Taken from their debut album "Weird Sister."
Out now on Slumberland Records (US) & Fortuna Pop! (UK)

LP/CD: http://smarturl.it/jgws-album
Digital: http://smarturl.it/jgws-itunes

Thrilling Cardiff-based noisepop five-piece Joanna Gruesome will be releasing their terrific debut album via Fortuna POP! (Europe) and Slumberland (USA) in September. Brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, their songs are shot through with loud discordant feedback and super-fast, hardcore punk drumbeats. This album sees their first foray away from recording in a living room to a proper studio under the guidance of producer MJ of the much lauded Hookworms.

Kicking it against sexism and homophobia, nothing is off-limits, drawing inspiration from DIY scenes such as Riot Grrrl/noisepop/C86 /K Records as well as post hardcore like Drive Like Jehu/Converge and the art rock of The Velvet Underground and My Bloody Valentine, Joanna Gruesome offer a staggeringly diverse album, unexpectedly quiet and surprisingly loud.

Joanna Gruesome comprise Alanna on vocals, Owen on guitar, Max on bass, George on guitar and Dave on drums. They all met in an anger management counseling group. During the course they were told that writing, making music, dancing or painting could relieve tension and help reduce feelings of anger. One initiative involved a project where they were assigned a group to compose and perform a song in front of other members. Initially they found each other infuriating but gradually acknowledged their musical chemistry and decided to continue with the band outside the therapy group.

Most of the album was written during a month long stay in a seedy west Brighton hotel (now closed down) called The Hell House. The residents were pretty strange, kept attempting occult rituals/using Ouija boards etc and many of the songs were written to distract from the weirdness. Heart-wrenching and exhilarating in equal measure, these are not cheerful songs.

Awash with nods to mental illness and the dark recesses of the mind, the record is littered with references to the devil or zombies and allusions to comic books. “Secret Surprise”, in which mental illness takes a physical form and is fought using razor blades. Or "Anti-Parent Cowboy Killers," which is about stealing a scooter and driving it into the ocean when you should be in school LEARNING. Or "Sugarcrush," about spending a summer burning knitwear.

They have built-up a phenomenal live reputation, blending obnoxiously loud guitars and the occasional band uniform, with a high energy performance dispersed with quieter reflection, boy/girl vocals and teenage angst.

“Abrasion, anger, attitude. One guitarist is in the audience, but this isn’t too much of a stretch. There are slower parts where the musicians take a second to breath. There are noisier bits where the musicians take a second to reflect. There are thumpy bits where the musicians take a second to dance and enjoy themselves. Everyone’s smiling. Everyone’s hugging themselves. What a glorious mess of a noise to be a part of. What a glorious sense of community.” Everett True, Collapse Board
 
"A brilliant band from Cardiff who love their fuzzy melodies and songs dripped in scuzzy reverb." Huw Stephens, Radio One.

Joanna Gruesome - Sugarcrush

Back in 2008, a lot of heads turned to clock Crystal Stilts' Alight Of Night, their first album after a string of here-today-gone-tomorrow singles and EPs. It wasn't exactly a surprise - Crystal Stilts felt like part of a new age dawning, of underground collectives and random, crazy groups who'd rediscovered the joys of noise-pop and set about creating their own Creations - but there was something unique about Crystal Stilts, something hermetic yet gorgeous about the world they created. With their new album, "In Love With Oblivion," they stretch things further still, honing their songcraft, indulging their more strung-out sides, full of elliptical verses and perfectly chiming guitars, cranky pop organs and the punkest of rhythms. It's a perfect blend of pop smarts and beguiling experiment.

"In Love With Oblivion" is out April 12 on Slumberland Records in the US and April 11 on Fortuna Pop! in the UK.

Crystal Stilts - Through The Floor

SF Bay Area textural pop group Torrey delve deep into a translucent dreamworld on their self-titled sophomore album. Bending classic shoegaze, rainy day indie rock sounds, and 90s alt rock flair into more intricate forms, the band uses these guitar-forward songs to shape-shift between gentle drifting and noisy breakthroughs. Some touchstones might include Lush, Drop Nineteens, Cocteau Twins and The Breeders, but Torrey have a deft grasp of their craft and a forward-thinking studio approach that places them very much in the NOW. Singles like "No Matter How," "Bounce" and "Moving" are pure 2024 and place Torrey firmly alongside like-minded groups like Seablite, Mo Dotti, Winter and Alvvays who are enlivening a similar set of inspirations.

It's fitting that Torrey's most masterfully crafted album is also their first for Slumberland. As the album plays out, it perfectly arranges contradictory expressions of angst and tenderness, exaltation and melancholy, restlessness and acceptance. These songs are obsession-worthy for any dream pop enthusiast, with Torrey managing to call on some
familiar spirits for guidance while sounding more like themselves than ever before.

Torrey

Torrey - No Matter How

Following on from their excellent, jangle-tastic 2021 self-titled debut, Chime School's new album "The Boy Who Ran The Paisley Hotel" is as stellar as we could have hoped for — deeper, richer and evolved in every way. While still joyfully packed with janglepop gems, "Paisley Hotel" takes a turn toward the winsome melancholy of groups like East Village, The Go-Betweens, and The Loft, and represents a leap forward in production, composition and arrangement.

