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Support from Armin Van Buuren, Skrillex, KSHMR, Tiesto, Hardwell, Marlo, Afrojack, Dimitri Vegas & Like Mike, Ben Nicky, David Guetta, Steve Aoki, Blasterjaxx, Morgan Page, Krewella, Andrew Rayel, Nari & Milani, Borgore, Thomas Gold & more.

Bookings:
Aus: matt@jackmgmt.com 

Europe: 
yap@ministryofbookings.com W/ matt@jackmgmt.com on CC

Asia:
yap@ministryofbookings.com W/ matt@jackmgmt.com  

ROW:
matt@jackmgmt.com

Remix Requests & other Enquiries:
matt@jackmgmt.com

Promos / Music for Dimatik: (private soundcloud links only)
demosfordimatik@outlook.com

Demos for my label: (private soundcloud links only)
cinematikrecordings@outlook.com

Join my official producer forum: facebook.com/groups/564916930361401/?ref=br_rs

All Vinyl Mixes, 
NO FUCKIN ABOUT. 
RUBADUB RECORDS GLASGOW! Is where It's at................ ...........................   ........    
  .................     ..............If you didn't know, YOU KNOW NOW.

DADAIST ACID TRAP N' DRILL MUSIQUE CONCRETE BY BRUJAS Y BRUJOS Y BRUJXS. PAYASAS FROM MEXICO/USA/LEBANON/PAKISTAN/OUTER SPACE. INNER CITY SHAMANISM. EVIL4INNOCENCE, IRL ALIEN BUKKAKE DEMONSTRATIONS, OTHERWORLDLY BEINGS IN BLOOD SOAKED YELLOW RAINGEAR, BANDANAS, AND BALACLAVA MASKS, ADDICTED TO MEXICAN CANDIES SUCH AS EVERY SINGLE FLAVOR OF LUCAS CANDY AND PELON PEZO RICO. AN ENTITY THAT CONTINUES PERFORMANCES DURING ACTUAL POLICE RAIDS ON VENUES. AS SEEN IN THE WIRE (UK), DECIBEL MAGAZINE, THE ONION, MAXIMUM RICK N' ROLL, ETC. MUSIC RELEASED ON OVER 50 INTERNATIONAL LABELS, DENTAL WORK ARE HOOD LEGENDS BLASTING DISTORTION AND DELAY OVER BRUTALITY LACED 808 BLASTS, FIELD RECORDINGS OVER LOST MEDIA, CHILLIN' IN LIMINAL SPACES WITH THE LIKES OF PIG DOOKIE AND DEVIL'S NIGHT GANGSTAZ AND RIDIN' 4 LIFE WITH GHOST CAT ROSTOV IN HER UNIVERSE, KILLING OFF PEDOS AND ABUSERS  LEFT AND RIGHT. DENTAL WORK HAS MUSIC OUT ON THESE LABELS: DADAIST ACID TRAP N' DRILL MUSIQUE CONCRETE BY BRUJAS Y BRUJOS Y BRUJXS. PAYASAS FROM MEXICO/USA/LEBANON/PAKISTAN/OUTER SPACE. INNER CITY SHAMANISM. EVIL4INNOCENCE, IRL ALIEN BUKKAKE DEMONSTRATIONS, OTHERWORLDLY BEINGS IN BLOOD SOAKED YELLOW RAINGEAR, BANDANAS, AND BALACLAVA MASKS, ADDICTED TO MEXICAN CANDIES SUCH AS EVERY SINGLE FLAVOR OF LUCAS CANDY AND PELON PEZO RICO. AN ENTITY THAT CONTINUES PERFORMANCES DURING ACTUAL POLICE RAIDS ON VENUES. AS SEEN IN THE WIRE (UK), DECIBEL MAGAZINE, THE ONION, MAXIMUM RICK N' ROLL, ETC. MUSIC RELEASED ON OVER 50 INTERNATIONAL LABELS, DENTAL WORK ARE HOOD LEGENDS BLASTING DISTORTION AND DELAY OVER BRUTALITY LACED 808 BLASTS, FIELD RECORDINGS OVER LOST MEDIA, CHILLIN' IN LIMINAL SPACES WITH THE LIKES OF PIG DOOKIE AND DEVIL'S NIGHT GANGSTAZ AND RIDIN' 4 LIFE WITH GHOST CAT ROSTOV IN HER UNIVERSE, KILLING OFF PEDOS AND ABUSERS  LEFT AND RIGHT. Placenta Recordings/Ratskin Records/Love Earth Music/Grindcore Karaoke/High Concentration Contaminated Water Records Japan/Trashfuck Records/Tall Tee Tapes/No Lights Tonight Records/Silent Novels Records Japan/Scotch Tapes/Noise Park Activities/System Breakdown Recordings/Immigrant Breast Nest/Dadaist Audio/RONF Records/Parkinson Wankfist Pleasures/Free Noise/Sirona Records/Nom Nom Tunes/Final Trauma Records/NOG Tapes/Blunt Force Tapes/Shitnoise Records/Abandonement Label/Tacocalypse Records/h8 track stereo/Alrealon Musique

