https://doomcorerecords.bandcamp.com/album/the-final-hour

Slowcore Records presents a full hour of low tempo music with new stuff and tracks from the archives bordering on Doomcore, Industrial, Dark Ambient, Breakcore, Trance and Gabber.

The Final Hour

Low Entropy - In The Final Hour (Short Mix) (50 BPM) (Slowcore Records 20)

Doomcore Records is proud to present the start of its first sublabel, and, more importantly, the start of the first worldwide label solely dedicated to the Slowcore sound: Slowcore Records.

A home for all kinds of slower Hardcore, Doomcore and Techno music. Exploring the world between 0-125 Bpm.

We sincerly hope to bring you some interesting output on this label in the future!

Slowcore demos should be sent to low.entropy.80@gmail.com (keep the above mentioned speed limit in mind please!)

Doomcore Records was started in December 2012 by artist and author Sönke Moehl aka Low Entropy in Hamburg, Germany. The idea behind the label was to have an outlet for sounds in the style of Doomcore, Darkcore, and more sombre and twisted Techno in general. But the label also always welcomed music that broke the Doomcore mold and brought in new and fresh ideas from such genres as EBM, Dark Wave, Video Game Music or even Black Metal - or just Avantgarde and sonic experimentalism in general.

In the years that Doomcore Records existed so far, especially three influences to the Doomcore sound proved to be fruitful:
That of music that has been traditionally called "Industrial" and that got closer to Doomcore in recent times; and genres that are associated with it, such as Dark Ambient.
That of Gabber music, especially "Oldschool" Gabber of the 90s.
And that of harder and darker forms of Techno, that grew in popularity in the last years.
So you're likely to find a sombre Dark Ambient track, a melancholic 200 BPM Hardcore affair, or even a frantic Industrial Black Metal song in between the more traditional Doomcore sounds on this label.

Doomcore Records always had the strict policy to just look at "the music" when choosing releases, so you'll find both newcomers and yet unknown talents together with big names and veterans of Hardcore and Doomcore on this label.
Some of the bigger artists that have released on Doomcore Records are AnTraxid, The Darkcreator, Taciturne and Nkisi - who had her debut release on DCR!

The label had plenty of output and hit it's 150th release in 2021 and is still going strong.
2021 also saw the release of the first Doomcore Records vinyl, "Doomland", a collaboration with Teknoland Production.
Doomcore Records so far was mentioned in magazines such as The Wire, Pitchfork, Fact Magazine, Crack Magazine, and plenty, plenty of others.
The Doomcore Records team consists of Low Entropy who selects the tracks and releases for the label, and Mattia Travaglini who creates the artworks for the releases which also set the mood for the sounds.

So this is the little description for that Doomcore centered label.

Any further inquiries, demos etc. should be directed at low.entropy.80@gmail.com

LKPAS Label:

Artists:
-Melissa P Photographe-
-INNERSEA Videaste-
-Julie M-
-ORIS- Graphiste
-GHERART-
-LKPAS-
-Jesco Red-
-Ansoko-
-Dj Omsey-
-Declaime-
-Littel Ced-
-Ejac Chirac-
-Ulaan Baatar-
-RIPIT-
-Psytok-
-OMSEY-
-Autonomaton-
-MaSS HYPNoTIZED-
-Lemistone-
-Sagouin-
-Reda RR-
-Marvin RR-
-Louis RR-
-K2OPS-
-SANDIA-
-ZEPEKE-
-Olivier L-
-Stecymo Tisme-
-YED-
-DS-SO-
-Élie T-

Experimentale, Noise, Dub, HipHop, Musical collaboration...
Lkpas Prod is a musical collective exploring électronique in a large sens!!!!

Represented by :

Citadel Of The Right Hand (RU) :
https://soundcloud.com/rght/glitch-13
https://soundcloud.com/rght/soniferous-inferphonic

RUMPF (FR) : 
INSIDE 7.2 
https://rumpfrecords.bandcamp.com/track/inside

Marasm (FR) : 
https://marasmlabel.bandcamp.com/album/love-in-hostile-area
23
26
30 vinyle édition 
Split EP between Lkpas and Atrys. Lkpas brings some cut-up songs, from Breakcore bordello to Industrial Ambient... Dry textures reverbless... On B side stands Atrys, an experimentation that brings real honnest beauty, melting harpishchord, violins, electric guitars and effects... Plus somes good electronic Bass.... That B side is a superb thing... sometime dropping into abstract Hip Hop like for B2 (Mer Des Energies)... Last track is also fat, with its electric guitar loops... This is Music. Thanks to Marasm for having the bollocks to put out these super record. 

