Cloud Wizard

Vocals

Shock the Algorithm

Highlander on the run

TIA - Lea Threatening My Shadow

Your Mix 5

The Strums

I she hacked you

Michele Ansani

OH BABY * [Live[ Copyright SCRT Record CO. 2023

Further out to Sea

ONE LINE LOVE

THE HARBOUR from Echoes from a distant Past

Written by Pete
Pete-lead guitar, rhythm guitar,backing vocals,bass
Paul-Drums,rhythm guitar
AJ Harms-Lead vocals

Troublemaker

"feel" is a smooth and soulful track that blends lush melodies with a laid-back rhythm, creating a deeply emotive and immersive listening experience. Rooted in neo-soul and R&B influences, the song incorporates ambient textures and intricate electronic beats to craft a soundscape that feels both intimate and expansive. Its flowing structure and groovy undertones evoke a sense of reflection and tranquility, making it perfect for a late-night drive, relaxing moments, or simply vibing to its rich atmosphere.

feel

Ho. Ho. Ho.
Here's a sequel to last year's xmas magnum opus, 'Santa Got Wankered', cunningly named 'Santa got Wankered pt.2'

Hope everyone has a wonderful *(insert religious/atheist/spiritual/animistic/whatever festival of choice)*

See you in 2025 :)

Santa got Wankered pt.II

Gift

Indie. Dream pop. Shoegaze. https://davidkaspencer.bandcamp.com/track/true-love-s-on-its-way-feat-coco-haze
Vocals. Cyna Slater. 
Music composition & artwork. D. k. A. Spencer. 
From the original song, https://on.soundcloud.com/MsTESiuipe3vNzMT9 CRUEL LOVE, (Harry & Cyna Slater. Lyrics: Russell L Slater, Janice Slater

WELL THAT CRUEL CRUEL LOVE

IS

OVER  A HILL

AND THAT TRUE TRUE LOVE'S YET TO GIVE ITS FILL

OH THOSE CRUEL COOL LOVER'S ARE OVER A HILL

OH A NEW NEW LOVE

DOES THE ANSWER LIE WITH YOU?

OR 

AM I TO HIDE SO

 LONELY INSIDE?





chorus;

NEW NEW LOVER 

HEY 

now CAN YOU RELATE?

CAN YOU GIVE ME BACK MY HEART

THAT I HAD TO THROW AWAY?

HEY 

NEW NEW LOVER 

HEY

 now WHAT CAN YOU  SAY?

CAN YOU SHOW ME TENDERNESS

yeah 

TRUE LOVE's ON ITS WAY

True Love’s on Its Way. (Feat: Coco & Haze

A synth retro dark wave pop  elettronic t and synthetized arp 100 lirics is record directly at studio

In Take Out take

(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

Mr. Right
Vocals: From Music Maker
Paploviante: E-Bass, Composing, Arrangement, Picture, Mix and Mastering
Picture made with Swift Publisher
Free Download


Mr. Right-Paploviante

A cover version of Cold Night – originally by Swedish band Eskobar.

Cold Night

This song corresponds to the bilingual world we live in (and the madness into which the world is slipping more and more):
Vérité Enterrée – Buried Truth
J'ai traversé les rues sous la lumière - artificial light that leads nowhere. 
Dans cette ville où tout le monde marche - after these lies so large.
Tout le monde - walks alone - Tout le monde - lives in silicone.
You and I we make noise this night, without voice, truth being noise.
Les ombres dansent sur les murs - show us what once was sure.
Chaque pas – could bring truth ahead -  quand ce sera jamais - truth is never said. 
Tout le monde - is alone. Tout le monde - lives in silicone.
Toi et moi on bruit dans cette nuit – but only we. 
Perdu dans la foule, mais trouvant du réconfort - dans notre monde à part, s'échapper d'un trésor
Tout le monde - flees from the treasure. - Tout le monde - leaves truth in seizure.
Toi et moi on bruit dans cette nuit - without voice, truth being nose.
Perdu dans la foule, mais trouvant du réconfort - dans notre monde à part, s'échapper d'un trésor
Tout le monde - flees from the treasure. - Tout le monde - leaves truth in seizure.
Toi et moi on bruit dans cette nuit - without voice, truth being nose.


