This is making me want to listen to Another Green World or Music for Airports : ) ... It's been a very long time ... <<<<<3

Great track, as usual, perfect to listen looped. Tank you very much for this : )

[UNDER CONSTRUCTION]

Calm and Steady tracks series no. 364

created 2023/03/30

Picture CREDIT:
(c) Nature Lover – all rights reserved

HK_Calm-&-Steady_tracks_364

Kay Oh

Broadcast of daytime nightmares is a quintessence of insomnia, derealization, and a pinch of eastern vibes. Feels like surfing internal radio waves in search of the right frequency.

äsc3ea [es 'tse: a]

Emma Grünwald Hamzayeva is an audiovisual artist and musician, currently based in Kyiv, Ukraine (born in Baku, Azerbaijan in 1994).

Emma writes music under the alias "äsc3ea" and creates visuals, combining such media as generative art, AI, design, video, and photography.

She creates works analyzing and reflecting on topics in the field of psychological science and neurobiology such as mental health, cognitive dissonance, and sleeping disorders.

While creating music she is searching for some warm analog sound, which takes you back to childhood, and creates a naïve comfort sensation. At the same time, she mixes it with the glitchy, warped, detuned sound that tends to confuse you and creates some dissonance.

The aim is to uncover the contrast between the comforting sensation of naïve childhood memories and the glitchy, distorted, out-of-tune, messed up, dissonance reality that we experience nowadays.

Label: [GSMKW: Gesamtkunstwerk]
Genre: Electronic / Experimental / Ambient

More info:
asc3ea.com
instagram.com/asc3ea
asc3ea.bandcamp.com

Plague, War & Famine

Kvass Ilium

20230322

3 Navajo Vc

Z albumu "Galaxy Of Flesh OST" (chlk1.bandcamp.com/album/galaxy-of-flesh-ost)

pl/
Na początku 2023 roku, reżyser teledysków i reklam, Keith Schofield zamieścił w sieci serię grafik rzekomo pochodzących z zapomnianego filmu Davida Cronenberga pt. "Galaxy Of Flesh".

Produkcję będącą body horrorem rozgrywającym się w komosie datował na rok 1985. Obraz nigdy jednak nie powstał, zaś spreparowane kadry Schofield wykreował za pomocą programu
o nazwie Midjourney.

Zarówno pomysł jak i jego realizację przyjęliśmy z dużym entuzjazmem (zgoła inaczej niż Cronenbergowi ultrasi :) ). Co więcej, postanowiliśmy urealnić ten projekt naszą własną oprawą muzyczną.

Tak powstał soundtrack do "Galaxy Of Flesh". Oscylujący wokół oldschoolowej elektroniki i synthowych melodii. Pełen połamanych rytmów i zimnych brzmień. Inspirowany konkretnymi grafikami ze zbioru Schofielda.

(uchylak i śrutownica)

en/
In early 2023, music video and commercial director Keith Schofield posted a series of images allegedly from David Cronenberg's forgotten film, "Galaxy Of Flesh".

The production, which is a body horror set in a cosmic space, dates back to 1985. However, the picture was never made, and Schofield created the prepared frames using a program called Midjourney.

We accepted both the idea and its implementation with great enthusiasm (quite unlike Cronenberg's ultras :) ). What's more, we decided to make this project real with our own music
.
This is how the soundtrack to "Galaxy Of Flesh" was created. Oscillating around old school electronics and synth melodies. Full of broken rhythms and cold sounds. Inspired by specific graphics from the Schofield collection.

You can see the gallery of graphics for "Galaxy Of Flesh" here: imgur.com/gallery/KQrpbw3

Ubocze Rec. 029

Galaxy of Flesh OST

13. Date With Yourself // from: "Galaxy Of Flesh OST" (1985)

Give Me A Sign - Alternate Version: https://orcd.co/jdjgjv0
More music: linktr.ee/mariesahba
Youtube: bit.ly/38VyYUM
Website: www.mariesahba.com/
Instagram: bit.ly/3tYToEn
Facebook: bit.ly/2P4LY3W

Written by Marie Sahba & Martin Vinje
Produced by Martin Vinje & Marie Sahba
Mixed and mastered by Martin Vinje
Sahba Records

Cover photo by Emre Köktaş

Give Me A Sign - Alternate Version

Sun Miners - Consider Me a Dream

Sun Miners - Nocturnal Death Poem

Owies - Deszcz Idzie, Wiatr wieje

A song made from old radio recordings, with kaval nad lap steel.

Photo by Wim Arys on Unsplash
      

Owies - Radiowa Piosenka

Second piece from my new project inspired by old synthesiser music from communist era

Pszenżyto - Mięsożerne żyrafy z Czarnobyla

Live @ Zaboböny XIII / Ostatnia Wieczerza / 1.11.2024 /

Dis Fig's (@dis_fig) debut LP, 'PURGE', out March 15, 2019 on PTP cassette and digital editions. 

'PURGE' is the debut album by Dis Fig. While the New Jersey born, Berlin-based artist is best known for her relentless and downright brutal DJ sets, this work comes in at a much different trajectory – an exploration of her own vulnerability through varying degrees of noise, vocal migrations, and orchestral composition. 

“'PURGE' is about confronting the feelings which you have been avoiding. Consciously or subconsciously. Feelings you want to be feeling or “should” be feeling but you can’t because your body won’t let you. Because maybe it knows it’s not safe for you.  

It’s when you reach that moment which makes your brow furrow because your chest is getting hot and something is about to erupt. When the feeling starts crawling up your neck, choking you, and you could try to make it stop but maybe it’s better for you if you don’t. When what comes out is painful - it’s tragic, it’s crippling. But with it comes a sliver of beauty. It’s burning and it’s stunning. 

When it’s over, you may learn by staring at the embers.”

Written/Produced: Felicia Chen || Arranged: Felicia Chen & Geng || Co-Production ("Purge" interlude & "I Am The Tree"): Geng || Mixed (tracks #1-8): Joni Juden || Mixed ("I Am The Tree"): Geng || Mastered: Joni Juden || Flute ("Drum Fife Bugle" & "I Am The Tree"): Adam Sinclaire || Trumpet ("Drum Fife Bugle" & "Alive"): Sasha Perera || Trombone ("Drum Fife Bugle" & "Alive"): Thomas Romana 

Photography: Alice Z Jones || Artwork & Cassette Design: Jeremiah Carter

PURGE

PURCHASE

Dis Fig - Unleash (from 'PURGE' [PTP2013])

Improvisation On Membrane Horn And Double Zhalnik. Live. Riga, NOASS. 6.08.2020

Improvisation On Diga With Vocal. Live. Riga, NOASS. 6.08.2020

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

13. Date With Yourself // from: "Galaxy Of Flesh OST" (1985)

Sleezy Dog

Recent comments

m o n o k r o m e

Ha Kékong

Ha Kékong

Related tracks