Hiphop session (FR):
Independent FreeStyle

Radikal Magasine (FR) 
2005

KrsmtK (FR) :
HIPNAMBULE PROJECT
https://marasmlabel.bandcamp.com/track/04-hipnambule-croise-lkpas-why-remix

Low Entropy (DE)

Doomcore/Slowcore Records (DE) :
The Slowcore Compilation 3
https://doomcorerecords.bandcamp.com/album/the-slowcore-compilation-part-3

SUN LIGHT BAR LOVER
https://doomcorerecords.bandcamp.com/album/sunlight-bar-lover
A massive release from France is here!
Slowcore Records is the label for all slower Techno and Hardcore styles. While, for example, the Low Entropy releases showcase slower Doomcore, or other releases also showcase slower Industrial, this release is about a more experimental approach to slow and hard electronic music.
Low tempo Hardcore meets influences of Dub, French (instrumental) Hip Hop, Noize, and a heavy dose of old and new Tekno and Free Party elements.
So, if you are bold enough to hear something new in Slowcore, take a look at this release!

OMNICORE Records (DE)
Dirty-Clean-Split-EP
https://doomcorerecords.bandcamp.com/album/dirty-clean-split-ep


The most unusual release on Omnicore Records so far?
We are proud to give you this split EP by French producer LKPAS, who has also released on Slowcore Records before, and hiroshi matsui from Japan.
LKPAS' side is very down, dirty and distorted, bordering on Slowcore, Dub, "Teknival Rap" and Hardcore from France (not Frenchcore!). Gritty and rough. As well as including a more reduced track that employs a Piano!
hiroshi matsui's side is more upbeat and cheery in comparison. Sounds that could fit well to a video game soundtrack, but that are also very innovative and daring at the same time, with traces of Oldschool Drum'n'Bass, IDM. Bleeps and noises that make well-crafted tunes.

So, these are split sides that each go their own way, but when combined, result in a complete EP of connections and interrelationships.

Every track here has been done with just the FruityLoops demo, which means, that everything was done in one consecutive session.
As of right now, I'm considering to revive this project, therefore feedback is still very much appreciated! <3

...born 1980 in Hamburg, Germany. in 1996 i discovered the world of hard electronic music...
 and immediately fell in love with it... i never heard music with that extreme energy and passion behind it before...
 in 1997 i decided to create music myself... my style back then was mostly experimental hardcore, breakcore and speedcore...
 in 2000 i had my first release then, my 12" on Blut recordings.
 later that year, Betty Bombshell and me started a show on the terrestrial radio station "FSK" in Hamburg.
 the idea of the show was to broadcast music from the experimental and hard music scenes to an audience that might have not much contact with that kind of sound before. Betty left the show in 2001. 

 there was still a need for that kind of thing in Hamburg; Sampler19 and me teamed up, and we created the "Hamburg Hardcore Radio" show.
 apart from playing old and new records and tracks from the hard scenes on air, we also did many all-night shows, featuring a lot of guest DJs. later, The Man Unknown and DJ Escada joined us, and we started a crew that did the radio shows together.

 in 2002 a 12" by me was released on Praxis, i was very happy about this release, but i do not want to hype myself here, so i won't say too much.
 later that year my 12" on Black Monolith came out, which was again a bit different than my earlier releases, because it was an Hardacid/Acidcore EP.
 2002 was also the year when me and Sampler19 started the "All-Out Demolition!" parties in Hamburg. later, DJ Escada and The Man Unknown joined our crew there, too.
 the idea of All-Out Demolition! was to create a party series for the extreme, interesting and experimental types of Hardcore and Breakcore - parties for that type of sound only happened very rarely in Hamburg back then.
 in 2003, an album by me was released on Widerstand records. but again, i do not want to hype myself too much. the sound was in the various "styles" i produced in so far... breakcore, noize, ambient...

today the styles of the music i produce include breakcore, acidcore, doomcore and dark ambient.


influences on my work include: william gibson, stanislaw lem, bruce sterling, franz kafka, max stirner

musical influences include krautrock, postpunk, new wave, detroit, rave, acid house, classical avantgarde, dark ambient, industrial, chiptunes, gabber, hardcore techno