Vérité Enterrée - Buried Truth

Vocals and Lyrics - Ten De Vils
Composition - Uli Stonedigger

https://soundcloud.com/uli-stonedigger/destiny original instrumental version

https://soundcloud.com/ten-de-vils

Destiny - Ten De Vils mix

Virtual Lies

Timeline
(Verse 1)
Timeline
Can I solve the puzzle? Does the answer even exist?
Is it abstract in the making 
options, choices taken 
where’s the voices?
It’s a cruel game we’re playing, 
did we ever have a choice?
never had a choice is what I’m saying
I know, the question as well, as the answer 
in time we’ll all understand the meaning as well, 

(Chorus)
the only answer is, 
the truth is infinity, infinity is the truth, 
the answer is the question, 
and the question is the root
why so absolute 
not to mention a reason to be, 
existence is infinity, and the truth will set you free, 
never before, never before 
infinite, choices…The answer is …more!

(Verse 2)
What was done in the past
Effecting us now,
 we walk different timelines,  But they’re way ahead …how?
Time vibrates, like tectonic plates!
Given shape to our lifelines, final fate
What’s the cause of it all?
The crisis of it all,    The axis, recall
We exist,   one in all, One and all
Everything and everyone…

(Verse 3)
🎵In a constant state of time,
Doesn’t matter when or where, 
you’ve traveled the timeline, 
existence is existence,
And who are we to say,
What will happen in the future,
If we didn’t exist—- today 
…..in this timeline🎵

(Chorus)
(interlude)
(Chorus)

Timeline

Do-do-do-doot doot doot do-do-do-do, do-do-do-doot doot doot do-do-do-do
Do-do-do-doot doot doot do-do-do-do, do-do-do-doot-do

Jodie is a good name for people who are free, yeah
Jodie stands for freedom, whatever Jodie be
Jodie may have long hair, different coloured skin, yeah
But these things don't mean nothin' if freedom's happenin'

Ride, ride, ride on down the highway, yeah
Ride, ride, freedom's in the air
Don't cry, when livin' feels like dyin'. Sing it!
Don't cry, yeah, sing like Jodie.  Hit it!

Do-do-do-doot doot doot do-do-do-do, do-do-do-doot doot doot do-do-do-do
Do-do-do-doot doot doot do-do-do-do, do-do-do-doot-do

Ride, ride, ride on down the highway, yeah
Ride, ride, freedom's in the air
Don't cry, when livin' feels like dyin'.
Don't cry, yeah, sing like Jodie

Jodie is just people, people everywhere
Singin' out for freedom, let singin' fill the air

Ride, ride, ride on down the highway, yeah
Ride, ride, freedom's in the air
Don't cry, when livin' feels like dyin' yeah
Don't cry, yeah, sing like Jodie, come on

Ride, ride, ride on down the highway, yeah
Ride, ride, freedom's in the air.  When yeah
Don't cry, when livin' feels like dyin'.
Don't cry, yes, sing like Jodie...

Ride, ride, ride on down the highway, yeah
Ride, ride, yeah
Sing like Jodie!

V2.01M

Jodie

Written by---Pete
Pete--Vocals,Keyboards, Guitar
Paul---Drums,Percussion

Another World

Easy now, don't let our love go wrong
I'd never hurt you, or mean you any harm
Darling can't you see

I wouldn't want to lose your love
I wouldn't want to lose your love
I couldn't stand the pain
You know it'd drive me insane
Darling I need your love
And if tomorrow would be easier for you

And there's nothing that I can say or I can do
Darling, please come home, you know
I wouldn't want to lose your love

I wouldn't want to lose your love
I couldn't stand the pain
You know it'd drive me insane
Darling I need your love

You're tellin' me that I've been foolish this time
You're tellin' me that I don't know my own mind
But darling can't you see ya know 
 
I wouldn't want to lose your love
I wouldn't want to lose your love
I couldn't stand the pain
You know it'd drive me insane

Darling I need your love (love love love love.......)
Darling I need your love (love love love love.......)
Darling I need your love (love love love love.......)

