Thank you sooo much...This is the return of Dark Music....Keep It...Don't Sop

that rocks

"Blurred Lines"
originally by Robin Thicke feat. T.I. & Pharell Williams

vocals by Miko Manguba  
guitars by Miko Manguba


Follow me on Twitter: www.twitter.com/mikomanguba
Facebook: www.facebook.com/mikomanguba
YouTube: www.youtube.com/mikomangubamusic

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DOWNLOAD LINK:
(maximum downloads reached, thanks guys!)

http://www.mediafire.com/folder/zqwmhloddrm2h/SoundCloud_covers
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"Blurred Lines" by Robin Thicke feat. T.I. & Pharrell Williams - Miko Manguba cover

This Can’t Go On

Genie Plus Organ

Danielle

'What Do We Do Now' (Release Date: February 2, 2024)
Listen Now: https://music.subpop.com/jmascis_whatdowedonow

J Mascis: https://www.jmascis.com
Bandcamp: https://jmascis.bandcamp.com
Facebook: https://www.facebook.com/JMascisOfficial
Instagram: https://www.instagram.com/jmascis
Twitter: https://twitter.com/jmascis
Spotify: https://open.spotify.com/artist/1PokjXeIq2zVosXbTEaNlx?si=wUGsZjwySzG6TDEU5Rf9Pg
On Tour: http://www.subpop.com/tours/j_mascis

Sub Pop Records: http://www.subpop.com
MegaMart: https://megamart.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
Instagram: https://www.instagram.com/subpop
YouTube: http://www.youtube.com/user/subpoprecords
SoundCloud: http://soundcloud.com/subpop
Podcast: http://subpop.fm

What Do We Do Now

Can’t Believe We're Here

J Mascis - Can’t Believe We're Here

Cultural Consumer III

Uptight

Parc de Beauvoir

Born in the Wrong Time

Another Time, Another Place

Eggsistentialism

Memory Man

Green shoots have burst forth from Parsnip! The Australian group have a super-catchy single out today called ‘Turn to Love’, taken from their sophisticated sophomore album ‘Behold’. Drawing comparisons with Dolly Mixture, Sara Goes Pop and Look Blue Go Purple, Parsnip are an animated ensemble, full of life, emotional complexity and humour. On ‘Behold’ they explore both the inner and outer realms of consciousness with quick wits and some seriously quality jangle and jolt. 

Upset The Rhythm and Anti Fade Records will release ‘Behold’ on April 26th. There’s a limited transparent vinyl edition, available to pre-order (drum roll please)… now: upsettherhythm.bigcartel.com/

Parsnip - 'Turn To Love'

Julian Casablancas, Pharrel & Santigold - My Drive Thru

Remix of Ill Fit by Post War Years
Single out now via Itunes http://bit.ly/T89HVX
Or on 10” vinyl http://bit.ly/VlzewL

Ill Fit (Post War Years Remix)

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


Drawing Lines

Slumberland began operations in 1989, inspired by such musical happenings as C-86, early Creation, Sarah, Postcard, and the UK post-punk indie label scene. Since then we've covered a lot of territory, from punk to lofi noise to shoegaze and of course pop, releasing records from bands like The Aislers Set, Boyracer, Stereolab, Rocketship, Lorelei, The Ropers, The Saturday People and Black Tambourine.

By the mid 2000s we were starting to see a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2018 is our twenty-ninth year we are still going strong, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like Smokescreens, Tony Molina, Papercuts, Business of Dreams, Peel Dream Magazine, D.A. Stern, The Spook School, Frankie Rose, Young Guv, Terry Malts and many, many more. As always, we operate entirely outside of the echo chamber of trends, fashion and phoney hipness. Slumberland bands are independent in the best way possible -- making music devoid of bullshit and true to their own voices, regardless of current popular taste.

Drawing Lines

Slumberland Records

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