Acordes com café

Você me fez

A tender acoustic ballad built on gentle guitar work, which grows gradually towards an epic strings-laden finale, 'Headlights' continues the emotional thread woven throughout Celestial Skies' latest album 'The Art of Breaking Hearts' — a rich exploration of love, loss, and self-reflection. The track is equal parts vulnerable and self-aware, pulling listeners into an intimate, confessional soundscape that feels both universal and deeply personal. The song was recorded and mixed at Manchester's renowned Blueprint Studios, and mastered at London's iconic Abbey Road Studios. It is released as a single on Friday 12th September 2025.

Headlights

Performed by: Altai
Music and lyrics by: Tessa Collins 
Produced by: Lachlan Mitchell
Co-produced by: William Evans
Mixed and mastered by: William Evans
Art by: Andrew Wilkinson

Tessa Collins - guitar, bass, vocals, synth, drums

Lyrics

And you run away, with your hands in the air and another mark of hate on your face 
Today
You’ve been throwing your darts 
But someone always gets in the way
The times are changing for your own sake 
There’s only so much pride you can fake 
Then you play “dumb” and wonder what the law has to say 

Cause nobody told him 
If it’s alright, if it’s ok 
And everyone showed him that it’s his right 
Don’t get in the way 

And you run away, with your gun in your hand and another DDC to your name  
Again 
You were doomed from the start 
Now someones tryna put you away 
Suppose you better find who to blame
Another broken heart on the way 
And you play dumb today 
Why’d you have to be so rough 
And why’d you have to be so tough 
And you play dumb and wonder what the law has to say 

And all you want to be is someone that can speak with their arms 
It’s never gonna be enough
It’s never gonna be enough 

And all you wanna hear is everyone to say you were right 
Why’d you have to be so rough
Why’d you have to be so tough

Cause nobody told him 
If it’s alright, if it’s ok 
And everyone showed him 
That it’s his right
Don’t get in the way 

Cause nobody told him 
If it’s alright, if it’s ok 
And everyone showed him 
That it’s his right
Don’t get in the way 

Take you away 
Take you away 
Take you away 
Take you away

All At Once

Altai - Brawl

Campo Minado

A cheeky Northern pub ballad about one pint, one lass, and one unforgettable night.
She came swingin’ in with boots untied... and nothing was ever the same.
Set in a village with heart, trouble, and just enough charm to make a man stay.

[LYRICS]

To town I came with no plan grand  
For peace, a pint, and village band.  
Took the lane for quiet grace  
Then Maggie tore up the place.

This lass Maggie came swingin’ through,  
With boots untied and trouble due.  
She gave the room her greetin’ glance,  
A nod, a wink, a half-done dance-

She caught my eye and held it still,  
A stranger’s face, a fresher thrill.  
She looked me over, head to heel,  
Then wandered up to strike a deal.

She laughed like sin and danced like grace,  
No thought, no pause, no savin’ face.  
One wink, one cheer, and all gave chase-
Then Maggie tore up the place.

I thought it banter, light and plain-
A village flirt, a drinkin’ game.  
A wee bit more than I’d ignore,  
As grins gave way to something more.

She laughed like sin and danced like grace,  
No thought, no pause, no savin’ face.  
One wink, one cheer, and all gave chase-
Then Maggie tore up the place.

Turns out this lass, all boots and flair,  
Spends her days with chalk and stare.  
A teacher wranglin’ bairns and lads,  
Who swaps the bell for pints and chats.

P’rhaps my peace was wrongly sought-
A bit o’ wild is what I ought.  
If trouble wears a smile that wide,  
I’ll chase it 'til she’s by my side.

So Maggie, lass, don’t slip away-
I reckon I’ll make home and stay.

She laughed like sin and danced like grace,  
No thought, no pause, no savin’ face.  
One wink, one cheer, and all gave chase-
Then Maggie tore up the place.

She laughed like sin and danced like grace,  
No thought, no pause, no savin’ face.  
One wink, one cheer, and all gave chase-
Then Maggie tore up the place.
  
O Maggie, lass, don’t slip away-
I reckon I’ll make home and stay.

When the Lass Maggie Tore Up the Place – A Pub Tale of Pints, Trouble and Grace

Hold Me Back

Summertime.wav

I Believe In You

Clean My Room

Wait until tomorrow

'Runaway' is a story about escaping, leaving behind pain, pressure and the past. It follows an emotional journey of someone who feels lost or overwhelmed, choosing to run not just from a place, but from a version of themselves. But at its heart, it’s also about return. Through the light of human connection, friendship, love, empathy. The runaway finds their way back. Not just back home, but back to themselves.

Runaway

Glass Half Full

"Red Flag" is a raw, cinematic indie-pop track by singer-songwriter Dave Curl, blending acoustic depth with emotional storytelling. Inspired by a real phone call with a friend stuck in a toxic relationship, it’s a heartfelt call to recognize the signs and walk away.

Red Flag

I Don't Wanna Wait

Lyric Video: https://www.youtube.com/watch?v=5CZc0AHbgcU
Stream: https://ffm.to/dellwood-rainlost.bio

Marking nearly one year since the first Dellwood release, “Rain Lost Its Water” feels like both a return and a progression — echoing the intimate melancholy of debut single See Your Face while introducing new sonic textures that reflect the project’s evolution.

