A poem about this political internet climate , long gone love, friendship, forgiveness and of course musical collaboration, The beautiful body of this song is an ambient work from Wilfried Hanrath.. I have added a bassline from a Roland bass machine, lyrics and vocals, and a complimentary musical background made with a Fender strat and Melotron..  Fyi, Wlifried has done another version of this song with an added intrumental verse in the middle that is very beautiful and well worth a listen that can be found on his page..!!

Lyrics:
Insular depravity, and  narratives so Bizarre and Brazen, stuffed full in cavities with hand grenades, chocolate bars, and mason jars full of unfamlliar items.
Please sit a spell and help me with the truth, it's hard to tell sometimes, and it can hurt like hell.
You gave me water from that spring that filled the tank, it was the sweetest coldest, cleanest, clearest water that i ever drank, But now i have to let it go and not a moment waste on life long gone and lived in reckless haste.

LONGINGS***Take 2  ( A collaboration with W:I:L-o' the-wisp. WILFRIED HANRATH..)

Blank two

Improvisation

Our three co-hosts are stuck in the multiverse and need to get back to their home universe. Clearly, the only way to do that is to explore our cultural obsession with multiverses, alternate timelines and parallel worlds, and tie it all into a conversation about post-modern art, pop culture, and the lessons these stories teach us. Also, each episode, one of them is an asshole who will probably sabotage the whole thing.

This week, we discuss 2022’s Everything Everywhere All At Once! 

Features:
Michael Swaim: https://twitter.com/SWAIM_CORP
Adam Ganser: https://twitter.com/therealganz
Abe Epperson: https://twitter.com/AbeTheMighty

Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans
Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691

520. Escape from the Multicurse: Everything Everywhere All At Once

Hosts Josh and Jamie and special guest Cameron (of Podcast About List) discuss ostensible children's films about men in monstrous rubber suits gruesomely kicking the shit out of each other in Ishirō Honda's DESTROY ALL MONSTERS (1968) and Steve Wang + Screaming Mad George's THE GUYVER (1991). Next week's bonus episode is a patron-exclusive bonus episode kicking off Spooktober with Sergio Martino's ALL THE COLORS OF THE DARK (1972) and YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY (1972), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast

Intro // 00:00-14:15
DESTROY ALL MONSTERS // 14:15-1:14:00
THE GUYVER // 1:14:00-2:10:22
Outro // 2:10:22-2:14:52

MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667
WEBSITE: www.sleazoidspodcast.com/

Pod Twitter: twitter.com/sleazoidspod
Pod Letterboxd: letterboxd.com/SLEAZOIDS/

Josh's Twitter: twitter.com/thejoshl
Josh's Letterboxd: letterboxd.com/thejoshl/

Jamie's Twitter: twitter.com/jamiemilleracas
Jamie's Letterboxd: letterboxd.com/jamiemiller/

243 - DESTROY ALL MONSTERS (1968) + THE GUYVER (1991) ft. Cameron (@nibiru_TRUTH)

Reciting Pi ( Square Root Mix) 

All original independent recordings
from Buile Sessions November 2022
 
Backing Vocals & Organ Synth :  Julia 

Buile Bop @ The WTR. ie

Reciting Pi (Square Root Mix)

This week we have an update on the FBI raid and impending indictments against members of the Uhuru Movement, what Damar Hamlin teaches us about the business of football, and how retired employees of the city of New York may be forced into privatized Medicare plans in order to receive the free healthcare they were promised.

Black Agenda Radio January 13, 2023

Mantra

Contradictory

Dimitri and Khalid continue their multi-episode journey into the actually existing history of the geographic region known for millennia as Palestine, and the actually existing people who inhabited it under (mostly) uninterrupted Ottoman rule from 1516 to 1918.

PART TWO: Peaceful Crusades and Protestant Penetrations, 1838-1880

European religious-cultural penetration of Palestine in the mid-19th century, the ideological advance work of England’s “Gentile Zionists”, the rising Eastern Question, the appointment of a British consul in Jerusalem in 1838, building an Anglo-Prussian Protestant “cathedral” to challenge Russia and France, “Promoting Christianity amongst the Jews”, the “Restoration of the Jews”, sus Lord Palmerston, early British proposals for Jewish colonies in Palestine, “Who are the Arabs?”, Red Cross founder Henry Dunant’s colonial worldview, Teutonic fantasies of conquest, and more.

Tracklist:
Muslimgauze - Infidel Asphyxia 1
Musimgauze - Mount of Olives 1
Muslimgauze - Mohajir
Muslimgauze - Eye For An Eye

[#174] THE LAND BELONGS TO WHOM IT BELONGS, Part Two: Peaceful Crusades & Protestant Penetrations

https://tectorumtapes.bandcamp.com/album/berlin-reverberations-from-remembering-yet-to-occur

Berlin

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

the Sea They Think They Hear (2021)

Welcome fellow SLEAZOIDS!!! Come along as hosts Josh Lewis and Jamie Miller (and, occasionally, guests) go down the rabbit hole of 20th century genre fare from the most influential canon classics to the the trashiest exploitation films we can get our hands on. Each week is a double feature—grindhouse style—where we discuss two films loosely related by subject, genre, actor, filmmaker or franchise and at the end of each episode, along with our HONORARY SLEAZOIDS (click on over to our patreon to become one), we decide on ratings and rankings for each film that's covered. Join us as together we work to uncover the best genre films of 20th century.

243 - DESTROY ALL MONSTERS (1968) + THE GUYVER (1991) ft. Cameron (@nibiru_TRUTH)

SLEAZOIDS

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