Mira & Christopher Schwarzwalder - Deila (Ruede Hagelstein Remix)
Flowers and Sea Creatures - AM (Ewan Pearson Re-Edit)
Mario Canal - Radiance
Red Axes - Sound Test
Ricardo Tobar - There Is Pop
Syncom Data - Beyond the Stars (Speedy J Remix)
Arjuna Schiks - Complete (Jamie Stevens Remix)
Budakid - Walkman (Tunnelvisions Remix)
Moderat - More Love (Rampa Remix)
Glowal feat. Simon Batten - Roda (Mulya Remix)
The Loose Control Band - I Don't Understand (Radio Slave Remix)
Oliver Schories - Largo (Florian Kruse Remix)
Estiva - Cascada
Lone - Temples
Luke Alessi - Resurface
Pig & Dan - Chemistry
Booka Shade - Break the Chains
Alexander Church - Thinking & Reasoning (Vincenzo Remix)
Boston 168 - Cybernetics
Chelonis R. Jones - Deer in the Headlights (Radio Slave Remix)
Laurent Garnier - Liebe Grube Aus Cucuron
Alphonse - Glint AM (DJ Normal 4 VibemixX)
Ejeca - Flatline
Sasha & Locked Groove - Exploding Sun
Rabbit in the Moon - Floor.D.A. (Handled With Care Mix)
Artist Code 534147 - Meraki
Four Tet - Anna Painting
Against the Grain - Further (Harry Lemon Dub)
Mike Koglin - The Silence (Tekara Mix)
No Moon - Ace Rushin (Adam Pits Remix)
Transparent Sound - Remanisance
Outsidr - Consequences
Underworld - King of Snake (Dave Angel Remix)
Max Cooper - Repetition (Josh Wink Interpretation)
The Chemical Brothers - The Golden Path (Ewan Pearson Extended Vocal)
Justin Robertson - Acid Rave Music! (Phil Kieran Remix)
Mix Factory - Take Me Away (XTC Come Hard Remix)
Talker - Da Business
The Funk Lab - Do It
LSG - Hearts
Varum - Serial Nova
BT feat. Jes - Every Other Way (Hammock Remix)

Explorations 155 (October-November 2023)

DJ & Music Producer
EDM Pop, Techno, Deep House

Delta Octagon is an emerging force in the underground electronic scene, known for weaving futuristic soundscapes with heavy, cinematic energy. Blending atmospheric textures, driving basslines, and precise production, Delta Octagon’s music creates a world that feels both otherworldly and deeply human.

FOLLOW ME ON SPOTIFY

https://open.spotify.com/artist/1a0drV93Lv34gTLYlMUpUa

As featured on BBC Radio One Introducing. 

ADHD - Supporting Neurodiversity

Other great SoundCloud artists..

https://soundcloud.com/rokschoonmusic

https://soundcloud.com/itsbobaio

under: luxury records

1° EP work in progress 

I will cut off the strings. You can be yourself. 

> Next Release > ??-??-25 > Dom Disko - ID
> Next Show > 9-24-25 > Mockingbird

Daniel Fortuna
<3 Playstation #nostalgia.
_a lot of echoes, lost somewhere in space. 

I like to weave the motorsport theme into the music.

_See Ya

🏆 Get Discovered. Grow Your Fanbase!
🚀 We're the go-to music marketing agency for artists, labels, and producers.
📧 promo@cammonetwork.com
🎧 Try now! www.cammonetwork.com

▶ Proud official Partner to:
@pumpyoursound

▶ Repost Network:
@future-house-edmjoy
@edmhotrep
@weareexquisite
@dropcentral
@exquisiteagency
@edmcrime
@toneville
@eternitynetwork
@spurnetwork
@jackin-deep-future-house
@upmotion-records
@edmfutureofficial
@tmrepost
@edmtreasure
@gmafiarecords
@equatossociety
@musichighcourt
@side-sounds
@establishedd
@qaliber
@minervaselects
@feenthemusic
@mugatunesofficial
@moonwalkbass
@melbourne-bounce-central
@theedmcollective
@houseanthems
@lexgreen
@digital-remedy
@clrflmusic
@catchthefuture
@tropideepsound
@bantana_records
@waxmusique
@housebuffet
@futureanthems
@danceanthems
@sonicworldwide
@ehnnetwork
& hundreds of more partners…

▶ Join the chain & send us a partner request

› Our Network support #edm #rap #pop & much more!