The music presented here is taken from the soundtrack to our Discordian, Quantam, Pyschedelic, Anti-NWO satire "When The Moon Falls It's Not So Steep", a novel that awaits out there heads, in there minds, transcenders, dancing dissenters, refusenik freaks and fuck.....even readers! to help it achieve lift-off in search of immortality. In the words of the esteemed 13th century Pope, Militant Dilletante and Magi Soovus Kunkilius it is  "A ground breaking roller coaster ride; the bastard of the book and graphic novel; When The Moon Falls Its not So Steep is a visceral swipe at the new world order, laughing gas for people bored of books but who love reading….."  and  "A manual of do it yourself Magick disguised as a quantum novel…a crime story about the crime of the century. Science fiction, conspiracy or a big put on? Think for yourself maximum Rock n Roll rioting fact and fiction. The book that stands up to the control grids and winks an eye in memory of Robert Anton Wilson………………………….."  To delve further please visit  http://steepmoon.nomap.net/ and let your ears follow your eyes to the sacred text.


Ladies and Gentlemen, strap on your anti-gravity suits and get ready to laugh in the ears of the watchmen! Children of the Farcika, Soul Power and Sarpa Salpa! …Steep Moon proudly presents Mother Fuckers balanced on the reflections of their own perspective, mutating, transcending,  way beyond wire further than stars…..Steep Moon bring you

MUSIC FROM THE CONTROL GRIDS 2014 – 2019……………..


 Music in 2019 had all but lost its underground shamanic hedonistic hell fucking yeah righteousness; its guts ripped apart on the barbed wire of creativity marginalisation way beyond the participant’s perimeter.

Instead, like bad alchemy, its bastard  brother; Musica, became a safety download, another optimised shiny consumption source, whose  credit pin number access brought you the anthems of the Freedom Malls via a noise limiter, led by the dark light of the entrancers; the new world order rock of NewDaze.

Despite the clampdown and like violets on the moon squirming free from under the rocks of assimilation, here and there in Everywhere, real music still give birth to the sounds of resistance. In the ghettos of Browntown and other hoods, black market effects pedal pedlars sent seekers back to the No Zones with drugs to make music to take drugs to, aided and abetted by illegal technology weaponry such as analogue circuitry, fuzz pedals, valve ampage rampage, and highly illegal copies of old headz long since contrabanded; albums by The Thirteenth Floor  Elevators, The Who, Can, The Butthole Surfers, MC5, Stooges, Tamla Mowtown, King Tubby, Joy Division, The Creation, John Coltrane, Small Faces, The Birds, Velvet Underground, Miles Davis, Stone Roses, Crazy Horse, My Bloody Valentine, Underground Resistance, Love, Public Enemy, Sly Stone, The Fall, Minnie Riperton, Plastikman, Congo Natty, DJ Hype, Dead Kennedy’s, Husker Du, Cannibal Ox, Company Flow, Syd Barret,  Pere Ubu,  PIL, James Brown, Howling Wolf, Keith Hudson, Minutemen, Captain Beefheart, Spacemen 3…..an endless  illegal back catalogue of those who peeked behind the acid curtain and found god wanting to rock n roll.

From these garage lands came the rocket ships; young men and woman ready to funk non serviam psychedelic drones towards infinite beats; seekers such as Two Planks, Golden Alistair and Dawn Crowley, who became the Heroic Doses back in 2012. By 2015 they and their music had been banned from the Grid, their work decried as subversive, their legacy forever linked with Terrorists and drug dealing; pushing large consignments of White Queen, Sarpa Salpa, and NASArodeo, in quantities that dwarfed their album sales, according to The Daily Torch, whose broadsheet front cover once pictured a stoned Two Planks, caught (apparently) red handed, with a kilo of uncut Bougaine, whilst on Tour with NewDaze way back when…….Back in the day. 

The Heroic Doses were a band that blinked into the eyes of the New World Order sun and told it to go fuck itself, their wrap around shades hiding the hurt and pain of eyes living life on the Grid, eyes that could still look to the heaven’s; blood shot eyes.   Their recording technology was primitive by Augustus Tabernacles NewDaze standards, and only three albums worth of their music survived, some of which is presented here for the very first time.