The Boy Who Ran The Paisley Hotel

pre-order

Chime School - Give Your Heart Away

Face Of Love

Face Of Love (feat. Midwife)

"Get There" (Leaper bonus track) ft. guest vocals by Jonny (Elsa, The Seams). Produced & Mixed by Josh Korody. Recorded at Candle Recording Studio, Toronto.
https://facebook.com/weareBeliefs // https://www.facebook.com/HandDrawnDracula/

Beliefs - Get There

PREORDER: http://artishardrecords.limitedrun.com/categories/gorgeous-bully-something-anorak

We're delighted to be teaming up with long-time AIH pal Gorgeous Bully as well as relative newcomers Something Anorak, for a four track split 7" due for release 26th June.

The two bands met whilst both living and playing in Cornwall in early 2011 and bonded over a shared love of boisterous lo-fi music. In the five years since, Something Anorak, consisting of cousins James and Chris Barrett, moved to Bristol; released an album on Howling Owl and split time writing music between working as a plumber and a postman. Meanwhile, Gorgeous Bully's Thomas Crang moved to Manchester and with no such restrictions on his time, has spent 5 years of unemployment ascending the stairs of bedroom-pop stardom whilst sharing a steady stream of songs that are "ugly and bummed and uncomfortable in all the right ways.

The split features two tracks from each band and is set to be released as a cherry red 7" record on June 26th.

Gorgeous Bully - Just Like Before

PRE-ORDER 7" Postcard/card postcard: http://artishardrecords.limitedrun.com/products/584916-penelope-isles-cut-your-hair-pcc01

Our 2017 singles club will be taking the form of a monthly postcard from some of your favourite bands, and we're kicking that off right now with Penelope Isles.

Following their Comfortably Swell EP which we reissued to coincide with Cassette Store Day 2016, the Brighton via Cornwall foursome jump right into the new year with a fresh audible bowl cut in the form of Cut Your Hair.

25th Jan – Tooting Tram & Social, London
26th Jan – Cookie Jar, Leicester
28th Jan – Wharf Chambers, Leeds
30th Jan – Maguires Pizza Bar, Liverpool
31st Jan – Mothers Ruin, Bristol
2nd Feb – Woodlane Social Club, Falmouth
3rd Feb – Unit 23, Totnes
4th Feb – Green Door Store, Brighton
7th Feb – Old Blue Last, London

Penelope Isles - Cut Your Hair

iTunes pre-order: http://smarturl.it/cagetropical
Bandcamp pre-order: https://frankierose.bandcamp.com/album/cage-tropical

After spending years as a major presence in Brooklyn’s thriving music scene, Frankie Rose relocated to her familial home of Los Angeles for 18 months with the intention of establishing yet another moment in her storied indie rock métier. Gradually, she found herself short on sleep, funds and optimism. "I moved to LA, drama ensued and I ended up on a catering truck. I was like, how can this be my life after being a touring musician and living off of music. I had really lost my way and I thought I was totally done."

Through sleepless nights of listening to broadcaster Art Bell’s paranormal-themed archives, Frankie’s thoughts had turned to "who am I, I’m not cut out for this business, it’s not for me." She continues, "I was literally in my room in L.A., not knowing how I was going to get out. But out of it all, I just decided to keep making music, because it is what I love and what I do – regardless of the outcome."

Towards the end of her time spent in Los Angeles, Frankie reached out to Jorge Elbrecht (Tamaryn, Gang Gang Dance, Violens) and began sketching what became the basic outline of what felt like a new album. Then, rather fortuitously, Frankie ended up back in Brooklyn with the realization that "in the end, I’m on my own. I have to do these things on my own."

The months that ensued meant basically working with no budget and finding ways to record in-between days. This time enabled Frankie to experiment musically with a variety of people that ultimately changed the way she worked. "I got a lot of input from people like Dave Harrington (Darkside), who was helpful reconstructing the songs, adding dynamics and changing up the rhythms."

The result of this existential odyssey is Cage Tropical, Frankie’s 4th album. It is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. "My references aren’t just music," says Frankie, "I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there."

Beginning with the shimmery, cinematic and percussive sparkling of the album’s opening track "Love in Rockets," the song’s refrain of "a wheel, a wheel of wasting my life: a wheel, a wheel of wasting my time" immediately alludes to those darker circumstances that led to the creative origins of Cage Tropical."It’s all essentially based on what happened to me in Los Angeles and then a return to Brooklyn," says Frankie. "Misery turned into something good. The whole record to me is a redemption record and it is the most positive one I’ve made"

 "I feel like I am finally free from worrying about an outcome. I don’t care. I already lost everything. I already had the worst-case scenario. When that happens, you do become free. In the end, it’s about me rescuing myself via having this record."

Cage Tropical

Buy LP/CD

Frankie Rose - Trouble

L.A. (Remix feat. Westerman)

Michigan Hammers

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.