Ouuuufff, what's the name of this beauty ?

grids - Mixes

Grids | 27.08.2021

"This mix seeks to capture a space of eerie serenity that my mind has occupied of late. Finding abundant joy in the mundane" @grids_grids

Art by Maya Irving 
https://www.mayairving.com/

CXX - grids

We are very excited to share our fourteenth edition of the Equilibrisme Podcast Series. This time we proudly present you : Luke Hess. 

Born in 1980 in Metro Detroit and subject to the city's mid-90's warehouse parties, Luke Hess has harnessed a deep appreciation for electronic music and the expression of the underground movement. 

His background in mathematics and engineering has given him a scientific approach to the dance-floor, using frequencies, tones, and soundscapes to transform surroundings and mood.

Luke's faith based music production landed him a seat with Omar S' FXHE label & Carl Craig's Planet-e label in Detroit. Hess has celebrated original productions and remix material on labels such as DeepLabs, FXHE, Planet-e, Motech, Beretta Grey, Echocord, Kontra-Music, Modelisme, Ornaments, Echocord Colour, & more. 

In 2009, Luke released his first album, "Light in the Dark" on Denmark-based record label, Echocord. "Light in the Dark" received glowing reviews and was hailed by many as one of the best deep techno albums of the year.

With 15 years of DJ experience and many notable LIVE sets across the world, Luke is regarded as a perfectionist on stage. Hess is known to layer his sets in a very detailed, hypnotic, & soulful manner. 
After playing many notable venues & festivals such as Detroit Electronic Music Festival, Berghain & Panorama Bar - Berlin, Fabric - London, Unit - Tokyo, Culture Box - Copenhagen, Bunker - NYC, Decibel Festival - Seattle, Basement - Hong Kong, etc., he is excited to continue exploring the world stage and introducing new and old fans to his raw & deep breed of Detroit techno.

Luke's continued hard work in the studio & behind the decks combined with his unyielding interest in technology and sound will no doubt stimulate the boundaries of electronic music.

We have been following Luke since 2009 and are very happy to have him onboard for our Equilibrisme Podcast Series. Luke also contributed a track for our recent vinyl release “Kraken EP”.

Thank you, Luke for creating this beautiful mix for Equilibrisme. Enjoy this deep journey!

Equilibrisme Podcast #014 Luke Hess

@dj-ggggg

For the extended Q&A please visit our website ----> pipipi.life <--------

Introduce yourself? Pronouns? Where do you currently reside?

I’m Gareth. Pronouns he/him/his. I live in New York.

Describe in detail your favorite place to sit & listen to music.

The bleachers at the back of the dance floor at Nowadays.

When you are in the crowd… where do you like to stand and why?

I’m quite tall and don’t like feeling as though I'm in the way so I prefer to stand at the back or off to the side.

What color would you pick to represent the way you DJ?

Infrared.

Best gig of your life so far?

Bossa on a Wednesday night in October last year. It was my first time back there since it reopened after the flooding. I shared the bill with three people I love and admire and got to do it up in a space that has been very important to me down the years. Vibes were premium that night!

What would you like to see in the future for the dance community?

There are a few things…

I’d like to see more recognition of DIY dance music / club culture as legitimate culture across all levels of government in the US and support systems put in place to uplift it that are equivalent to those enjoyed by more traditional sectors of the arts. It’s starting to happen but there’s still a long way to go.

I’d like to see the development of more minority owned and operated spaces. (If there happens to be any POC/femmes reading this that want to know how to make nightlife spaces work, I’m very down to share what I’ve learned over the years about how things function.)

I’d like to see less emphasis placed on what gets posted to social media networks and more on making sick art and actual culture happen in the real world.

And I’d like to see less chatting and more dancing inside the speakers.

DJ G - 100˚

grids https://soundcloud.com/grids_grids
6.08
naarm

grids

Entre sonorités d’outre-manche à la résonance old-school grainée, psychédélisme breaké et dub rocailleusement progressif et percussif, Bambi et Beatrice M. incarnent le printemps d’un son qui transperce les genres établis par deux sensibilités en complète synergie.

Supercamp Takeover - Bambi & Beatrice M. (DJ SET)

meltdown 60 - grids

1st hour: https://soundcloud.com/borreb
2nd hour: https://soundcloud.com/the-subliminal-kid

Photo by: @15roor
Design by: @15roor & @Olaschlytterskjolas

https://www.retreatradio.net/kora-sounds

Kora Sounds #2 w/ Børre & Peder Mannerfelt (15/09/24)

<333

recorded at danight on november 09, 2023 / 6AM

danight - closing set (9.11.24)

Sunday evening in August with @fuckyeahjulie behind the decks at the coziest DJ booth known to man.

J-Lost at WUS2024

Stepping foot in the Home End next is grids! 

Bringing us a full 90’ of energy and flair, packed with silky deep house, quintessential tech grooves and enough rhythm to shake the terraces!

home end 06’ w/ grids

Revved version pitched and sped up. Thanks to @misterparsin for the collab <3✨
Misterparsin – Wave-2025-sampler. 🔥


 .🥀 - Time Stands Still [BL]  Original state on my prior upload.  Appreciate you listening in 🙂💚

.🥀- Time Stands Still -  [BL] Sped + Pitched up

lfman + Sonitus Mortis Release Hauntingly Beautiful Album MOTUS
An evocative journey through sound, memory, and motion

Early in 2025, composer Frank Ilfman and avant-garde sound collective Sonitus Mortis have joined forces to release MOTUS, a genre-defying album that merges cinematic orchestration with experimental soundscapes. Now available on all major streaming platforms, MOTUS explores the emotional momentum of the human experience, blending melancholy strings, immersive ambient textures, and unsettling sonic motifs.
Sonitus Mortis introduces a raw, often spectral edge, resulting in a visceral listening experience that is both meditative and unsettling.

"MOTUS is movement through memory," Ilfman says. "It’s about how sound can carry emotion, time, and even ghosts."

MOTUS is more than an album—it's an audial film, a sonic elegy, and a bold statement in contemporary composition.


Frank Ilfman - vocals, Reels, Loops, drone machins, Moog, Roland Cr78, Juno 60, Otarie Machine.
Sonitus Mortis - Metal Machines, oil Drums, Roland 808, Korg MS20, Teac Reels, DAT, Speak&Spell, Electric Porta Machine.
Vocals - Moto
Music mixed at the shad by Frank Ilfman & Uno
Mastered by Leopoldo Lopes at Sound Pressure Studios

11 - Momento In Tempore

Freeze the Moment

3D Mix #001 by Skee Mask (@ilian-tape)

www.facebook.com/skeemaskiliantape/

3D Mix #001 | Skee Mask

pitch it down ~~ turn it up

Contact: slowburndj00@gmail.com 

@liucyliucy 
@gbrevlon

meltdown 60 - grids

Slow Burn

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