...only available for a limited amount of time, so go and grab your download (wav!)

Thomas Newman - Drive Away (Mr. Fonk Re-Rub)

First got in touch with Voyage due to their Lady America track. But after hearing that, what we now call iconic closing in 2019 I was truly mesmerized by what Voyage produced. 
After checking a bunch of their releases I stumbled across this disco bomb from 1982 that can be found on the album One Step Higher:

https://www.discogs.com/master/163482-Voyage-One-Step-Higher

It originally lasted 7.5 minutes and consisted mostly of this beautiful, slower orchestra part. Although I also like that part's sound, the more energetic part caught my ears. So, after having it in my collection for a while, I decided to change a thing or two. I tried to capture the more energetic side of the track that keeps on giving for the dancefloor. Which are mainly the intro and outro that were surprisingly difficult to get around. Also some rearrangements and a little tweaking of the lower end frequencies.

But all kudos of course to the incredible French disco band Voyage for producing this piece of art!!!

Voyage - Follow The Brightest Star (vrøge edit)

Party Line

Party Club

VINYL/DIGITAL - https://spacetalkmusic.bandcamp.com/album/night-city-life-ii

Much has changed for Ilan Pdahtzur since the release of his Night City Life compilation six years ago. Back then, he was a little-known record collector who shared obscure, synth-heavy music that “captured the night-time glow” of the city he calls home, London, via a dedicated Instagram page.

Fast forward to 2025 and Ilan is now a respected member of the international digger-selector community, having delivered must-check mixes for the likes of Bordello A Parigi, Bayete, Hunee’s Lifetones and Sound Metaphors.

It seems a fitting time, then, for Spacetalk to unleash Night City Life II, a second deep dive into Ilan’s distinctive, neon-lit sound world – a place where European synth-pop rarities, Italo-dance treats, dancefloor-focused post-boogie instrumentals soundtrack strolls around shuttered skyscrapers, dockside housing estates and wharf-side warehouse conversions.

In the six years that have passed since the release of Night City Life, Ilan has uncovered many more rarities, private-press gems and slept-on treats, with 14 of these featuring on the dusty-fingered crate-digger’s sublime sequel. As with its predecessor, much effort has been made to track down the artists behind the synth-heavy songs on show, with the vinyl edition featuring extended liner notes where some tell the story of their track in detail.

Musically, there’s much to set the pulse racing within Ilan’s superb selections, from the slow-motion shuffle of Playground’s self-released 1984 B-side ‘Rainy Day Woman’ and the brilliance of Shamor’s 1985 South African synth-pop special ‘Close To You (Bwela Pafupi)’, to Sharon & Tracy’s ‘The Sheik’ – a belly-dancing inspired slab of TB-303 bass-driven house – and the kaleidoscopic, piano-rich 1992 Euro-house brilliance of ‘Come Into My Life’ by Jennifer.

Dive deeper into the collection and more under-appreciated musical masterpieces make their presence felt. There’s Sicilian musician Claudio D’Ignoti’s lesser-known boogie-era single ‘Anche Per Noi’, where rubbery bass guitar, Nile Rodgers style disco guitar licks and spacey synths dominate the sound space, Lena’s fashion circuit-inspired, early Pet Shop Boys-esque ‘Embrasse-Moi (Strumentale)’ – one that members of Milan’s Paninaro movement would surely have enjoyed – and a sublime, spaced-out and effects laden dancefloor dub of ‘Rescue Me (Imagination)’ by Jimmy D, a genuinely sought-after jam originally released on a now impossible-to-find seven-inch single.

Offering another genuinely distinctive, carefully curated collection of lesser-known musical treats, Night City Life II is another essential, immersive and synthesizer-powered journey through Ilan’s unique sonic world.

Night City Life II

SPACETALK SHOP

Lena - Embrasse-Moi (Strumentale)

Razor-N-Tape goes big for their first ever edits VA on their legendary white label series! Timed to drop at their Detroit Movement weekend event, this spicy 12” includes contributions from four of the artists on the bill: Glenn Underground, Rahaan, The Patchouli Brothers and JKriv. Classic RNT style, all killer no filler disco heat on this one!

Purchase on vinyl

(B1) Hot Damn (JKriv Edit)

LAx5

Give Up

Brand New on Groove Cycle is the amazing track Magic Touch from Don Disko.

Don Disko's signature sound fuses nostalgic vibes with contemporary flair, delivering tracks that move both the body and the soul.

'Magic Touch', is a euphoric blend of disco, house, and classic infectious French touch influences. 
Inspired by timeless anthems like 'Thunder in My Heart Again' by Meck & Leo Sayer and Stardust's 'Music Sounds Better With You,' the track fuses infectious grooves, shimmering synths, and feel-good energy into a modern dancefloor classic.

