I'm grateful to have gotten the chance to hear this wonderfully varied piece!

You have created an interesting piano piece here. It got me hooked. Thanks.

love these changes, beautiful muted piano sound is perfect for this. (<;

Pretty piece! There ought to be more GR inspired pieces 😊. Some of the runs have a Debussy Arabesque feel

Opening track in the "Seven Dreams of the Orb Weaver" album https://soundcloud.com/skai-eriksson/sets/seven-dreams-of-the-orb-weaver.  The album has been reworked, remastered, and released in collaboration with the charitable music project Playing to Pitch In.  Spotify link:  https://open.spotify.com/album/3GSMJAS4OA22ECx4wq7jDN?si=CzEcd-b_TU6Gktqukfvr2Q

This track serves as a prelude to the rest and for the subsequent track "Ocean Star" in particular.  The rest of the album is rather dark and emotional, so in this prelude I aimed for something light, calm, and peaceful with just a hint at some of the later darker themes.  The impressionist-style waterfall just after the middle of the song is indeed Debussy-inspired (it is just a simple pentatonic pattern similar to ones that appear in plenty of songs, but for me this type of pentatonic run is iconic of Debussy's Arabesque).  The 6/4 time signature gives a little extra space to elaborate on this riff, and I was pleased with how it sounds as a resolution to the cadence leading up to it.  While the song has a shifting tonal center, it is certainly not as tonally destabilized as Debussy's music, and this (along with the simplicity of the locomotive rhythm) affords an opportunity to prepare the listener for a climactic sense of arrival as the pentatonic run appears.   I wanted the middle section of the song to offset the minimalism that is present at the beginning and end of the song, and this Debussy-style riff serves as a nice centerpiece for that.

Ripples In Spacetime

Like a man whose name is forgotten.

I've never won any prizes.
Of course, there's no way to gamble and win.
I have never held a position of honor.
And dogs never tamed me.

Like a man whose name is forgotten.
I only smile quietly.

When I try to order, the waiter doesn't come.
Often only my food doesn't reach.
And when I meet up with people, I'm usually kept waiting.

Like a man whose name is forgotten.
I've gotten used to that by now.

If there were a town somewhere with only sober people, 
would I be able to live there peacefully?

As long as you guys enjoy it, that's all that matters to me.
I'm not a great man, so please don't mind me.
Well, you guys are quite the feat.

Like a man whose name is forgotten.
I only quietly walk away.

Like a man whose name is forgotten

Sort of a digital chamber music piece with a psychedelic electronic synth-y solo in the middle. Hope you enjoy it!

22 1 14

Midnight Ramble

For the best audiovisual experience, I recommend watching the video on my youtube channel 😍😉... https://youtu.be/j3ncT8xqfmc

Video 🎬

Merge (feat. Conny Kollet)

My last track for now, based on my "Myriad Love". I wish you a good time, stay creative, keep your head up...and always be kind to each other 🤗👍🙏
THANK YOU ALL!

C U 🥰🤗

DL free 😊❤️

Myriads Of Thanks To All My Friends | LOVE YOU ❤️

High Voltage

A collaboration between :
Shane Beck, The Last American Poet (Words)
progettosonoro (Music)

Was it all just a dreamless encounter that left me on the floor
These eyes swollen from weeping & I was dying for love & much more
And the forbidden romance from a wind swept soul that always knew
Hear the soft cry of the Misplaced Heart of the one who always loved you

The words now ignored in silence or could we just cut & paste....
Was there a trace of sorrow in the words you decided to simply waste
Misplaced Heart & the end of the inner child who only missed you & wanted to stay
I wake up with tears still streaming because I never wanted it to end this way

Shane Beck & progettosonoro - Misplaced Heart

Recorded May 2025. Performed on a #Yamaha NU1X hybrid digital upright piano. Rendered using #PianoTeq by #Modartt. Mastered using #LogicPro 11.

Composed by Johann Sebastian Bach.

The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846

Rachmaninov - Prelude in G - Opus 32 No. 5

Flux

I grew up in the Florida Keys where both of my parents worked as musicians in the entertainment business.  My grandmother taught me to play the piano at an early age.  I ended up pursuing a career in mathematical research and teaching, but in my free time I enjoy composing music mainly for piano.

Ripples In Spacetime

Skai Eriksson

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