A fresh alias of NYC DJ, producer & label owner Tommy Bones, TB-203's Slacker 85 debut Movin' delivers a bubbling, raw acid workout that finds fresh heat at the intersection of jackin’ hip house and latin freestyle, driven by loose and lively vocals from DannyP.

Underscoring Slacker 85’s commitment to party over posture, ‘Movin’ has been tried and tested to deliver on its old-school promise.

TB-203 & Danny P - Movin'

Some artists choose to express themselves with music, but with Devon James, the music chose him.

It started with his grandfather, a tuba player for Dixieland Jazz bands that performed for the Ed Sullivan Show and Carnegie Hall. The family line continued with his father who manages and performs with foundational Jamaican ska group The Skatalites. As a teenager, James jumped on stage with his dad's band, playing guitar to crowds of thousands at festivals across Europe. Back home in Boston and still underage, he'd sneak into clubs by carrying the rocksteady DJ's gear. Countless nights spent studying his moves in the booth taught James how to use turntables, and soon enough, he was throwing wild college house parties of his own.

He came up DJing in the blog house era, and his love for electro led him to discover the funky disco, soulful Chicago house, and body-thumping Detroit techno that colors his sound today. His tracks and DJ sets are experiential, and carefully crafted for a particular time and place with an aim to get bodies moving. Felix Da Housecat is a fan, having tapped James as a production collaborator and tour manager for years. Co-credits on his mentor's 2015 LP "Narrative of Thee Blast Illusion" included musical and visual direction for album single “The Natural” feat. Lee Scratch Perry. The hands-on, ground-up experience gave James the confidence to push his own vision toward the spotlight.

Armed with a multidisciplinary background, a vast array of influences, and a lifetime of experience maneuvering the industry from all angles, James' biggest strength is his range. 

“I like cooking, but I don't want to eat the same dish every day,” James says. “As an artist, it's necessary to try different things and experiment. I am going to do something different, and I think people are ready for that.”

A degree in film and sound design helps James approach each creation with a holistic concept, so he can conjure not only a dope groove but a fully fleshed world. His reggae roots also infused his art with a sense of moral purpose. For 12 years, his RVDIOVCTIVE art collective and event series brings that intention to life with parties that blend social and political movements with dynamic lineups reflecting both the foundation and future of electronic music culture.

Evocative, experimental, and always focused on fun, James' myriad influences converge in a career that is deeply rooted in staying unique and coming correct. 

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