Catchy !   And really nicely colored.  I like how airy it sounds. It's like you turned Zebralett into a Fairlight.

And the banging stuff is really high quality too. Loved that nice little clean interruption, btw. Nice find !  I can totally see why you were happy with this track :)

Epic piece! Sudden transitions don't work very well for me, but every single part is just amazing!

I... I have no words for what I'm experiencing. There's something very nostalgic and nightmarish at the same time, video games, 80s pop, Beatles all being thrown into a blender along with a couple of sheets of blotter acid and then served up as a punch to unwitting guests. I didn't ask for this trip yet here I am. Full blown 10/10 walls melting stuff. Sonic keeps popping out  of the walls and losing his rings. I look behind me and Mario is about to enter me with an evil smile on his face. Argh Help!

A tour de force of styles, sounds, feels, composition, arranging.  Loved it!

confusing madness, many twists and turns, yet the sudden transitions seem to work quite naturally

A dark grumbling atmosphere changes step by step to happy swing. Enjoy!

This track was created for the OneSynthChallenge OSC Jan. 2025 with the great DAW MuLab 10 using
11x Zebralette 2
Transpire, Reverb (Abstract Chamber), Loudmax, MHorseP3, TheMasker, Wider and internal EQ on Bass and Toms only.

Darkness fades away

DarknessFadesAway.Wav

Real Time Improvisation captured from a single pass. A meditation on healing while my wife is in the hospital.

DAW: Presonus Studio One
Zebralette:  x7
VST Plugins:
Presonus Autofilter
Melda MTremolo
Presonus Fat Channel
Klanghelm IVG12
Presonus Ampire
Presonus Beat Delay
Valhalla Supermassive
Presonus Analog Delay
Presonus Room Reverb
Frontier Limiter

Note FX:
Presonus Note Repeater, and ARP
SEQUND for Bass

FRANKH-Noise Medicine Healing Dream

Made For KVR OSC 191 Zebralette(2) - 
Using 20 instances of Zebralette (VST2 version) in Mulab 9.5
All sounds created from scratch except for Factory Preset HS Atlantic Swell (Howard Scarr) and a touch of Taron's Choir patch at the end (both heavily modified).

DAW Fx: limiter, high and low pass filters.
Third Party Fx: OTT (just a touch on the master channel)

Cover Artwork by Jenny

KVR OSC 191 Zebralette

The Crossing (OSC191 Zebralette)

Bringing Back The Memories

hennessey - b.o.t.w.

My entry for OSC#191
11 instances of Zebralette

Reaper: DAW
Dead Duck: Limiter, Compressor, Filter, Autopan, Delay
OrilRiver Reverb
ReaEQ, ReaXComp
Supermassive Delay
JS: Stereo Width
kHs Gain
Limiter No6
SPAN
YouLead Loudness Meter

God Knows Where I'm Going - He Told Me

OSC191 Zebralette 2.  51 Instances in Logic Pro X.  Logic EQ, Reverb, Compressors.  Nova Free, Molotov free, Koltelnikov free, UAD Plate (free), 

Zoned

I tried to finish something, even if it wasn't a completed track. My experience with Zebralette became inspiring at the very last moment.

7 Instances of Zebralette 2 in Cakewalk.
FX: Ducking Space, Ethereal Verb, LoudMax, M/Ster Balance, OTT, kHs Transient, Triple EQ, Wider.

IV - Zebralet[s]trip

OSC 192 Six Sines
Reaper 6.83
39ish instances
ReaLimit, ReEQ, A1Triggergate, A1StereoControl, Distortion (kiloheartz) and JS:Saturation (these two only for the thunder rumble), Raum, Supermassive Valhalla, ReaVerb, TDR Kotelnikov, OTT, Replika, Loudmax.

Thanks to Exponent for the snare. 

LUFS-I=-11.1

The Day It Rained OSC192 Six Sines

Genre: Blippity Bloop Rhythm Thing
DAW: Reaper

All melodic allusions intentional and tongue in cheek.

God Knows Where I'm Going - He Told Me

SilverPants

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