"All I See" is an atmospheric Liquid Drum & Bass track with a chilled, immersive vibe. Warm Rhodes and soft pads create a comforting, expansive backdrop, while a gentle piano progression adds an emotive touch. Crisp, rolling beats and deep sub-bass give the track a flowing, traveling feel, carrying you effortlessly through its lush, introspective soundscape.

Written & produced by Sarah Richardson & Bob Richardson (2025)
Engineered by Sarah Richardson (2025)

All I See

Dnb and Jungle also breaks and old skool dj work for dance concept recordings also A&R for RuffandTuff recordings I started mixing in 2002 after a year of wondering what to do once i had stoped dancing on stage which i did for 8 years for many events {Slammin,Helter,Fever etc} with my dance crew Children of the bass , bought some decks to learn on and the rest is history.
still go out and do the raving thing when i can , i have got together with a couple of m8s to go into music production made a few tunez had 2 out on a label called Drum Style,e we call ourselves project coded learning as i go on that front , just started playing on radio again after few yrs out due to illness but back at it on Energy1058.com fridays 7 t0 8 pm gmt also  weekly on Dubfrequenceyradio.co.uk thursday 6 to 8 pm also station manager for Dubfrequency 
 ........ jah bless

Lateral Vision Recordings is a UK-based independent label launched in 2025 by Bob and Sarah Richardson. The label serves as a platform for their collaborative project SLR & The iNOVATOR, as well as Bob’s solo work as The iNOVATOR.

With a career spanning over three decades, Bob Richardson has released music under multiple pseudonyms, including Floor Filler, A Touch of Jazz, and Neklok, with previous releases on labels such as OKBRON, Formation Records, and Precious Materials. Sarah Richardson, with over 25 years of experience in the music industry, has brought her expertise in audio engineering and music production to their projects. In addition, she and Bob have composed music for film, TV, games, and media throughout their careers.

Lateral Vision builds on this legacy with a self-releasing, artist-led approach, specialising in forward-thinking Drum & Bass and genre-fused electronic music, blending soulful, cinematic, and jazz-influenced elements with a strong emphasis on musicality and innovation.

SLR & The iNOVATOR have been creating original dance music together since 1997. Their deep musical connection, shaped by years as a married couple, comes through in the chemistry of their productions, blending rich melodies, intricate rhythms, and a love for genre fusion.

Currently focused on Liquid Drum & Bass and Atmospheric Rollers, they craft immersive soundscapes that stay true to the essence of the music.

#dnb #drumandbass #liquiddnb #liquiddrumandbass #soulfuldnb #atmosphericdnb #jungle

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Audio engineer and music producer with over 25 years of experience, driven by a deep love of sound. I create Drum & Bass and genre-fused electronic music as one half of SLR & The iNOVATOR, with my husband Bob Richardson (aka The iNOVATOR, A Touch of Jazz, Floorfiller), a producer with over 35 years of experience.

Together, we run Lateral Vision Recordings, home to our full catalogue of releases.

Creating original dance music since 1991, I am currently producing new material as one half of SLR & The iNOVATOR, working on solo projects, and rediscovering lost and unreleased DnB gems from the ‘90s.

Throughout the 1990s, my tracks were released on vinyl and featured on CD compilations through labels such as F-Project (Formation Records), Sound Entity, Precious Material, and Basement Records.

I’ve also produced music under various aliases, including A Touch of Jazz, Floor Filler, B Rich, NekLok, and Mutants.

#drumandbass #newdrumandbass #drumnbass #liquiddrumandbass #oldskool #oldschool #hardcore #jungle #atmosphericdnb #intelligentdrumandbass #dnb #liquiddnb