Awake At Noon Album Credits-
All verses and hooks (unless otherwised stated) were performed and written by Shaquan Adams
1. The Presence(Intro)- Produced by Shaquan Adams and Kiara Mudd
2. Road To Forever- Produced by Kiara Mudd. Sample from “Slo’Motion Tokyo”. Harmonies sung by Alex Spence, Kiara Mudd, and Shaquan Adams.
3. Unknown- Produced by Kiara Mudd. Sample from Ushiwaka’s Appearance by Okami Soundtrack. Third verse written and recorded by Alex Spence. Harmonies sung by Alex Spence, Junior Haughton, Kiara Mudd, and Shaquan Adams.
4. Searching- Produced by Kiara Mudd. Electric guitar played by Brian Battersby.
5. Windows In My Mind- Produced by Kiara Mudd. Sample from “Slo’Motion Tokyo”
6. Hope In Sanity- Produced by Shaquan Adams
7. Awake At Noon- Produced by Kiara Mudd
8. Borderline Insane- Produced by Thamon Joyce. Second verse written and recorded by Thamon Joyce
9. Killswitch- Produced by Thamon Joyce. Third verse written and recorded by Daniel David.
10. Who Knows- Produced by Gibran Trott. Sample from Nancy Wilson- “Here’s That Rainy Day”
11. Triumph- Produced by Kiara Mudd
12. Armeggeddapocolypse- Produced by Shaquan Adams. Sample from Ratatat- Drugs

Album art photo taken by Nesster, who in no way endorses my album or my use of his photo. 

Album Thank You’s

I would like to begin this list of thank-yous by stating the obvious and thanking God. I thank God for blessing me with talent and gift to make music, my existence, and my safety through the guidance of God. I would also like to state the obvious again by thanking my lovely mother Sandra Adams. Without you pushing me to be successful, I would never had ended up in this position in the first place. Now that the obvious is out of the way, I would definitely like to give a BIG THANKS to Kiara Mudd aka Vitamin K. You were pretty much around through the entire length of the album creation, and I learned a lot from you being around as I made this project. Of course I appreciate the amazing beats that you allowed me to use, but that’s only a tiny fraction of why I appreciated you helping me. I thank you for helping me countless amount of times in production and mixing, and just giving off positive energy whenever you were in the studio. You always provided ideas to me whenever my mind came to a complete stop(which happened many times), and that helped me push through to get this album finished. Your positivity and assistance definitely shaped the outcome of this album, and for that I thank you sincerely. Next I would like to thank my boy Akili for being there throughout this process as well. Whenever you were around to hear my mixes, or engineer my sessions, you always had that unique insight that no one else could give and it was always useful. I was always able to tell if I really wrecked a verse or made a good mixing decision by your initial reactions. I also thank you for helping me out with your harmonies man, that really added another dimension to a couple of tracks on this album. I truly appreciate you wanting me to succeed with this process and being one of the only people to truly understand my vision for this album.  My next thank you definitely has to go to my music tech professor Cesar Alvarez. Over the last three semesters you have helped me transform into a diverse, lyrical, and confident artist. I don’t think that I would have reached this point without taking your classes and having you push me to take control of my career and perfect my craft. You always offered to help me, and your mixing critiques really helped to polish up this album. I thank you not only for making me challenge myself as an artist, but I thank you for not just looking at me as your student… but as a fellow artist that you want to see succeed. I would also like to thank the sick fellow-emcee Notebook for giving me some dope tracks to destroy and giving me a lethal feature on the album as well. It’s always been a pleasure working with you, we gotta keep making shit man. Next I would like to thank the homie Junior for always giving me raw unfiltered feedback no matter what. I truly appreciate you sitting in on some of my mixing sessions and giving me tips on what to add and what to drop out. And a big thank you for telling me that my hook “wasn’t crazy enough” and adding that dope ass harmony  to give it that edge. Next I would like to thank my boy Jordan Milne aka KSG for telling me in the beginning to just do what I felt was right with this project, because at the end of the day, people were gonna feel it. Next I would like to thank Brian Battersby for giving me insight on the album from a different perspective. You really helped me look at my songs from a different angle so that when I do a future project, I will have another way of attacking my songs. I am also very grateful for your guitar portion on my track, you didn’t have to take time out of your album making process to come help me so I appreciate that a lot. This list is getting lengthy, but I’m not done yet so we gonna keep it goin. I can’t do this list without thanking Tori Gandy for giving me advice about everything involving music. If I ever had a question about a mix you were always there to help me out and break things down. I am also very grateful for you getting me to realize how important it’s gonna be to market this album correct me, and you made me realize have to take the right steps to make sure everything goes right. Last but not least I would like to thank my entire CAT 410 class for supporting me and giving me endless amount of ways to polish this album up nicely. I feed off of all you guys energy, seeing how dedicated and focused all of you were to complete albums as well. To anyone I forgot, which I know I had to forget a couple of people, don’t strangle me, shoot me, stab me, or do any other violent act towards me. With that being said, I would like to thank EVERYONE. If you know me, don’t know me, like me, hate me, whatever, I thank you. Of course I will go back and edit in anyone who I may have forgotten, but I don’t know how long that’s gonna take. Awake At Noon was a success thanks to all of you, now its time to take it to the next level.


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