Dubiterian is a dub music producer and melodica specialist.

Hecklers Inc/ Di Phoenix's Soundcloud is dedicated to the preservation of sound system culture both past & present. "MUSIC WI SEY"... We have created numerous Playlist for various mixes as well as Sound Systems, such as King Jammy's, Stone Love, King Addies, Killamanjaro, Bass Odyssey, Lp Intl, Black Kat, Fire Links, Metro Media, Soul Supreme & many more. Our Selection will increase as we grow. Always Remember "MUSIC WI SEY"

E-mail - soundtape.com@gmail.com
Website - www.soundtape.com

No. 1 in the world at restoring and mastering sound tapes!!!
Focusing on reggae cassettes recorded from 1980-2006 before the CD Era.
I will add high quality versions of cassette tapes free of charge to ‘promote dancehall reggae culture’ and to preserve our history- the right way.

I have purchased quite a few collections of tapes in the UK and I am interested in buying more.... contact me.

Bookings: louis.cawthorne@teamwass.com
Manager: will@dnballstars.com

Delivering high quality Drum & Bass content to party people around the world.

When Jesse Royal was only a cub, the Lord revealed to his mother that she would have to release one of her sons to the world, proclaiming “he will be a psalmist, declaring righteousness and justice throughout creation.” As Jesse matured into a young lion, his mother observed in him a strong sense of integrity and a natural ability to positively affect those around him. But, it was his deep spirituality, passion for life and unique connection to music that would convince her that he was being molded to be used by the Creator. 

Jesse David Leroi Grey, aka Jesse Royal, was born April 29, 1989. He enjoyed his early years in the hills of Maroon Town and the District of Orange in St. James before moving in the late 90’s with his mother and brother to join his father in Kingston. As fate would have it, Royal developed a special relationship with Daniel ‘Bambaata’ Marley (son of Ziggy Marley) at school. His friendship with Daniel proved to be fuel to the fire as they shared a deep passion for music and football. Their friendship evolved as they spent a great part of their childhood together. Soon the natural inclination confirmed they were simply brothers with different mothers. As these cubs became lions so grew their devotion to music. With the help of longtime friend Curt ‘Qban’ White they began composing and creating their own music. And together they proceeded to fulfill what they knew was a predestined musical journey, designed to inspire, engage and unite people beyond all geographic borders. 

After Jesse returned home from schooling abroad, he reestablished a relationship with high school friend and young producer Kareem ‘Remus’ Burrell (son of Philip ‘Fatis’ Burrell). They began creating and composing music together also, which developed into a Movement as they shared similar views on the social state of Jamaica. 

Blessed with a voice that captures the pain and hunger of a ‘downtrodden’ people; Royal’s militant character and profound lyricism caught the heart of heralded reggae producer, Philip ‘Fatis’ Burrell. Fatis Burrell, affectionately called ‘Father’ had a great and pure impact on the ‘old soul’ of Jesse; as he credits him as an invaluable inspiration and one of the most influential individuals that he has ever encountered.

Working with musicians such as Sly Dunbar, Robbie Shakespeare, Donald Dennis, Earl ‘Chinna’ Smith and Monty Savory; Jesse is currently in the studio putting the final touches on his debut album with producer Kareem Burrell of the XTM.Nation. Jesse Royal has released three mixtapes , Misheni, In Comes The Small Axe and Royally Speaking with Major Lazer. His Debut Album "Lily of The Valley" is now available on all digital platforms.

Although very much a south-east London phenomenon, the story of Ariwa really begins several thousand miles further south west in Georgetown, Guyana, where Neil Fraser (Mad Professor) was born in 1955. 
Prof was ridiculed when he first set up a studio in the front room of his south London home in the late 1970s, but plenty of hits soon followed thanks to his creative drive, perceptive production skills and technical expertise behind the mixing desk; in the best reggae tradition, Ariwa drew from diverse influences to create a unique sound, making use of unbridled artistic ambition to fill any gaps that may have appeared due to a lack of finance.
Mad Professor issued the first of his Dub Me Crazy series in 1982; by 1993, he was up to Chapter 12 and quickly followed such releases with the Black Liberation Dub series and further dub excursions with Scientist, Mafia & Fluxy and Sly & Robbie. He also strengthened ties with Lee Perry, cutting a series of albums with Scratch at the mic and Prof behind the mixing console; their bond was so strong that they have toured the world together for the better part of fifteen years, evidencing the longest musical partnership Perry has fostered during his entire career. Other great Ariwa records surfaced with U Roy, Horace Andy, Yabby You, Michael Prophet and Earl 16, while Prof continued his habit of nurturing new talent through works with rising hopefuls such as Chukki Star, Starkey Banton, Queen Omega and steel-pan player Pan Africanist, better known Patrick Augustus, author of the popular Babyfather. In 1996, Prof opened the now dormant Are We Mad studio around the corner from Ariwa; the smaller facility was kitted out with 1970s equipment, giving it a different sound, so Prof made specific use of it on particular projects for a number of years before ultimately shutting it down. Meanwhile, his mixing skills grew ever higher in demand. Ever since the days of his collaboration with Ruts DC, Professor has always been willing to lend a dubwise hand to a multitude of international musicians; he mixed material for the Beastie Boys in the 1980s, which sadly has not yet surfaced, before altering the manic creations of radical duo KLF and spaced-out ambient house pioneer, The Orb. Definite high points in the 1990s came with an exceptionally sensual dub mix of Sade’s ‘Love Is Stronger Than Pride’ and a dubwise deconstruction of Massive Attack’s Protection; further collaboration was achieved with bull-horned pop-star Jamiroquai, edgy Swiss techno-rockers The Young Gods and Boston neo-ska group Bim Skala Bim, while in the new millennium Prof has used his dub skills on material by former Jane’s Addiction front man Perry Farrell, New Zealand’s Salmonella Dub and experimental duo Jack Adaptor, as well as myriad others in Japan, Brazil, Argentina…

Championing the new wave of electronic art.

King Midas Sound is a musical crossover project, composed of Martin, London/Trinidad poet Roger Robinson and Japanese artist and singer Kiki Hitomi.

Slimtim707 is following