Singer/songwriter from Taipei, Taiwan. @ Little Livingroom. 

晟 ⏆ SHENG

本名顏晟文。作品跨足實驗聲響/電影/劇場之間，風格遊走在探究真實 (Acoustic) 與虛幻失真(Glitch)的聲音面向中。
曾受邀參與《失聲祭》、《白晝之夜》、《FUTURE VISION LAB》、《日本 橫濱藝術節》、《兩廳院 - 眾聲之所》、《臺灣當代文化實驗場 C-LAB》、《月 津港燈節》、《朱宗慶JPG擊樂實驗室》等現場演出。參與作品如:《消失的 情人節》、《范保德》、《青田街一號 》、《八八》、《孤單在一起》《寂靜 敲門》《不存在的金烏》等, 曾多次提名入圍金馬獎最佳音效及台新藝術獎。
 
現著重於聲音的取樣調變(Resampling, Modulation) 顆粒合成(Granular Synthesis)，融合擬音(Foley)，環境音和田野錄音(Ambience/Field Recording) 加上測試音效和傳統樂器(Test Tone/Traditional Instrument)。企圖呈現出融合 東/⻄方 世界觀的電子音樂場景，藉以創造出屬於未來台灣/世界的電子聲響。

Yan Sheng-Wen (Sheng) was born in Taipei, Taiwan. He is a sound artist, music producer and sound designer whose works crossover between experimental sound, film and theatre.
His works and performances have been presented in many organization and events, including Modernological Urbanscape – French art platform CHRONIQUES, HEIYE 2020 – Nuit Blanche Taiwan, Berlin based platform Salon Oblique, and Lacking Sound Festival, And It Come to Pass – Taipei Fine Art Museum, The Invincible Swiftness of The Golden Crow – Spain’s contemporary dance festival Masdanza, Nordic – Yokohama Dance Collection, Electric Indigo – National Theater & Concert Hall, 30th anniversary event, The Serene Gallery – MoNTUE, A Peacock Made of Light – Giuseppe Castiglione New Media Art Exhibition National Palace Museum, and Audiovisual Praxis – Sonic Anchor 22 CMHK. He also released his first studio album 晟 SHENG (self-titled album) in late 2019.
In addition, Sheng involves in various cross disciplinary projects. Such projects include FUTURE VISION LAB, an immersive dome installation curated by C-Lab and BITMEN, NFT projects initiated by Bitman, Shifting Borders, a VR funeral project by visual artist Huang Wei-Hsuan, and Current/y, by Chen Yi Studio, a 64-channel Live Audio/Visual performance, He also participated in a European tour with Lack Sound Festival, which was well received in England, Germany and Poland.
Sheng's current project combines a variety of elements and techniques, such as granular synthesis, Foley, ambient sound, field recording, test tones, and traditional instruments. In an attempt to create an electronic sound that belongs to future Taiwan.

Wayne Chiang is following