Got a little carried away with the dirt, I think... but the energy stays kind of consistent. I prefer the first quarter, though. Not trivial at all!

OH SNAP, I hadn't guessed it would come to this feel?! So cool! Much more hysterical in a great way!

Damn… As much as I try I just can’t get into the mid section after 1:30. I like the melodies but I am lost on the rhythm section a bit too much distortion and muddiness there me thinks. I guess it’s an artistic choice and I respect it but can’t get into it. I really loved the intro though right up my alley and cool finale too.

First - just using SunVox gets a shout-out.  Second - sounds great.

The in-your-face of this section gets a little tough after a while, but it sounds great.

really digging the sounds in this first section, especially the bass but all works together great

at first my brain didn't know what to do with this. Now I'm imagining some punky/characterful vocals over the top and i *really* want to hear that song!

Kvr "One Synth Challenge" #166 - Wave Manuel

ZioMau - L.O.R.P.U. 166

My entry for the KVR OSC 167 
Using the SunVox DAW & Modula Synth

As Zara and her compatriots investigate the anomaly, they discover a hidden world of secrets and lies. They also uncover an alarming truth about the anomaly itself: it is not just a random occurrence, but a deliberate attempt by a powerful entity to alter the very fabric of reality.

The Utopia Anomaly

Modulations

My submission for KVR's One Synth Challenge No. 168, this time using Cherry's Voltage Modular as only sound source, including free modules exclusively.

DAW: Ardour 7.3 on Archlinux
37 instances of Voltage Modular via wine/yabridge, polyphonic guitar/organ/brass wrapped in Carla (3 instances each)

Used plugins:
CNT | TYPE | NAME
 23 * VST3   Voltage Modular (by Cherry Audio)
  4 * VST2   Voltage Modular (by Cherry Audio)
  1 * VST3   Voltage Modular FX (by Cherry Audio)
  3 * LV2    Carla-Patchbay (by Filipe Coelho)
  1 * VST2   Cabs (by airwindows)
  1 * LV2    LSP Gate Stereo (by LSP LV2)
  2 * VST2   ToTape5 (by airwindows)
  6 * LV2    Dragonfly Hall Reverb (by Michael Willis and Rob vd Berg)
  1 * VST2   Texturize (by airwindows)
  1 * LV2    Noise repellent (by Luciano Dato)
  3 * LV2    ACE Compressor (stereo) (by Ardour Community)
  1 * LV2    LSP Multiband Compressor Stereo x8 (by LSP LV2)
  1 * LV2    DR-14 - Crest Factor Loudness Range Meter (Stereo) (by Robin Gareus)
  1 * LV2    EBU R128 Meter (by Robin Gareus)
 24 * LV2    LSP Parametric Equalizer x16 Stereo (by LSP LV2)
  1 * LV2    Calf Analyzer (by Calf Studio Gear)
  1 * LV2    PeakEater (by T-Audio)
  6 * LV2    ZaMultiCompX2 (by Damien Zammit)
  1 * LV2    x42-dpl - Digital Peak Limiter Stereo (by Robin Gareus)
  2 * VST2   Verbity2 (by airwindows)
  1 * LV2    x42 Instrument Tuner (by Robin Gareus)
  1 * VST2   DeBess (by airwindows)
  1 * VST2   Slew3 (by airwindows)
  2 * LV2    x42-eq - Parametric Equalizer Stereo (by Robin Gareus)

Herbal Voltage

OSC#168: Cherry Audio's Voltage Modular
Blixir is a timeline poison. It turns reality into a fleeting dream. At the moment all things appear to make perfect sense, but you cannot hold on to them.

DAW: MuLab (www.mutools.com)
Instances: 11
FX: Auburn Sounds Panagement 2, OTT, LoudMax64

Taron - Blixir [Voltage Modular]

miau - Dark Voltage (One Synth Challenge #168)

This is what David Attenborough would sound like when he's discussing microplastics with his dolphin translator at the Assembly of Southern Right Whales, and an orca keeps interrupting.

Entry for the 169th edition of KVR's One Synth Challenge, using the free Kilohearts synth kHs One. Usually only free effects are allowed but we were allowed to use other Kilohearts effects so I've made use of SnapHeap and Multipass.

Whale kHsong - OSC-169

My entry for KVR OSC #169

15 instances of kHs ONE
All sounds designed from scratch.

No Power Over Me

Phenomenon  (sc296)

My entry for the KVR OSC#171

I was talking about planetary formation with some other OSC'ers (as you do) and this early violent period of Mars came up - which inspired me.

20 instances of Apricot - all designed from Init.
DAW: Reaper
Dead Duck: AutoPan, Filter, MonoDelay, Limiter
ReaEQ, ReaXComp
OrilRiver Reverb (but mostly the Apricot  reverb)
Reaper JS Saturation, Kilohearts Gain
Limiter No6, SPAN, YouLean Loudness Meter.

The Late Heavy Bombardment Of Mars

I extended my original track 'Time Warp' (which is only a minute and a half long! I made everything in that track as short as possible as an idea and as a concept) so now the track is  6 mins long. 

I know the mix and master is very far from perfect, and also now after re listening I am also going to change to the structure to have chord progressions. I still would appreciate feedback.

I had a lot of fun making this!



The Utopia Anomaly

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