The Focus Group - Bromiding Place (Clip)

In the 43 years between his first recordings and his death in 2001, John Fahey stomped across the American soundscape, leaving behind footprints of influence so breathtakingly vast that entire genres now huddle within them. His mesmeric guitar compositions fused the blues' syncopated
rhythms with contemporary dissonance; eastern influences with musique-concrète. He was the first to demonstrate that traditional steel-string finger-picking techniques could be used to express a universe of non-traditional ideas. Playing with versatility and a fierce imagination, Fahey expanded the boundaries of the guitar, and his contribution to American music is immense.

In the early 1960s, a young John Fahey searched out the missing bluesmen Skip James and Bukka White, thereby igniting the acoustic blues revival. By the early 1990s, it was Fahey's turn to be rescued from oblivion by young enthusiasts—and reawakened from his hibernation, he had no intention of pandering to traditionalists. Invigorated by the contemporary music underground, the man was ready to set minds ablaze. Through his partnership with Table of the Elements, Fahey released a series of extraordinary records, now compiled for the first time as Sea Changes & Coelacanths.

Here is Fahey's trademark American Primitive sound at its most harrowing and resolute. Featuring Skip James-influenced vignettes, deep-sea string-bendings, sonic collages, oaken reverberations and lengthy, impressionistic suites, these recordings — made between 1996 and 1998 — comprise a major portion of Fahey's canon, and are the logical next-step in his life-long journey of exploration. Sea Changes & Coelacanths embodies an artistic essence, with sounds that are undiluted, uncompromised, starkly honest, pure of vision and in every way innovative—just like the man himself.

“Now that John Fahey, the Great Koonaklaster no longer walks among us, it may be possible to review this final period of his amazing trajectory with the requisite objectivity. There is no more New John anymore; no more Old John. There is only John Fahey—Immortal Motherf*cker of the 20th Century.

"And it's time for you to eat his dust.”

—Byron Coley, from the liner notes

John Fahey "Sharks"

No.9 in a series of singles featuring regular Ghost Box artists, special guests and one off projects. This time it’s a collaboration between the label founder Jim Jupp’s band, Belbury Poly and Ian Hodgson’s marvellous Moon Wiring Club.

Other Voices 09

Belbury Poly & Moon Wiring Club - The Music Room (clip)

The Owl's Map (Remastered)

The Owl's Map

Belbury Poly - Wetland (Remastered) (clip)

Classic Wilted energy conjured here. Jetsetting aural enigma rocks the house one more time.
Buy her latest PL 7" offering here.......

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PL MIX - WILTED WOMAN

Elektryčka ir Dviratis [JonoBasanavičiaus]

Elektryčka ir Dviratis [ČiurlionioGatvė]

Elektryčka ir Dviratis [TauroKalnas]

OM COLD BLOOD imagines a watery world, ruled by digestion. The body is leaky, evolved from water, standing on earth, destined for the dirt. The earth is porous, plastic its awful lubricant. The ocean is a lachrymal vase. The garden is erotic, cheap therapy for human hands and errant arms.

From Bitsy Knox’s winding, corporeal poetics, and Roger 3000’s strangely romantic sounds, OM COLD BLOOD unfolds as the first-time musical collaboration of a decade-long friendship. Spoken word crawls around a densely collaged, guitar-based sound from which sampler, synthesizer, voice loops, and found elements emerge and distort. These sonic moods do not illustrate the words, but braid themselves through the spoken and sung narrative, wading and fading into the vulnerability of OM COLD BLOOD’s bonus track.

TRACK LIST:

Side A:
OM DIGESTION

Side B:
OM COLD BLOOD
OM OVER YOU

Bonus track: WALKING (a word to describe this messy happiness)

3

AugusteV

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