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Shahidi is a black american artist originally from Minneapolis. A singer, songwriter, and acoustic guitarist, Shahidi’s music is informed by his culture and experiences as an African American man in Minnesota and by the songs and traditions he grew up within his Sufi household. Shahidi draws upon the therapeutic and spiritual qualities of music and he vocalizes raw emotions and deep reflections surrounding the lived experiences of Black men, Black youth, and Black fathers. Centering pain, love, grief, and hard truths that are at times spoken about but not always heard, Shahidi’s songwriting will elevate the vulnerabilities of Black men in the Twin Cities. This blend of soulful acoustic guitar melodies and collaborative, cross-diasporic storytelling will also musically map a journey toward unity across Black communities in the Twin Cities.

Alineación Actual:
*Joselo Macías (Voz)
*Andrés Ochoa (Guitarra)
*Francisco Beltrón(Bajo)
*Humberto Beltrón (Teclados)
*Luis Gabriel Peralta(Batería)

*Behind Camera:
**Arianna Intriago Delgado (Graphic Design)


Ex-Integrantes:
Rodrigo Crespo
Dennys Mendoza 
Carlos Cedeño 
Jose Donald(Salvatierra)
Eduardo Rivadeneria
Kleber Loor
Ramón Mero

Dream pop ✧ Alternative

Debut album "Unrequited Love" (@pan-european-recording)
Follow us here:
https://www.instagram.com/fleur.bleu.e/ 
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Fleur bleu·e knits a music made of dreams and nightmares that calls our fragility to express itself, beyond the prism of binary gender and oriented towards an atmospheric future. It praises our inner sentient being and the beauty in little imperfections.

Banda de Ska Hardcore con claras influencias punk y metal. Esta banda es
el fruto de la ciudad de los reales tamarindos, Portoviejo en el 2015 ve nacer
a XKpiros con la idea de realizar un ska fuerte acompañado de un
sentimiento HardCore mucho más fuerte y pesado, para cambiar el género
y llevarlo al siguiente nivel. Xkpiros cuenta con liricas reales y de acción
dejando un mensaje directo al oído receptor siendo muchas veces de crítica
o reflexión social.

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