In August 1998 Anneli became the first female DJ touring Sweden, when she found that she could combine her passion for electronic music with work and began playing at nightclubs in Sweden. Already in 1994 she discovered the electronic dance music in an underground Goatrance-party! 'Classical music in a modern way...'

 She plays minimal techno/tech-prog-electro-house in around 128 bpm or 140 bpm psychedelic trance, the style depends on the organizer's demands and of course on the people on the dancefloor. She believes that there is good music in every genre, it just takes time to find.

 She is always looking for tracks 'that which is not played by others' combined with 'that which is different from the rest' using 'breaks that will surprise time and time again'. This open-minded and inovative thinking is one of her strengths as a DJ.

 She is a real teaser in the sense of styles and structures and her sets can go everywhere. Focusing at the most important part of the DJ's job to please the dancefloor - to COMMUNICATE with the crowd - achieve an understanding of what they want to hear without exchanging a single word!

 More than ten years later, this passion has made her one of the most well-known and requested female DJ in Sweden, taken her around the globe to all the continents (except Antarctica), playing at more than 650 gigs ...

 In August 2006 Anneli joined the legendary psytrance label PHANTASM RECORDS and in May 2009 they released Anneli's own compilation - '10 Years of Communication' - to celebrate her 10th anniversary as a DJ! It included 'My Time' a track Anneli co-produced with Takashi and Isao (aka Indigo) in their studio in Japan!!!

In 2012 she got the honor to mix the last edition of the DESTINATION GOA series: Destination Goa vol.12 - The Last Chapter -

 She is sponsored by STANTON since 2007 and 2010 she became a member of the fast growing psytrance label NUTEK RECORDS with releases from Painkiller, A-Team, Mekkanikka, C.P.U. and more.

Radio/Podcast host:
"Benjamen Walker's Theory of Everything" a proud member of PRX's Radiotopia collective. http://radiotopia.fm 
"Too Much Information" WFMU (2009 - 2013)
"The Big Ideas Podcast" The Guardian UK (2011 - 2012) 

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

The Silence at sea is OUT NOW:
https://lnk.to/SilenceatSea

Smartbromio is following