Solo

V1.06

I Wouldn't Want to Lose Your Love

words and music K.Gennery
Image not my own

Through these eyes I have seen 62 years of joy and misery
Found my true love lost many loved ones to time
If I had my life again I wonder what could possibly be changed
Though I do believe in whats meant to be quite often will be
This paths been laid for me

Inside out upside down back to front turned around
Its never straight forward its designed that way
From the darkest of nights can follow the brightest of days
Its the ying and the yang good and the bad
A toss of a coin which side shall it land
of course I know its the same for everyone

Through these same old weary eyes laughter lines that cannot be disguised
I spend my spare days writing songs instead of a diary
This paths been laid for me

 Inside out upside down back to front turned around
Its never straight forward its designed that way
From the darkest of nights can follow the brightest of days
Its the yin and the yan good and the bad
A toss of a coin which side shall it land
of course I know its the same for everyone

Through these eyes I have seen 62 years of joy and misery
Found my true love lost many loved ones to time
Found my true love lost many loved ones to time

Eyes

This was a 3-way collaboration that began during 50/90. I loved Simon's musical track, and he agreed to let me write lyrics for it. Bruce (Epic Dreamery) agreed to join our team to complete the song. I hope you like it as much as I do :)

(Lyrics: Andrea Brennan
Guitars, Bass, Drums: Simon Ashby
Vocals, Synths, Production/Arrangement: Epic Dreamery)

AURORA’S EMBRACE

The sun is setting, low in the sky
Slowly, surely, It kisses the world goodbye
A dusky glow is all that’s left, as she closes her eyes 
Nighttime arrives

Aurora slumbers  Aurora slumbers 
Tucked in her bed, under a blanket of darkness
Aurora slumbers . . . The day draws to an end
But the world keeps on turning around, safe and sound . . . in Aurora’s embrace
With each night, there comes a new day, under the watchful eye of Aurora’s embrace

In the wee hours, the goddess will glide
Upon her chariot of fire, through a starlit sky 
Forging a trail of colors, that shimmer as she rides
When the time is right . . .

Aurora slumbers Aurora slumbers 
Tucked in her bed, under a blanket of darkness
Aurora slumbers . . . The day draws to an end
And the world keeps on turning around, safe and sound . . in Aurora’s embrace
With each night, there comes a new day, under the watchful eye of Aurora’s embrace

Aurora awakens . . Her duty awaits. . . She heralds to the world. . .the dawn of a new day

The world keeps on turning, turning around, in Aurora’s embrace
With each night, there comes a new day, under the watchful eye of Aurora’s embrace

AURORA'S EMBRACE

Good Ol' Boy is a very special song. It was originally written and composed by David Dunham, who dedicated it to a dear friend – a gesture that gives the song even more emotional depth.

When David invited Mike Fox and me to create a new arrangement, we gladly accepted. It was an honor to give his beautiful composition a fresh new sound.

For me, this project was more than just music: it was about friendship, trust, and shared creativity. I first met David and Mike here on SoundCloud – two outstanding musicians, but more importantly, two kind and wonderful human beings. Over time, a true friendship has grown between us, and I’m deeply grateful for that.

I hope you can feel a bit of what makes this song so meaningful to us when you listen.

Lyrics "Good Ol´Boy

He's a good ol' boy with his good ol' toys,
He likes a beer now and then.
He picks a guitar and dreams of going far,
Don't know the how, or the where, or the when.
The boys in the band play as hard as they can.
And they hitch their wagon to the star,
Of this good ol' boy, this good ol' boy.

He keeps house with his wife, the love of his life,
The kids are all grown and gone.
By the gray in his hair you can tell he still cares
'bout the things that are right and wrong.
And the question comes does it get better than this,
A hard days work and a goodnight kiss,
For this good ol' boy, this good ol' boy.

Well it hasn't been easy, no it's never been easy
But he keeps on keepin' on.
And what hasn't killed him he finds a way
To put into a song, 'bout this good ol' boy
This good ol' boy.


He's a good ol' boy with his share of joys,
And his share of the cares of this world.
When it's all said and done, and his race has been run,
And he rests in the arms of the Lord
Of this good ol' boy, this good ol' boy.


