Under the Same Sky

Backfire

Foreign Body

Under the Same Sky (Deluxe Edition)

Parasite

Gagging Order

The Puppeteer

Blackfield - 1,000 People

Just a cover of SOEN's Lotus, my favourite Swedish progressive band. 

No copyright intended.

Check out song on YouTube with the video edit:

https://www.youtube.com/watch?v=lQK0S0nDXv4

SOEN - Lotus by DarkO

Third single from the album "Shrine of New Generation Slaves" released January 2013

(P) 2013 The copyright in this sound recording is owned by InsideOut Music

We Got Used To Us

New single taken from the forthcoming album 'Restriction'. Due for release on January the 9th, 2015.

You can now pre-order the album 'Restriction' on CD and Vinyl via the following link:
smarturl.it/h073cc

Pre-order on iTunes and receive the singles ‘Feel It’, ‘Black & Blue’ and ‘Kid Corner’ now…
geni.us/3yk

The release of 'Restriction' will be followed by a European tour. All dates available on our official site:
http://archiveofficial.com

Black & Blue

Black and Blue

Cold Tea Morning

“Fragments of Time” is a philosophical and emotional concept album exploring the fragile relationship between memory, time, and identity.
It does not tell its story linearly — instead, it moves through shifting fragments of recollection, where each song captures a different facet of the self seen through distorted memory.
The album asks a central question:

Who am I, if my memories can no longer be trusted?

Across its tracks, Fragments of Time navigates the blurred boundaries between what was, what might have been, and what was never real at all.
Themes of lost childhood, missed chances, trauma, and false remembrance weave through a non-chronological soundscape of progressive and psychedelic rock — blending analog warmth, orchestral textures, and experimental atmospheres.

Musical motifs reappear in altered forms throughout the record, symbolizing the reconstruction of identity through imperfect recollection.
Each reprise is like déjà vu — familiar yet subtly changed, mirroring the way memory reshapes itself over time.

The sound is both melancholic and cinematic:
delicate acoustic passages dissolve into vast, orchestral swells; distorted guitars and reversed pianos evoke the collapse of linear time; ambient textures breathe between moments, like ghosts of songs already forgotten.

In the end, Fragments of Time reaches no definitive conclusion.
Instead, it finds resolution through ambiguity — accepting that the self is not a fixed truth, but a continuous act of remembering and letting go.
The closing track, “Unwritten Hours,” fades into reversed echoes that lead seamlessly back to the opening of “Echoes Before Dawn,” creating a circular loop — a sonic metaphor for time folding in on itself.

The Weight of Silence

KMT KI Media 2025 (15.09.2025)
Album Nr. 157 "Neon Gerechtigkeit by KMT" - Style: Electronic, Synthwave, Ambient, Pop, Rock, Folk | Tracks: 32 (ai generated)
Lyric: Deutsch

Thema: "Neon Gerechtigkeit" taucht ein in das dunkle Herz der Kriminalität, pulsierend im Synthwave-Sound. Jeder Track beleuchtet die Geschichten der Opfer, die Schatten der Täter und den Kampf um Gerechtigkeit in einer Welt voller Neonlicht und digitaler Echos. Dieses Album ist ein Aufruf an das Gewissen, eine klangliche Erkundung der Moral in einer Cyberpunk-Landschaft, wo Hoffnung vor dem Hintergrund eines zerbrochenen Systems flackert. Ein Mix der Genres erschafft eine kraftvolle, zum Nachdenken anregende Erfahrung.

Track 01: Zersplitterte Spiegel
Akustik-Folk, Synthwave

Track 03: Stummer Code
dark hip-hop, synthwave, electronic

Track 05: Erinnerung an die Gefallenen
klassisch, synthwave, instrumental

Track 07: Blutrotes Raster
blues-rock, synthwave

Track 09: Der Schweigevektor
Pop, Synthwave

Track 11: Betonpuls
urban, synthwave

Track 13: Gefallene Sterne
ballad, synthwave

Track 15: Schuldwellen
country, synthwave

Track 17: Gebrochener Kreislauf
R&B, synthwave

Track 19: Schattenprotokoll
Electronica, Synthwave

Track 21: Hassfrequenz
reggae, synthwave

Track 23: Die Jagd nach Recht
metal, synthwave

Track 25: Horizontdämmerung
folk, synthwave

Track 27: Oberflächenscan
alternative rock, synthwave

Track 29: Weltwelle
pop, synthwave

Track 31: Neon Tränen Requiem
downtempo, electronic, ambient

If you would like to use my music commercially, please contact me. No financial income may be generated from my music without my permission. My music is free for private and commercial use. However, I would appreciate it if you would credit me (Kurt Michael Treichl) as the author. Please also mention that this is AI music.

Thank you for your time. Enjoy your journey through my artificially created musical paradise.

© Album cover and music were created by Kurt Michael Treichl using AI support.

Best regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me for more on
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

08 Blutrotes Raster v2

In 2010 Anathema released We’re Here Because We’re Here, the band’s first new album for almost seven years. The album was awarded Classic Rock’s Prog Album of the Year as well as a host of other accolades and the producer, Steven Wilson (Porcupine Tree), has described it as “definitely among the best albums I’ve ever had the pleasure to work on.”
The band now return with Weather Systems, their brand new studio album. The album will be available as a limited edition 2 disc set which will come packaged in a deluxe digibook and feature a 5.1 surround sound mix of the album.

Anathema have been at the forefront of the UK rock/metal movement for many years. They began their journey as pioneers of melodic heavy music, influencing a myriad of bands to follow them, before outgrowing all genres and limitations as they fearlessly explored new territory and new ways to express feeling through sound.

Formed in Liverpool in 1990, the band’s sound, and musical vision has continually evolved over the ensuing years while always remaining true to their original goal of creating forward thinking, meaningful, passionate and honest music. The line-up is really a collective of two families who were quite simply born to do it. Anathema consists of brothers Vincent, Daniel and Jamie Cavanagh, alongside childhood friends John Douglas and his sister Lee, who is an incredible singer in her own right.

There is a deeper bond in the group that transcends usual band politics, ego, and self-interest. They have a shared vision: to make the most incredible music they possibly can, and it seems, despite the lavish praise heaped on the band for their past work, that they are now taking their work to a whole new level.

Pre-order the album from the Kscope store here: http://www.burningshed.com/store/kscope/collection/222/

Anathema - The Beginning and the End (from Weather Systems)

Blackfield (Remastered)

Cloudy Now (Remastered)

We've worked it out, figured out what its all about
Don't retreat but don't be seen, Let nothing come between
No more lazy days, what rate do they pay?
Here's a knife, carve a life. As we plot your downfall in the nearest aisle

They're nailing up the coffin but you're smiling as you go
Coining in to nothing, it's all part of the freak show
Walk in my shadow
Ritual exclusion is just a part of everything
And tolerance depends upon the song you sing
Who's poison arrow?
And if you dance, you command no more respect
Now we'll have to find some other way to keep the children safe
Eve's been at the drawing board to segregate the human race
Falling from an altercation, you're put in a situation
Denied access to the one thing bound to stop you going under
Now you'll have to face tomorrow with no hope to beg or borrow
Once you count it up you know you're gonna find it's not enough
Your only hope's to cook the books, Pray the man don't choose to look you up



The Puppeteer

Sleeping Pulse

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Gunnar Carlberg

user855094843

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