Recently, God woke me in the middle of the night and gave me a vision experience like never before. He revealed to me that Jesus is coming back very soon and many people are not ready for His return. Because I love you, I am bringing this message to you; and that is to turn from going your own way and follow Jesus today. It's urgent, the 11th hour before His return.
Much love, Tracey

Writer, composer and publisher of the following music titles:
2024 - Are You Ready 
2019 - Oceans 
2017 - Secret Garden 
2015 - Nightsky 
2013 - Third Place 
2013 - Lullaby Moments 
2012 - Defining Moments
All works by Tracey Chattaway are protected by Copyright.

Mozart — reimagined, respected, and kept alive.

This SoundCloud is a home for original music and contemporary arrangements inspired by Wolfgang Amadeus Mozart—made for (and by) Mozart lovers everywhere. You’ll hear everything from elegant, classical-first interpretations to modern reworks with new harmony, rhythm, texture, and production—always with the spirit of Mozart close to the centre.

Who was Mozart?

Wolfgang Amadeus Mozart (1756–1791) was born in Salzburg and became one of history’s most extraordinary musical minds. A child prodigy trained by his father Leopold, Mozart toured Europe early, absorbing the musical languages of his time and astonishing courts and audiences with his playing and composing.
As an adult he moved toward a more independent life—especially in Vienna, where he wrote many of his greatest works while navigating the realities of patronage, commissions, shifting tastes, and financial pressure. Despite a short life, his output is vast, varied, and astonishingly refined: music that can be dazzlingly complex yet effortlessly human.

What did he write?

Mozart’s catalogue spans almost every major form of the Classical era—each elevated with his gift for melody, harmony, drama, and clarity.

Operas: from sharp comedy to profound emotional theatre—The Marriage of Figaro, Don Giovanni, Così fan tutte, and The Magic Flute.
Symphonies: especially the late masterpieces including Symphony No. 40 and “Jupiter” (No. 41).

Concertos: above all the piano concertos, where Mozart practically invents a new kind of dialogue between soloist and orchestra.
Chamber music: string quartets (including the “Haydn” quartets), quintets, serenades, and beloved works like Eine kleine Nachtmusik and the Clarinet Quintet.

Sacred music: including the dramatic, unfinished Requiem, alongside masses and motets.

Mozart’s music endures because it’s both architecturally perfect and emotionally direct—bright, mischievous, tender, tragic, luminous—often within the same page.

What you’ll hear here

Original compositions shaped by classical craft and modern imagination

Contemporary arrangements inspired by Mozart’s themes, forms, and spirit

A wide palette: cinematic, intimate, playful, dramatic, minimal, or bold—depending on the piece

If you love Mozart, follow along—new releases land here regularly.

Official MOZART artist persona of Tom Connell (PRS writer).
IPIs: 
•Tom Connell 671594418 
• Mozart 1187246925 
• Wolfgang Amadeus Mozart 1187246827 
USCO: SR 809-097 (Wolfgang Amadeus Mozart, pseud 2017).
Modern recordings/arrangements by Tom Connell; not affiliated with historical estates/publishers.

پادکست فارسی رادیو دیو
مجله ی شنیداری فرهنگی هنری
با شنیدن موسیقی و ادبیات به دنیای پیرامون یک موضوع یا یک اقلیم خاص سفر می کنیم

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

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