Credits:

    Original Song: David Dunham
            Mike Fox: Vocals, Guitars
Axel Menningen: Keyboards

Good Ol' Boy

Additional vcls B.Browning

SOMEONE SAID
DON’T GO MISTAKING PARADISE WITH A HOME ACROSS THE ROAD AND I SAY
DON’T GO MISTAKING WICKED.COM WITH WICKEDMOVIE.COM OH NO
IT MIGHT LEAD YOU INTO A MATTEL GLITCH SOMETHING YOU DON’T REALLY WISH EVEN IF YOU’RE OVER 21
BREAK A LEG DON’T BREAK AN ARM SKIING IN THE TELLURIDE
ET CAETERA MAN AUX ARMES SOUVIENS-TOI, BONNIE AND CLYDE
BEING OVER SEVENTY ONE
I THOUGHT I MIGHT CLICK ON THE LINK COULD I BELIEVE I SAW ? OH NO
OVER 6000 WICKED SCENES
HOW CAN THEY ALL FIT IN ONE SCREEN? OBSCENE MAN OBSCENE
I’D RATHER HAVE THE LAND OF OZ A TALKING GOAT WITH A POINTED HAT A FEMALE CHILD GLINDA THE GOOD ELPHABA GALINDA TIT FOR TAT
SANS COMPTER MADAME MORRIBLE WHAT IS LIFE BUT A SILLY RIDDLE ENFIN BREF
AU FESTIVAL DE TELLURIDE
OU QUE TU SOIS OU MÊME AILLEURS MES MEILLEURS VŒUX DES INVALIDES DE MÉNILMUCHE, DU SACRÉ CŒUR
OUI CAR TOUT ÇA C’EST D’LA BROUTILLE L’IMPORTANT MAN, C’EST LA FAMILLE PAS VRAI ?
REMY MAGALI REBECCA REBECCA REMY MAGALI AND PHYLLIS OF COURSE
HERE’S TO THE SOCCER PLAYERS BON ANNIV BON ANNIV EMMANUEL

MATTEL GLITCH (Lyrics) Song for Emmanuel

WATER TO WINE
 
Words & Music: Goff Johnson
Vocals: Todd J McLean
Keyboards & Rhythm Guitar: Goff Johnson
Drums and Hammond Organ: Kat Hendrix
Lead Guitar: Tim Porter
 
Mixed and Mastered by Kat Hendrix at Absolute Time Studios, Vancouver, May 2025
 
About the Song

"Water to Wine" is a song about the appeal of perfection we often see online, contrasted with the seemingly unremarkable and ordinary lives that most of us lead. It’s a reflection on the emotional toll that comes from chasing validation through likes and follower counts— and the emptiness that can follow when the spotlight fades.

Our value, though, goes far deeper than what shows up on a screen and authenticity holds more power than appearances. Take a deep breath and if we look up from the scroll and take a brave look at the world — and each other — we might find something much more real!

Behind the Song (from Goff Johnson)

Ironically, while the message of the track talks about isolation and the cost of surface-level connection, the making of Water to Wine was the exact opposite of that! It came to life through collaboration with the incredibly talented Todd J McLean, who, in addition to his awesome vocals, and red-hot music connections, also created the cover art (Woman in Yellow Chair) for the track! The overall result is something far richer than either of us could have created alone.

Working together brought depth, direction, and new energy to the song — proof that the best things happen when we connect for real. No filters, just music, shared purpose, and mutual trust!

Final Notes (from Todd)

This is my first collaboration on SoundCloud. I could not have been more fortunate than to work with Goff Johnson, an immensely talented singer/songwriter/musician. When I first came across Goff, I listened to his entire Stories of Stardust album end-to-end and I was so impressed with this concept and significant body of work. I highly recommend checking it out on Goff’s SoundCloud page. https://soundcloud.com/goff-johnson/sets/stories-of-stardust?si=9db35566a42747b9b63a5780334f67ea&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Although Water to Wine is not part of Goff’s Stardust series, it is nonetheless a beautifully written song and it’s been a privilege for me to sing it. Besides, I love to sing the Blues. Thank you so much, Goff!

We owe a huge shout-out to both Kat Hendrix, a master musician and our producer, and Tim Porter, a virtuoso on guitar. It is a real privilege to work with these West coast legends.

Lyrics: 

Verse 1
Someone wrote a playbook for perfection 
with lives of photo ops, their outtakes seldom seen 
today a star, the next you’re a pariah 
“Be Kind” they say, but that ain’t what they mean 
 
Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine 
 
Verse 2 
Well there’s nothing quite as quiet as “the silence” 
after fame has passed, so flashbulb fast, away 
and i wonder if it really makes a difference 
cos the next in line wait for their time, to shine but not to stay”

Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine

Cover Art: Woman in Yellow Chair, Todd J McLean

All rights reserved

Water to Wine

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

(Written by Terry Reeves)
Terry Reeves: Vocal
Gary Reeves: Toms
Hans Albers: All other instruments, Arrangement & Production

