com/yoyaku
Yoyaku record store events & latest news: https://linktr.ee/yoyakurecordstore
Yoyaku events: https://linktr.ee/yoyaku.fr

FOLLOW THE ARTIST:
Instagram: https://instagram.com/tomoooooki__tamura/
Soundcloud: https://soundcloud.com/holictrax

Yoyaku instore session with Tomoki Tamura

Radiohead - 'Reckoner' (Simplex Remix)

Closing set in the warehouse on Thursday night. 
Huge thanks to Aurora and all the festival staff. It meant the world to me!

Ben UFO - Sustain Release '23

Rhythm Section Radio was founded in 2009 and moved to NTS in 2012, and has since pulled out the stops breaking new music, promoting independent labels and paying homage to the greatest music from the past, through a perhaps unhealthy obsession with record digging. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/rhythmsection/episodes/rhythmsection-27th-november-2024

Bradley Zero Presents: Rhythm Section 271124

Mixtape from Oct. 16th 1994

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

Danielle at Organik Festival 2024

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker

The first show this year is a guestmix by Sven Weisemann from Berlin, Germany. I'm more than happy that Sven did a journey for the Deep Inspiration Show, because I'm a big fan of his productions, mixes and piano sessions since a long time. With this episode I also want to introduce the new Deep Inspiration Show introtrailer, which is produced by Sven Weisemann himself. Enjoy.  

Bio: Despite his young age, Weisemann has been DJing since 1997. His musical influences ranges from Classic, Soundtracks, Soul and Jazz, Deep House and Dub to his beloved Detroit Techno and US House. As a producer, his music draws deeply on the legacy of Chicago and Detroit, yet somehow manages to end up sounding as fresh as a daisy – records such as ‘Vibe’ and ‘Slices’ are house music that is half atmosphere and half beats, and not afraid to take its sweet time to lull the floor with their charms.

A self-taught musician who plays piano, acoustic guitar and percussion, Weisemann also composes jazz and soundtracks – traditions which also inform his house records no doubt, many of which you can find on Meanwhile, House Café Music, Apple Pips, Kann, a.r.t.less, Wandering, Liebe*Detail, Real Soon, Styrax Leaves, Essays, Freund Der Familie and especially Mojuba, where Weisemann’s music slots together with friends Nick Solé and Oracy to form a distinct, and highly collectible, label sound.

Several pseudonyms are in circulation.

Download will be open next week. For track id's please write a comment or write a message to Sven's fanpage on facebook. 

More about Sven Weisemann @

Homepage: www.svenweisemann.com
Soundcloud: https://soundcloud.com/svenweisemann
Facebook: https://www.facebook.com/svenweisemann

Website

Deep Inspiration Show 346 "Guestmix by Sven Weisemann (Berlin) [Mojuba]"

Richie Hawtin: Decks, Efx & 909 CD Version (Full Mix) (1999) MINUS4CD

'Techno must possibly be (along with house) one of the most debated and argued over genres in EDM. What is techno, what makes 'good' techno, what speed should techno be, how minimal should it be? Simplex navigates these questions with ease and his selection of original tracks shows that he knows what he wants to make and makes it sound great. Drift is one example of his exploration of tech-house, minimal and techno. Full of spine-tingling atmospherics, quirky touches and backed by a solid DJ-friendly 4/4 kick, Drift builds but never gets too much and is a track we imagine will fit the bill for lovers of techno and tech-house.'

Burn Studios



Radiohead - 'Reckoner' (Simplex Remix)

/ SIMPLEX

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