Made for KVR One-Synth-Challenge 186
https://sites.google.com/site/kvrosc/2024/osc-186-na2sc2

bzz - Nemo's Last Hideout

20 instances of Reaper 6.83 using Vital and a good bit of OTT.
And ReaLimit, ReEQ, OrilRiver, Valhalla Supermassive, Raum, Replika, TDR Nova,Transient Shaper and JS: Note Filter 
Yes it might sound a bit like some other song. I'm OK with that. Was unintentional and very much a different song.

OSC186 Goodbye Schlubedoo (Vital Any 2) 14/42

An entry for One Synth Challenge 186 at KVR Audio

DAW: Reaper
Synths: U-he Tyrell N6 (24) &  Zebralette 2 (2). Seventeen ( voice-split ) patches, from scratch as always , including six percs and four FX.  Assisted by TDR Nova ( general nip-and-tuck channelstrip duties ) , ReaDelay, HY-Delay , Bittersweet ( softening a delay, )  Kazrog KClip ( drumbus ) , and BlueArp

Reverb buses: MuVerb, Oril River, and Protoverb. Pre-emphasised, de-emphasised, shaped, compressed, softened and panned  by TDR Nova, Flux Bittersweet and HOFA SYS Pan. 

Shaped, sharpened, spatialized and louderized ( to -12 LUFS ) at the master level by TDR Nova, Flux Bittersweet, Protoverb, HOFA TiltEQ and  Limiter No6

Finders, Keepers

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

Made For KVR OSC 186 Any 2 Synths - I used Nakst Apricot - 15 Instances and Odin 2 - 1 Instance
DAW Mulab 9.5
DAW Fx: limiters, High and low pass filters, parametric eq, stereo splitter.
Third Party Fx: analyser - Voxengo Span, Voxengo Marvel GEQ.

Basically I was unable to take part in the Apricot round, so this was my chance. It's based around a 5 beat arpeggio I created with this synth. I thought I might use more of Odin 2, but ended up using it just for the snare.
This track is dedicated to my lovely Jenny who in spite of many current ailments managed to walk several miles of difficult coastal path to get the photo of a waterfall for my cover pic. :)

KVR OSC 186 NA2SC2

Waterfall OSC186 (Apricot)

Realizing There's Nothing More I Can Do (OSC186 Vital+Deelay)

Here's My OSC for August made in Bitwig using Charlatan3 and dBlue Glitch v1.3

with 13 instances of Charlatan3 and 2 dBlue Glitch

VST: 
Air2
BusterSe
ClipStar
Free Clip2
KHS Trance Gate
Limiter No6
LoudMax
NightShine
SuperCharger
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR VOS SlickEQ
Valhalla Supermassive

Bitwig:
Convolution
Delay-2
Drum Machine
Filter+
Focus EQ
Key Filter
Note FX
Sculpt EQ
Tilt
Tool

Coconuts in the rain

it is made for OSC #186 (KVR)

14 x TripleCheese (U-He)  https://u-he.com/products/triplecheese/
12 x Free Alpha.    (LinPlug)  https://plugins4free.com/plugin/2290/

DAW: StudioOne 6

Host-plug-in: ProEQ, Compressor, Gate, DualPan, Limiter, MultibandEQ, OpenAir, BeatDelay
3rd party plug-in: Tal Filter (for panning)
                            MTremolo (for gating reverb)

HeadPhone Mix

Like Grey

Beneath the Void

0_ La Mantis

A Quiet Arrival is an original cinematic orchestral composition built around emotional arcs rather than excess.

The music focuses on the balance between tension and release, allowing dynamics and orchestration to unfold naturally.
It moves gradually from restrained, intimate moments toward a fuller, layered orchestral expression — without losing its sense of calm and control.

This piece was written as a standalone instrumental score, inspired by film music and the expressive possibilities of a modern orchestral palette.

You were built to withstand so much worse... now go

SilverPants