Photo of Max from The Albers' Archive

What to say about Maximilian?
There are so many things to be told: a lifetime of 24 years, full of special moments, joys, fears, sorrows, worries, hopes, dreams, ups, downs, progress, regress, searching, finding, winning, losing, restlessness, peace...
His life had begun with an extremely difficult birth, almost as if the world didn’t want him. They told us he had a life-threatening infection, there were probably holes in his lungs and he obviously had no kidneys. In total, his chances of surviving were exceedingly slim. However, after endless weeks of both despair and hope, he overcame the infection, the diagnosis of holes in his lungs turned out to be totally wrong and they even discovered a kidney.  Just one maybe but at least it worked perfectly.  His journey into existence had begun.
As he grew, so did the never-ending nightmare of problems, challenges and battles, until we began to wonder what could possibly happen next.  Through it all, Max took every opportunity to accumulate extreme experiences - never hiding, always   seeking.  For that, we loved him even more…and even more it broke our hearts that we couldn’t help him find what he was looking for.
But suddenly, as the Summer of 2011 dawned, his troubles seemed to merely fade away.  Was he just arriving in life, coming of age, finding his place in society?  To be honest, we hadn’t the faintest idea.  But it was abundantly clear that, having always been an underdog, that same unwelcoming world had simply started to like and respect him.  He began to realise his many talents, enjoying his job as never before, finally becoming something he had never been - happy.
Fast forward to the gorgeous Summer evening of June 28th, the eve of a 4-week vacation to which he had been looking forward so very much.  A smile on his face, he said he was in the mood to go jogging, something he loved. Sometimes, he ran and ran for ages.  He’d been gone about 3 hours, quite a long time even for him, so Carina called his phone and he answered, cheerfully telling her not to worry and assuring her he’d be home very soon.  Seconds after the call, out of the blue, he collapsed.  A pulmonary embolism.  They told us he died instantly. 
Max, we have no words for what happened, nor for the eternal gratitude we feel for every single second of your life.  We do know we will never stop loving you.”
(Hans & Carina Albers)

Small chance of survival, words from the first day
Stretching all emotions not a single which way
Asking whys and reasons, a chance to breathe long
Heartbreaking moments, hopes remained strong

Such a short distance, but a life running miles
Bring every sensation, fear to a million smiles
Experience not forgotten, continuous hug of care      
Born with fighting spirit, giving back more to share

24 years of love, no single regret
24 years of love, never to forget

Every challenge building, inner muscles to be felt
Secret ways to be happy, never question hand dealt         
Complication of thinking to find a new sentence 
Pathways to friendships, dreams of acceptance

24 years of love, no single regret
24 years of love, never to forget

A vision full of truth with strength to admire
Finding a hidden talent, past helping to aspire 
No journey of distance could prevent direction
A phone call assurance became last connection

It’s hard to find words, express feelings remaining 
Deep down inside shell, empty, sad, self-complaining 
But we will never forget our boy hero from birth
Brought love and kindness, past and future unblurred

24 years of love, no single regret
24 years of love, will never forget
24 years of love…

MAXIMILIAN - CRIPPLE CLUB  (Please Read Description)

so i let it all fall By Zitou Itou & Wildsilences

Whatever’s haunting you
Whatever you’ve been through
That broke your heart in two

Whatever’s come before
The demons at your door
Will never change my love for you

Just the way you are
You are beautiful and scarred
You’ve gone up against the gods
And beaten the odds

Whatever’s on your mind
Together we’ll survive
As long as love’s alive

So let me hold your hand
Let me comfort you
Through all these trying times

So take me as i am
A lost and broken man
But as long as I’m with you
Together we’ll get through
Whatever comes our way 
We’ll take it day by day 
Whatever comes our way

Whenever skies are gray 
My love will shine each day
I’ll wipe your tears away 
Whatever comes our way


whatever

Life Ain’t Easy is a heartfelt song about facing life’s hardships with courage and resilience. It reflects on struggles, setbacks, and the strength needed to keep moving forward. With honest lyrics and a hopeful tone, the song reminds listeners that while life can be tough, perseverance and hope can carry us through.

Life ain’t easy

*Best to listen w Headphones

Re-uploaded / finally have more space to upload my older stuff.