I'm a late 60s child who's been heavily influenced by jazz, classic rock, electronic, punk and post-punk, disco, new wave, dub, hip hop, house, techno, acid house and rave, drum & bass and jungle, downtempo, ambient and modern classical, indie, etc....to include some glorious fusions of these different forms.

I hope to reflect more of that wonderful diversity in "Explorations" moving forward, and yet stick to the core that has influenced this series to date.

Techno influenced Producer from London with 
Releases on Grasshopper & Record Union
https://wideriver.bandcamp.com/follow_me
https://www.beatport.com/search?q=wide%20river
https://artcore.com/wide-river

https://gonewallace.com/
email for booking:
gonegfwallace@gmail.com

|HAVEN| Records
@justjoey_lftm
@kingkeythegreat
@thevoidbruh

Marly Sladek (they/them) alias Voldex is a German music producer, DJ, and musician specialized in Electronic Dance Music since 2012. Voldex has gathered 8+ million streams worldwide and worked with labels such as Trap Nation and Armada Trice.
Voldex aims to keep expressing their emotions through music, thus fusing melodic elements with modern hard-hitting sounds.
Some of their main influences are Radical Redemption, Atmozfears, and Sickmode. Since 2015, Voldex has specialized in Hardstyle and Trap, focusing on distortion and kick drum sound design. 
Marly was introduced to music early and started taking electric guitar lessons at age five and later began playing the drums before finding their passion in EDM.

2nd alias (rap & beats) @mvrlyofficial

Founder + A&R @vxiirecords

Business/Contact: djvoldex@gmail.com

Supported on @alltrapnation:
https://youtu.be/GVHLs6ENUOc
https://youtu.be/a2jnW9n2zOU

"In The Dark" Remix played out by @cuebrick at Winterworld Festival 2018
"Lullaby" Remix played out by @notsocoolmusic at Airbeat One 2018 and BOOTSHAUS Cologne

Official Merchandise: http://voldex.bigcartel.com

Donate: https://ko-fi.com/voldex

My old stuff: https://soundcloud.com/djvoldex/sets/old-stuff/s-Fcb3F

Supported by
@timmytrumpet
@thomashayden
@dj-shwann
@loxchatterbox
@timmohendriks
@gionailati
@ngomusic
@rvdymusic
@qulinez
@milanothedon
@jochenmiller
@officialseppie
@royalbrothersofficial
@cuebrick
@sekaitunes
@jeyvazzmusic
@wolfsnareofficial
@notsocoolmusic
@djmatduke

Featured labels
@armadamusic
@tribaltrapmusic
@minttunes
@divr
@itstrapnetwork
@armadatrice
@saucekitchen
@lacuna
@FestivalTrap
@2-dutch
@melbourne-bounce-central
@exobolt
@allhardnation
@hard-planet-upload
@justtrapmusic
@feelqrecordings
@wolfbeatsofficial
@hardcorefrance
@k1-recordz
@dutchmasterworks

The point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against. 

///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\
///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\
///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\
///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\///\\\


 -I focus on-
oldschool Tekno, Hardtek, Tribe, sometimes drum&bass, little bit acid 303, melancholic / melodic Techno eaven UndergroundTechno. all that with industrial touch

..

..

I started enjoy freepartys 2005. 
Since then I hardly want anything else. its the Tekno family.
The first Tekno artists/systems/labels my brain picked up: 
wako, sp23, ifp, lego, nw23, circus alien, teknambul, 69db, wakuum, mem pamal, heretik, dsp, crystal distortion, metek, teamtrash, matu, fky, msd, okupe, 9mm, banditos, micropoint, turbotek, ben tetrips, x-tech, adam vandal, suburbass, utopeak, desert storm, co2, capsule corp, asystematik, lsdf, infrabass, arobass, foxtanz, aristocrad, hocus-pocus, zone33, alchymist, triphaze, uniko, Acid Anonymous,  jeff23, vinka, hujer maslo, R4G3, labo14....
________________________________________________________________

.....https://www.youtube.com/watch?v=HWSEIwoSeLI.....
.........short lucky successful scratch demo..........
________________________________________________________________

....................../´¯/)
....................,/¯../
.................../..../
............./´¯/'...'/´¯¯`·¸
........../'/.../..../......./¨¯\
........('(...´...´.... ¯~/'...')
.........\.................'...../
..........''...\.......... _.·´
............\..............(
..............\.............\... SysteM
.
.
.
.
.
.
.
.
.
.
.
. 
.
genre: 	Tekno, Free Tekno, Teknival
scene: 	Techno  (born in Detroit)
Tekno - 	early 90s

Hardtechno is the official music genre of rave culture. about raves - real raves 

The raves in the UK in the early 90s were free, renegade, seasonal, and run by ontological anarchists armed with the philosophical weapons of Hakim Bey and Robert Anton Wilson. In the winter months they broke into empty warehouses and occupied them for the night (rave culture loves recessions -- it means more unused urban spaces). In the summer they organized roaming flash mobs to crash police barricades and set up in farmer's fields. They rarely asked permission. What they were doing was illegal so they had to keep moving, and what developed from this radical hedonism was the concept of the mobile soundsystem.

