Pre-order LP/CD: http://www.slumberlandrecords.com/catalog/show/270
Pre-order from iTunes: http://smarturl.it/dalliance-itunes

Gold-Bears' second full-length, "Dalliance," is a record about regret. It reminds you of that time you lied to your friend when you said you were too busy to hang out, but instead went to the bar alone. Or when you sent that really shitty email to your brother about something that really has no bearing anymore, because you were too caught up in the moment to think clearly. It also reminds you of the time you got divorced... from whatever or whomever.

In the past two years since Gold-Bears released their debut album "Are You Falling in Love?," main Bear Jeremy Underwood gathered a new crop of friends to carry out his fuzz-filled visions. "Dalliance" is more focused and abrasive than that 2011 debut, combining their noise-pop influences from forebears like Boyracer and The Wedding Present with shades of the post-hardcore, emo and post-punk on which the band all cut their musical teeth. This is not to say that Gold-Bears gave up impossibly catchy song-writing, just that their signature indie punk anthems are now even sharper, the guitars even more slashing, and the songs even more harrowing and heartfelt than ever.

"Dalliance" opens with the anthemic "Yeah, Tonight," a proper pop song featuring a duet between Underwood and Emma Kupa (of the defunct London indiepop band Standard Fare) that sets the agenda right away — sharp melodies and even sharper guitars, all whizzing by in less than three minutes. “Chest” rushes in almost immediately after, barely two and a half minutes of punk energy and fizzing feedback.

The stomping "From Gainesville to Tallahassee" features a gnarly feedback guitar solo and backing vocals from Black Tambourine's Pam Berry. “Punk Song No. 15” is as described, a blazing flash that condenses the history of UK noisy pop into just over one minute. “I Hope They’re Right” and the lovely, jangling “Hey, Sophie” show how much the band have expand their range, slowing the pace, turning up the jangle and taking on the big subjects.

Gold-Bears cover a lot of territory, musical and lyrical, in "Dalliance"’s 32 minutes and by the time that we reach the miniature epic of closer “Fathers And Daughters” we realize that we’re watching a band and a song-writer hit their stride, turning in an album that’s exciting, thoughtful and infectious.


Gold-Bears - For You

Slumberland began operations in 1989, inspired by such musical happenings as C-86, early Creation, Sarah, Postcard, and the UK post-punk indie label scene. Since then we've covered a lot of territory, from punk to lofi noise to shoegaze and of course pop, releasing records from bands like The Aislers Set, Boyracer, Stereolab, Rocketship, Lorelei, The Ropers, The Saturday People and Black Tambourine.

By the mid 2000s we were starting to see a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2018 is our twenty-ninth year we are still going strong, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like Smokescreens, Tony Molina, Papercuts, Business of Dreams, Peel Dream Magazine, D.A. Stern, The Spook School, Frankie Rose, Young Guv, Terry Malts and many, many more. As always, we operate entirely outside of the echo chamber of trends, fashion and phoney hipness. Slumberland bands are independent in the best way possible -- making music devoid of bullshit and true to their own voices, regardless of current popular taste.

Gold-Bears - For You

Slumberland Records