Info
Anomalocaris is an extinct genus of radiodont, an order of early-diverging stem-group arthropods. It lived during the Cambrian period and is best known from the type species A. canadensis, found in the Stephen Formation (particularly the Burgess Shale) of British Columbia, Canada. Anomalocaris was a large apex predator with a unique appearance, and swam the oceans using the rows of undulating overlapping lobes on the sides of its body.

more info
https://en.wikipedia.org/wiki/Anomalocaris


Original by LS/2020.

The Anomalocaris feat David Attenborough

Missing You is an emotional song about longing and heartache after losing someone special. The lyrics express deep sorrow, memories, and the emptiness left behind. With a soft melody and touching vocals, the song captures the pain of absence while holding on to love that still lingers despite the distance.

Missing you

Instrumental not finished
Reas13-250610-3

Confused

When your down and out
With a head full of doubt
Like who could ever love you at your worst?

I do.

When you think
No one sees the sacrifices you make
All the give and no take.

I do.

When the days are long
And it feels like no one sees beyond 
the face that you’ve been putting on

I do.

Until the seas run dry
And the stars fall from the sky
No one’s ever gonna love you like
I do.

You and I
Through the fire
I see it. I do.
Do you think
We can make
This last forever? I do
Until the sun burns out
My final breath is for you.
Believe it when I say it.
I do.

I vow,
For as long as fate will allow
To put you first in everything that

I do

To be your calm,
and love you still,
Even when the thrill is gone.

You and I
Through the fire
I see it. I do.
Do you think
We can make
This last forever? I do
Until the sun burns out
My final breath is for you.
Believe it when I say it.
I do.




I do (Pop Punk Wedding Anthem)

Buddy, we had Our time

Brand new track after a long time ago! Check out this one guys and gals and let me know if you miss my synthwave tracks with my own vocs on it! Share , Support and comment!

Let me know if u really dig it. Cheers and have a great summer y'all!

IknowIknow

The Spanish guitar .mp3

I must get this off my chest . If you are approached by Jacob Gilliland from Alamo Records , please don't give him a second of your time , I checked him out and he is just a lowlife scammer preying on the hopes and dreams of talented musicians like yourselves , pondlife should be named and shamed !
Anyway , I wanted to write an anthemic rocker , so I got in touch with my lyricist pal from New York , Andrea Brennan , and she came up with the goods , we hope you like it ! Me and Kim are still hoping to win a song competition , so if you get chance please vote for us http://hofa-contest.com/song/19226/
Many songs coming up with Kim , Dave Cooper , by myself , and Gaz Brownie.
Lots happening Guys and Gals , thank you so much for your time .
Charlotte and I still have our album out there , links below
https://www.youtube.com/playlist?list=OLAK5uy_nWWNcrIRv08J_eEbL7MJ_1UTdMo0MjJLM
https://open.spotify.com/album/78ewrWZjS41XvHT9mFWd6O?si=yDMcRADSSrOdWlanz6UPMw

V1
I give half my life to the road
Stadiums and concert halls
I’m running on overload

And with every missed call

 

Pre-chorus
I see your face in the crowd
Hear your voice in my strings

They’re calling me home 
It's been way too long, I miss



Chorus
Your kiss on my lips
Every night, my arms holding you tight

And the world just you and me

The way, (the way) we were always meant to be  

 

V2
The grind is taking its toll
Overdue for a change of pace

Can’t help thinking of you as

I take my place on the stage


Pre-chorus
I see your face in the crowd

Feel your heart in the drums

They’re calling me home
It's been way too long, I miss



Chorus

Your kiss on my lips
Every night, my arms holding you tight

The world just you and me

The way, (the way) we were always meant to be



Bridge
Last show I’ll ever know 

One more encore then hit the road

In twenty four hours, I’ll feel



Chorus
Your kiss on my lips
Every night, my arms holding you tight

The world just you and me

The way, (the way) we were always meant to be

Kiss on My Lips

One hit in my gut
Above the belt, war is fought
Next shot, cut my eye
Vision blinded

Time invested, hope elevated
All my eggs in one basket 
Lost it all in the blink of an eye 

Stopped outright, trail gone cold
Master plan been revised
No F.E.A.R.
Forget everything and run

Time invested, hope elevated
All my eggs in one basket 
Lost it all in the blink of an eye 

Can I be blamed
Feel sorry for myself
All my troubles
Blame them on myself 

Rude awakening, whole room spin
Crawl across the floor
Skull imploding 
Gonna be sick

Time invested, hope elevated
All my eggs in one basket 
Lost it all in the blink of an eye 

Can I be blamed
Feel sorry for myself
All my troubles
Blame them on myself


Hope Elevated

Memories est né d’une belle collaboration avec Eric Georgesco, initiée en décembre 2024. Eric avait composé, quelques années plus tôt, une mélodie très personnelle intitulée Memories. Dès la première écoute, j’ai perçu le potentiel de ce morceau. Il restait à trouver la bonne direction pour lui donner une nouvelle dimension.

