Written by Arthur Russell.
Produced by Arthur Russell & Peter Gordon.
Mixed by Peter Gordon.
Rap by Andre & Abel.
Mastered by John Flynn aka Spaces 
at Balance Mastering, London.

12" Released in April.

Coming Soon: 
Arthur Russell's Instrumentals Directed by Peter Gordon
at Primavera Sound 2015, Barcelona. 
First Ever Time in Europe.



Dinosaur L - Clean On Your Bean #00 featuring Peter Gordon

Lyrics,Produced, Music, All instruments by Nakita Demir.Vocal Arrangements,Vocals,
Mixing,Mastering,Engineering,Recorded, etc 
Powered By Nb Nakita for Nb Nakita Productions

NB NAKITA FT. SPAIN "HORIZON BLURS"

The Man

They Spent No

Jean Bernard Raiteux 
Les Demons
FKR086
LP | Digital

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor’s most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell’s well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco’s filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco’s sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve’s The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto’s Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco’s wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco’s films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco’s harshest critics a second chance/reason to reevaluate this man’s unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai’s score for Franco’s 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco’s life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn’t pretentious and never delivered art for art’s sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

www.finderskeepersrecords.com

Jean Bernard Raiteux - The Weakness Of Rosalinda

Captain mustard - Quiet Move

Jockey Club, Music for Dreams - the Sunset Sessions, Vol. 6 - Compiled by Kenneth Bager

Why Are We in Love

Jane Weaver’s new ambient ensemble Fenella take on Marcell Jankovic’s 1981 animated fantasy epic ‘Fehérlófia’ out 1st November

Pre-order link: https://fire-records.lnk.to/fenella

‘Fenella’ is the latest project from Jane Weaver - musical polymath and one of the most respected electronic composers of recent times. Having already released three critically-acclaimed LP’s within the last five years Weaver’s creativity continues to expand ever further into the (modern) kosmos with this reimagined soundtrack to Marcell Jankovics’ cult animation Fehérlófia.
 
Released in 1981, Fehérlófia is a remarkable animation based in ancient folklore with a narrative culled from mythical tales of the Scythans, Huns and Avars. Weaver’s richly emotional and psychedelic music offers a perfect contemporary dialogue with Jankovics’ astonishing visual aesthetic. A mixture of ambient textures, menacing drones and spine-tingling vocals combine to create a lavish soundscape saturated with hypnotic moods and cinematic atmosphere.
 
Weaver’s long-term bandmates Peter Philipson and Raz Ullah decamped to a remote cottage on the Applecross Peninsula in north west Scotland to commence recording on the initial album sessions, making masterful use of synthesizers and heavily processed guitars to create evocative new sound-worlds for Jancovics’ imagery. Further overdubs and vocal manipulations were committed to tape at Eve Studios near Manchester, a haven for vintage analogue recording equipment and the same environment from which ‘The Silver Globe’, ‘Modern Kosmology’ and ‘Loops In The Secret Society’ albums sprung forth.

A continuation of the Fire Records re-imagined score series, Fenella’s self-titled release is out 1st November on limited edition ink spot vinyl and crystal clear LP.

Captain mustard - Quiet Move

sleuthinesss