DA HARDSTOFFER

Slowcore Records releases 2022

Two NOISJ regulars, who both tend to annoy the purists with their disregard for genre barriers, team up: Shatterlings plaintive, emotional melodies meet the impact of Vague Entitity’s kicks. Along with the multitude of samples this „Forlorn Hope“ has a captivating cinematic and sinister feel – and definitely gives you a headache if you think where to file.

Forlorn Hope

Shatterling & Vague Entity - Forlorn Hope

Edge of Chaos: Latent Manipulation

Life Runs Dark - World Of Pain

https://doomcorerecords.bandcamp.com/album/just-intonated-and-microtonal-slowcore-techno

How many different tones are there within one octave? 12? C C# D D# E F F# G G# A A# B?
Wrong! There is an infinite amount of different pitches, and therefore notes, tones, and intervals within one octave.
It was only around the turn of the 20th Century that, in the western world, the sonic landscape was reduced to using the 12 different notes that are now so commonplace in western songs - the "Twelve Tone Equal Temperament" (12 TET) tuning was born.
Composers like Beethoven, Bach and Mozart still used vastly different tuning systems and pitches than those that are in use now.
Also, of course, music outside the western world employs tuning systems that are not within the twelve tone system.

But in the 20th century, there were many composers that rebelled against this very extreme reduction of "legitimate" tonality which became enforced in the west.
Thus the Just Intonation and Microtonal movements were born.
Composers began to use pitches that were outside the 12 TET, often using "pure" intervals (in the 12 TET tuning, only the unison and octave are pure, and the perfect fifth and perfect fourth are "somewhat" pure - all other intervals are not) - this approach is called "Just Intonation" - or using intervals that lie between the 12 TET pitches and are (often far) smaller than a half step - this approach is called Microtuning.

For the most part of the 20th century, these forms of music were often restricted to the academic circuit, or amongst hobby producers, so it is still rare to see these approaches used within electronic music at large or Techno music in specific. And it is virtually nonexistent within harder forms of Techno.

This release by Time Kanzler Green tries to change this a bit, by providing six Slowcore Techno tracks, all employing "Xenharmonic" sounds, i.e. they use tuning systems and intervals that are outside the normal western 12-tone equal temperament.

Stylistically, apart from being Slowcore, the tracks also draw influence from Industrial Hardcore, Gabber, Doomcore, Berlin School and Dark Ambient music. 64-120 BPM.

So, if this adventure towards music outside the normal western system of sounds interests you, consider having a listen to this release.

Slowcore Records 15

5. Time Kanzler Green - Slowly Visiting Another Planet (96 BPM) (Slowcore Records 15)

Another new Slowcore Records release, this time by Low Entropy.
Slow music all over the map here, with hints of Doomcore, Oldschool, Techno, Acid...
And of course a high dose of dark ambiance.
All underlined by grinding, pounding, crushing Slowcore beats. Sometimes almost dance-y, at other times just pure distortions and noise.
11 Tracks between 55 and 110 BPM.
So if you're in for an evil but nice Slowcore treat, head right over here!
Trying to shine a light in a dark world.

https://doomcorerecords.bandcamp.com/album/a-light-in-a-dark-place

Low Entropy - Shine On (Short Mix) (55 BPM) (Slowcore Records 16)

https://doomcorerecords.bandcamp.com/album/the-final-hour

Slowcore Records presents a full hour of low tempo music with new stuff and tracks from the archives bordering on Doomcore, Industrial, Dark Ambient, Breakcore, Trance and Gabber.

The Final Hour

Low Entropy - In The Final Hour (Short Mix) (50 BPM) (Slowcore Records 20)

https://doomcorerecords.bandcamp.com/album/slowcore-revolutions

Compilation with 7 artists and almost one hour of Slowcore music!
Brutal, slow, relentless, industrial drumming joined with ice-cold and grim melodies and atmospheres.
Something for the lowers of low tempo Hardcore dirges.
This release also includes one of the first Slowcore Acid tracks ever, "Search And Destroy" by Time Kanzler Green.

Slowcore Revolutions

Time Kanzler Green - Search And Destroy (35 BPM Acidcore) (Slowcore Records 20)

🔊 HARDCORE🔊 GABBER🔊 UPTEMPO🔊 HARDTEKK🔊 JUNGLE🔊 DRUM & BASS🔊 TECHNO🔊 HARDSTYLE

📢🔊🔊 More Music 🔊🔊👇👇👇

📢🔊 MAD PHASES At Soundcloud & YouTube :🔊🔊🥁🥁👇👇👇

🔊 https://soundcloud.com/madphases
🔊 https://www.youtube.com/@madphases/featured

📢🔊🔊 MAD PHASES TECHNO 👇👇👇

🔊 https://soundcloud.com/madphasestechno

📢🔊 DA HARDSTOFFER At Soundcloud & YouTube :🔊🔊🥁🥁👇👇👇

🔊 https://soundcloud.com/user-58836169
🔊 https://soundcloud.com/user-874174593
🔊 https://www.youtube.com/@dahardstoffer3675

📢🔊🔊 DA HARDSTOFFER TECHNO 👇👇👇

🔊 https://soundcloud.com/user-441166973

MAD PHASES & DA HARDSTOFFER - Hardcore To The Bone ( Da Hardstoffer Rmx )

Written & produced by E. Stade
Mastering by Dennis Jacobs
Design by Kevin Robbens
Compiled by Xaero & Embrionyc

TRM SMPLR

TRM-SP-058 Embrionyc - WTF

Doomcore Records is proud to present the start of its first sublabel, and, more importantly, the start of the first worldwide label solely dedicated to the Slowcore sound: Slowcore Records.

A home for all kinds of slower Hardcore, Doomcore and Techno music. Exploring the world between 0-125 Bpm.

We sincerly hope to bring you some interesting output on this label in the future!

Slowcore demos should be sent to low.entropy.80@gmail.com (keep the above mentioned speed limit in mind please!)