Pendant plusieurs mois, le titre est resté en suspens, car je n’arrivais pas à lui insuffler l’énergie que je cherchais. C’est finalement en mars, après que l’un de mes proches m’ait encouragé à écouter Clara Luciani (que je connaissais vaguement jusque-là) que tout a changé. En découvrant La Grenade, avec sa ligne de basse percutante et son esprit French Disco, j’ai eu une révélation : c’était exactement ce qu’il fallait à Memories pour prendre son envol.

La voix de Delphine s’est ensuite imposée naturellement. Sa lumière, sa sincérité et sa douceur donnent vie au morceau et en incarnent toute la sensibilité.

Merci à Eric pour sa confiance, et à Delphine pour sa voix qui sublime la chanson.


Memories is the result of a beautiful collaboration with Eric Georgesco, which began in December 2024. A few years back, Eric had composed a melody he called Memories, a piece that meant a lot to him. The first time I heard it, I instantly felt its potential. The challenge was figuring out how to rearrange it to take it somewhere new.

For several months, the track was put on hold. I just couldn’t find the right energy to bring it to life. Everything shifted in March, when a close friend insisted I take a deeper listen to Clara Luciani. I knew of her, but hadn’t really explored her work. Then I heard La Grenade and its bold bass line and French disco flair hit me like a lightning bolt. That’s the kind of groove Memories needed to finally lift off.

Delphine’s voice quickly became the obvious choice. Her bright, honest tone full of candor and warmth, truly brings the song to life.

Huge thanks to Eric for trusting me with this project, and to Delphine for her voice, which elevates the song in the most beautiful way.

Credits: 
Sur une musique originale de Eric Georgesco https://soundcloud.com/eric-georgesco/memories
Chant : Delphine
Paroles et arrangements : Richard Gonfrier
Production et mastering : Richard Gonfrier


Lyrics : 

En ces jours étranges
Plus rien ne me dérange
Je vais partir
Sans te le dire
Les yeux perdus

Dans ce ciel immense
Où tout n’est que silence
Je vais courir
Sans revenir
Le coeur déchu

Mon coeur sillonne 
Nos plus belles memories
Et moi je fredonne
Nos plus belles mélodies

Quand tu me dis « Mon Ange »
Mes pensées se mélangent
Ca m’fait souffrir
De te mentir
L’amour déçu

Je m’entoure de distance
Pour que j’me recommence
Je vais grandir
Me reconstruire
Me mettre à nu

Mon coeur sillonne 
Nos plus belles memories
Et moi je fredonne
Nos plus belles mélodies

I had tu run to heal myself
But your love still echoes in my soul


All rights reserved, SACEM registered.

Memories (Feat.Delphine & Eric Georgesco)

The moon hides behind the veil tonight 
Shadows dance where there's no light 
Black on black it's all I see 
A world wrapped up in mystery

Black on black it swallows the flame A silent cry with no one to blame Whispers echo through the night Black on black steals the fight

Blackness .mp3

١٠٦ Download

What was that man dreaming of, the one who played the saxophone the other night? When he finally wakes up, we’ll ask him – though it’s unlikely he’ll ever reply. And if by any chance he were willing to answer, he might say: "Nothing that I can remember, because nothing ever happens in my dreams."

This is the second in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. 

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon

Composed by Michele Ansani (2025) (a partial remake of this: https://soundcloud.com/michele-ansani/johans-aceleration-check-the-description).
Female vocals courtesy of Function Loops.
Ambient and radio sound effects sourced from Pixabay.
Posted on SoundCloud: August 2, 2025.

In case nothing happens - part 2 (dawn)*

Snakepatch is an original band formed by Pete Rapetti and Paul Kraus with occasional guest Musicians. * Click on song picture to see track info.