Early support from the likes of Sam Divine (Defected), Christian Homan (RTE Radio), Michael Mayer and Paul Wilkins (Hed Kandi) to name a few.

Magic Touch will be available everywhere from June 13 2025. 

GC025 Don Disko - Magic Touch SC Edit

Buy : https://sibu.bandcamp.com/album/idunu

Idunu
Produced by Sibu
Mixed & Mastered by Sibu

Idunu

Having carved out a place in the contemporary club scene with releases on Glitterbox/Defected, Boogie Angst & Lovemonk Records amongst others, Madrid’s Casbah 73 recently shed his skin and is now ready to introduce The Jade, a live ensemble that prioritises emotion, excitement and the art of the song. Led by Oli Stewart (Casbah 73), the project brings together a remarkable group of players. At its core, this is about people: musicians in dialogue, shaping rhythms and melody, singing songs from the heart, that shared pulse based on a timeless musical vocabulary.

Opening with the exuberant ‘Let The Light In’, this is sizzling hi-jazz and sunny soul, shot through with a dose of funky afro-latin rhythms for good measure. Josh Hoyer leads the charge, delivering a powerhouse vocal performance, while Nia Martin and Deborah Ayo bring that gospel glow. As, indeed, they continue to do so throughout, especially on the deep, soulful standout ‘When Love Left’ or the shimmering, street soul meets brit-funk feel of ‘Change!’ Experience the spontaneity and playful nature of tracks like ‘Si No Me Quieres Esperar’ (with Cuban maestro Ale Gutiérrez on vocals) infused with funky latin and Brazilian rhythms, as well as sparkling, alien disco dub in the form of ‘Space Lines’. There’s no-holds, hands-in-the-air, fluid disco club grooves on ‘What It Takes’ and driving, riotous, soul-jazz grooves on ‘Being Seen’. Just when you think you’ve got it figured out, the band change it up and stretch out with beautiful jazz-funk instrumentals like ‘At The Queensboro’ or lush sonic gem ‘On That Strange’, a track that feels like a long, blissful afternoon fading into evening, with things left unspoken in the air and mystery in its kinky grooves.

The Jade’s sound is post-pout, studs up, raw soul, free from modern dancefloor tyranny. It’s intimate disco, dead-selfie freedom, afro-latin jazz-dance and Iberican funk all rolled into one, rooted in emotion and shot through with a healthy dose of funky bad ass groovism. Genres that blend and bleed into each other following one simple idea: songs and the expressive power of live instrumentation.

Comin’ atcha from behind the Iberican Curtain (Madrid!) and spearheading the resistance, you’ll find Chavi Ontoria on keys and David Salvador on bass, forming the rhythmic foundation. They’re joined by the rousing horns of Josué García and Dani Herrera, and the vibrant voices of Deborah Ayo and Nia Martin. All the way from Montevideo, guitarist Nico Ibarburu weaves his spell-binding grooves, while top-notch artists such as Josh Hoyer, Angela Gooding, Ale Gutiérrez, jazz trumpet player Malcolm Strachan and others broaden and enrich the project’s emotional and musical range. 
credits
released June 20, 2025

Composer, arranger, lyricist, all music: Oliver Stewart
Horns: Josué García Duque, Dani Herrera
Backing vocals: Deborah Ayo, Nia Martin
Electric & acoustic guitar: Nico Ibarburu
Bass: David Salvador
Rhodes, piano, Moog: Chavi Ontoria

with

Josh Hoyer: vocals on 1, 8
Juan Guillermo Aguilar Bayer: percussion on 1
Angela Gooden: vocals on 2, 11
Profeus: guitar on 2
Eugenio Nardelli: drums on 2
Grell Hidalgo: bass on 2
Andrii Popov: guitar on 3
Tien: vocals on 4
Malcolm Strachan: flugelhorn on 6
Francesco Coppola Bove: drums on 6, 9
Ale Batanga: vocals on 10
Leo Oliveira : drums on 10
Iván Ruiz López : congas on 11
José “Jas” Álvarez: string arrangement on 11
Mad4Strings : strings on 11

Mixing & mastering engineer: Damián Schwartz 

Grab LP here!

On That Strange

New Funk

All That Jelly is a label run by Mr. Fonk (@cracked-a) from Berlin. 
The roots are Soul, Funk, Disco and oldschool House Music. Detroit, New York City and Chicago. The Music Institute, Paradise Garage, Warehouse and Muzic Box. Derrick May, Larry Levan, Frankie Knuckles and Ron Hardy.

Thomas Newman - Drive Away (Mr. Fonk Re-Rub)

All That Jelly / Smile for a while