One Synth Challenge #189: Myth 1.5 by Dawesome

OSC Winners

Future Is A Myth (OSC 189 - Dawesome Myth)

This track made for the KVR One Synth Challenge using only sounds from the VSTi Myth. Also, only DAW and free 3rd party FX used.

DAW: Reaper
Track Details:
50 * Myth
50 * ReaEQ
4 * kHz Transient shaper
4 * Twin Delay
2 * Oril River
9 * LFX-1310 (autopan)
1 * Bass Professor Mark 2
4 * TAL Dub Delay
Master:
SlickEQ
MSED
Limiter No. 6
Meter:
SPAN
Youlean Loudness Meter
Stats:
LUFS-I: -13.1
DR: 6

The Mythics play Techno - OSC #189 - Myth

"The Myth of Time"

November 2024 submission for One Synth Challenge #189

Synth: 12 x Dawesome Myth 1.5
Effects: ALL effects are synth-only.

Mastering: None. No limiter, so please dial up the volume a few dB.

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DAW: Reaper 7
Synth: 12 x Dawesome Myth 1.5
DAW effects: None
Additional effects: None
Master bus: None

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Some of the fun experiments in this track:
* All effects in-synth. No mastering effects. LUFS low to minimize clipping.
* The track features 3 different main time signatures with some effort into seamless transitions.
* Melody / arp lines time warped with non-linear time-warping homebrew scrips (sinus and exponential time mapping).
* Multi-instrumental 1/8 echo delay. I.e. the delays are using different Myth instruments.
* Tempo is linearly changing between 90 and 135 BPM during most of the track.
* Sound design. Just random knob turning to taste, LFO stuff and effects.
* All EQs and reverbs are in-synth.
* Most volume mixing with MIDI velocity. (not 100% though).

--- 

Theme song to the sci-fi summer flick "The Myth of Time (2031)"
Oscar winner 2032 for best original soundtrack.

In a sprawling, dystopian future where the rich control the flow of time, Alex Kane, a hardened "Time Hunter," is hired to track down and eliminate rogue time manipulators—individuals who illegally alter the timeline for personal gain. Time is no longer a fixed constant; it has become a commodity, and those who possess the power to control it live like gods. When Alex is tasked with finding Evelyn Roarke, a mysterious woman who has reportedly discovered a way to break the time loop that has enslaved humanity, he uncovers a dangerous secret.

Evelyn, once a brilliant scientist, has become a fugitive after stealing the prototype for a device that could allow anyone to escape the corporate-controlled timeline. But her discovery comes with a chilling revelation: the timeline is not what it seems, and humanity’s history has been deliberately warped to maintain a cycle of oppression. As Alex dives deeper into the underworld of time manipulation, he begins to question his own past, unraveling memories that don’t seem to belong to him and discovering that his every decision may have already been made.

Haunted by visions of alternate realities, Alex must decide whether to follow his mission and kill Evelyn, or join her in her quest to shatter the myth of time itself. In a city where past, present, and future blur into a nightmarish kaleidoscope, The Myth of Time explores the boundaries of free will, memory, and the ultimate cost of controlling time.

Organic Synthesized Chaos

The Myth of Time [OSC189]

My Entry: "Centuries". Made of OSC 189

Style: Electronic Soundtrack Circa. With Pop, Classical and Drone
elements.

~8 instances of MYTH VST3 in EXT64 beta (see screenshot at KVR thread).
~1 custom sample imported in MYTH for 2 drums sounds.
~free VST effects:  RSS EQ302, EfektorGQ36, LoudMax64.

What about this MYTH synth? Surely it sounds good, but of the many
'mangling' resynthesis features some I found too grainy or useless, sounding to me
like many alternative types of harmonic distortions. Therefore too
expensive as CPU load for the actual results, those could be replaced
with focused external plug-in effects, in studio use.
What I liked most of MYTH is the easy adding of envelopes and
synced LFOs to modulate the parameters, very good.

Centuries

Atmospheres from Tibet with an Ambient sounscapes and heavy percussion.
Created with Myth 1.5 synthesizer from Dawesome

Tibet OSC189

My entry for OSC #189: Dawesome Myth

DAW: Reaper
26 Instances of Myth synth - all from init
All patches based on Iris
All samples recorded by myself over the years
All samples progressively mangled using low freq LFOs

Bass guitar riffs played by me
Bass riffs had drumtracks in background
  Created by me from drum samples I made from a friend's kit

Vocals: excerpts of spoken word poetry
  Performed by my friend Eleanor
  Written by my friend Matt Rice
  Recorded by me