Often situated on the back of flatbed trucks (what the Brits would call lorries) and caravans, the mobile soundsystem became the key to the rave experience. If the rave got busted or shut down by the cops or an angry farmer with a gun, the soundsystem packed up, moved over to the next field, and unloaded the party again. Repeat all night (or week) as necessary or until the drugs wear off. ^^  There were no cell phones or Internet back then so people were kept in the know via pirate radio stations and secret info-lines (ie: recorded messages on telephone answering machines).

These soundsystems had names like the rave promoters of yore -- Spiral Tribe, Bedlam, DiY, Circus Warp, Adrenaline, Rough Crew -- and it was these soundsystems that became famous in their own right. The people would locate where their favorite soundsystem was playing on a given weekend and then track it down like rock groupies. It's probably a weird concept to fanboys of certain DJs or producers (or even labels or promoters, you corporate whore), but the point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against.

The organizers and owners of the soundsystems aimed to reclaim public space and occupy them as Pirate Utopias. Being more political-minded and radicalized, they looked nothing like their friendly Acid House forebears: Skinheads wearing jackboots, camo pants and combat fatigues. They had to look scary -- they were the promoters, owners, drug dealers, DJs, and security of their own parties. Just because these are free parties doesn't mean you are free to do anything.

And the music? The music was mostly produced live on the fly, like jam bands at Grateful Dead festivals. It was cheap, simple, disposable, looping thumping Techno music that went on for hours with no break; (today its different cause many analogue homestudios existing) blistering fast with an abrasive industrial edge, squealing 303s, a sample or two, and terrible sound mixing/mastering. This lo-fi grungy filthy Techno was the punk rock of electronic music. It was never called Hard Techno until years later, before Hardcore got its act together.

The free rave scene finally reached critical mass at the infamous Castlemorton festival from May 22-29, 1992. A rave that lasted seven days with an estimated 100,000 people in attendance. All aforementioned soundsystems were there. It was the rave to end all raves, a worse-organized, more anarchic catastrophic Woodstock. And like Woodstock many old Brit DJs and producers today will tell you that they were there when they probably weren't (and if they were, they're not supposed to remember anything anyway). Even still, everyone who went insists that it was wicked.


Castlemorton (allegedly)
The Authorities had had enough. Thirteen members of Spiral Tribe were arrested and after a long show trial the UK government passed the Criminal Justice Act of 1994, outlawing all raves (or what it called "any party that plays music with repetitive beats") and beefing up law enforcement to take the problem seriously.

Essentially the bill singled out and outlawed certain lifestyles -- specifically the "techno traveler" kind. The leftover members of Spiral Tribe and other soundsystems fled the country in voluntary exile, and they are still around today as the Free Tekno scene, a traveling circus that backpacks around Europe throwing free parties or Teknivals.


What a Teknival might look like. That smoke in the distance might possibly be tear gas. Teknivals get raided a lot. You're not a real participant in this scene until your party gets busted by the Police and you have to outrun the dogs.
Back in the UK the rave scene decided if it wanted to survive it had to go legit and comply with the laws. 1994 is a pivotal year: Everything after this year is safe, boring, and club-friendly, making shitty Eurotrance music for grandmothers and 8-year-olds, the edges completely smoothed out of what was not just a vibrant and revolutionary form of music but a lifestyle and culture.

Finding music of the very early free party scene is actually quite tricky because not a lot of it was recorded or pressed to wax (or, that is, not a lot compared to how much was made live in dozens of raves every weekend for years). And what music I do have was released well after the rave scene was crushed. And it's kind of hard to catalogue music that has no name, no label, no artist, no identification. It is Temporary Autonomous Zone music -- it exists only where it is needed, which is at a free rave. Not a music guide.
.
.
.
.
.
.
.
.
____________________________
TEK TODAY MAYDAY
____________________________
know how it works
but don't understand it
____________________________
origin unknown
not recognized
____________________________
stand for something
don't know for whom
____________________________
the genuine underground
never recorded as a copy
____________________________

Explorations 155 (October-November 2023)

smiths