This cinematic folk song was born from two evocative lyrical seeds: 
“Half the bulbs are burnt out on my old porch” — cozy and nostalgic. And the title phrase — “The rain lost its water” — poetic and heartbroken.

“This one started with two images — the porch with burnt-out bulbs, which felt nostalgic and cozy,” explains Chris Bartels, “and then ‘the rain lost its water,’ which came out of nowhere and carried this heavy, melancholic weight. I became obsessed with marrying those two moods: the heaviness of loss, but also the warmth of memory.”

The track weaves these emotional threads into a story of love lost, rooted in memory and season. It’s deeply autumnal — not just in imagery, but in tone. A gentle unraveling. A reflection. A letting go.

The vocal production is thick and immersive: layered harmonies, octaves, and subtly processed vocoder moments build a sonic bed that mirrors the emotional weight of the lyrics. For the first time in the Dellwood discography, slide guitar appears, making a haunting and heartfelt impact.

“Rain Lost Its Water” is a clear example of what Dellwood has come to represent — a space for both craft and intuition. A balance between intensely working the material and also stepping aside to let the song emerge.

For fans of Hazlett, Novo Amor, Bon Iver, Noah Kahan, S. Carey, Iron & Wine

Press Highlights for Dellwood (Year One):

* “Soul-stirring indie-folk… raw and intimate strums wonderfully juxtaposed with cinematically produced vocal layering.” – Up To Hear Music

* “Delicate harmonies radiate raw emotion and soul… a hauntingly personal atmosphere.” – Caesar Live N Loud

* “Explores the weight of family through a haunting narrative… lyrics ache with unspoken words.” – Purple Melon

* “An intimate slice of folk… emotional power and sincerity reminiscent of early Bon Iver.” – We All Want Someone To Shout For

* “A warm, atmospheric soundscape… tackling life’s challenges and finding solace in shared vulnerability.” – Purple Melon

•

LYRICS

Half the bulbs are burnt out
On my old porch 
And the candle fragrance left me
Only wanting you more

The fall weather, sudden
Has me thinking me about
The night we stayed up laughing
And crying on the floor

I swear autumn lost its color
And the sun turned to gray
The rain lost its water
When you went away
And darling, I’m sorry if I let it slip
I’m sorry if I let it fade
The rain lost its water
When you went away

Took a trip to the mountains
Left behind our maps
Was hoping the high ground
Would help us find our breath 
But I saw your ticket’s one way
And I face our silhouette
Now the wild takes me
Back to the day we met

I swear autumn lost its color
And the sun turned to gray
The rain lost its water
When you went away
And darling, I’m sorry if I let it slip
I’m sorry if I let it fade
The rain lost its water
When you went away

I swear autumn lost its color
And the sun turned to gray
The rain lost its water
When you went away
And darling, I’m sorry if I let it slip
I’m sorry if I let it fade
The rain lost its water
When you went away

Rain Lost Its Water

Toronto-based singer-songwriter and filmmaker David Jane returns with his most riveting single yet, “Story of a Night.” Building on the nostalgic introspection of his recent singles, the track delivers a quick, impassioned burst of romantic memory and unresolved longing. At under three minutes, it’s a whirlwind of pleading energy that ends abruptly, leaving listeners with the same insatiable craving that defines its subject matter.

Following “Garden Out Back” and “Five and Dime,” which explored grief, nostalgia, and dissociation, “Story of a Night” leans into both romanticism and bitterness. It asks the haunting question: if something was truly that good, how can life continue as if it never happened? Was it ever real, or just a story imagined?

Story of a Night

Enjoy Like My Hometown Do. Be sure to follow me on socials and streaming!

Like My Hometown Do

A raw, sarcastic take on modern ambition and burnout, “Isn’t That Lovely, Dear” traces the pressure to succeed, the grind that drains us, and the hidden battles no one sees. Blending irony with empathy, it shifts from biting social commentary to a heartfelt reminder that worth isn’t measured by goals.

Isn't That Lovely, Dear

Hey, old friend
Remember the storm?
And maybe I'm a fool

Burn my youth
On Monday, or in the winter
Amazing mound of mine

Cause all I have is all I know
Something close to nothing
Cause all I have is all gone

Wait
Was it the wrong fire?
Or the fable?
Man of mine
Amazing time

Cause all I had is all I want
Something close to nothing
Cause all I have is all gone
Something close enough

Mix+Master by Gus Van Sound

Man of Mine

Quando Bate Aquela Saudade

Bio – English

H-dMan Such is a DIY artist who moves freely across genres — from dreamy indie pop and Britrock to psychedelic textures, dark synthscapes, and world-inspired grooves. What began as raw experiments has grown into a distinct voice, with hundreds of songs capturing different moods and stories.

Right now his music blends the mystique of Arabic and Mediterranean sounds with the pulse of indie and electronic layers, creating a sound both intimate and expansive. With each release, H-dMan Such keeps building bridges between cultures and genres — always forward-looking, always evolving, with bold plans for the future.



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