Full list of instances:
1	Bass riff 1: Slow Tempo 
2	Bass riff 2: Mid Tempo
3	Bass riff 2: Mid Tempo Raw
4	Bass riff 3: Mid tempo
5	Bass riff 4: Swing Bass
6	Bass riff 5: Slow Metal
7	Choir based on a note sung by me
8	Guitar Chord
9	Kettle Whistle
10	Piano Low Note
11	Reverse Lead Guitar
12	Ceramic Tile 1
13	Ceramic Tile 2
14	Door thumped with fist
15	Leather Sofa hit with bat
16	Snare drum
17	Sofa Bed hit with bat
18	Steel plate
19	Steel Tray Reversed
20	Tub hit with thumb
21	Vocals : Bleeding out in cold reality
22	Vocals: How sure are we that this makes sense?
23	Vocals: The human mind can only take so much
24	Vocals: This is like fighting the need to breath
25	Vocals: Total info saturation
26	Campsite ambience

How Sure Are We That This Makes Sense?

Stream on Spotify: https://open.spotify.com/album/1jq80Sv2MztNAhprgvTCjl

DAW: Reaper
Synth: Thorn (47 single instance patches from INIT)
Mixing FX (Free): Orilriver (for bus), GClip (for bus), Loudmax
Mastering FX (Free): Nova, Kotelnikov, LoudMax
Metering FX (Free): Prism, YLM2
---------------------------------------------------
The Awakening is a playful musical journey through the battle within—an exploration of self-doubt, fear, and the struggle to break free. It captures the voice inside that holds us back, the moments of uncertainty, and the eventual realization that the only true enemy is ourselves.

Narrative:
---------------------------------------------------
Krit was a small boy, often feeling like he didn’t quite fit in.
Despite his achievements, there was always a quiet voice telling him, 
"You don’t belong". 
He told himself it was normal, part of growing up. But it never went away. 
Then one night, he had a dream.

🌅 Act 1: The Dream
He ran through wide, golden fields, feeling light and free. For the first time in a long time, he didn’t have to think, everything just felt right.

🌑 Act 2: The Nightmare
Suddenly, the world grew still. The fields shrank, and a shadow appeared in front of him.
"You don’t belong."
The air thickened. He couldn’t move, and the doubt that always lingered felt overwhelming.
"You are nothing."

⚔️ Act 3: The Ascent
A shift. Krit started to move. Slowly at first, then faster. The shadow loomed, but he kept going. The doubt didn’t disappear, but it no longer held him back.

🌟 Act 4: The Awakening
He pushed forward, the weight lifting with each step. The shadow faded, and with it, the doubt.
Krit didn’t stop. He had awakened, and nothing would hold him back again.
---------------------------------------------------
I would like to thank Taron and The Sound Of Merlin for their valuable feedback and guidance in refining certain aspects of this song, truly grateful!

The Awakening (OSC 193 Thorn)

made for KVR "One Synth Challenge" with Full Bucket Ragnarok 2

ZioMau - jasf2 (not so stupid)

OSC#196: Primer 2 

Instances: 20
DAW: Reaper
FX: DearVR Pro 2, Panagement 2 (free), TENSjr, Deelay, FrankCS, LoudMax, ZL Equalizer


Taron - A Rat's Tale

Track i made for KVR OSC contest.
100% Synthesizer (Odin 2 by TheWaveWarden)
Made in 10 hours with one free synth and free/FL effects.

Dedicated again, to Song Ruoxuan , 愿你在天堂安息, until i accept your loss.

Photography by Irion Da Ronin.
All music rights reserved to Irion Da Ronin.

THANKS!!! ♥

✪ The last time i saw you (1st Prize awarded at KVR Audio) [FREE DOWNLOAD]

For this OSC Any Synth Challenge, I chose the PS-3300, a beautiful software emulation of a late 1970s analogue polyphonic synthesizer from KORG. Cherry Audio developed this soft synth. Every sound you hear was created using the PS-3300. I tried to create an overall sound that matches the capabilities of a studio production in 1978. This is in honour of this beautiful synthesizer and its creators.

29 instances of PS-3300 by Cherry Audio 
Reverbs: Body &Soul by TSOM, VertiVerb by Audiority and VitaliumVerb
Delays: Deelay by Sixth Sample and Dual Delay X by UVI
EQ: Claro by Sonnox and Graphic EQ by Viator
Compression: FET-76 by Arturia
Enhancer: Type B by Audiothing
Mastering: Smart:Limiter and Smart:EQ4 by Sonible

Please note: I haven't used any distortion or saturation plugin to create the guitar tone. It's all been synthesized in PS-3300

How Sure Are We That This Makes Sense?

SilverPants