Founded in 2001 by industrial designer and synthesizer fan Urs Heckmann as a one-man show, the Berlin-based audio software company u-he has since evolved into a tightly knit team of employees, active associates and 3rd-party contractors – with ambitious plans.

Known primarily for Zebra2 and Diva, u-he has released several other successful products over the years, and has contributed freeware plug-ins to popular music technology magazines. Despite their underlying complexity, u-he synths and effects are widely acclaimed for their ease of use.

The u-he team has been exploring new technologies for vastly improved analogue synth and delay emulation, as well as various "physical modelling" approaches to acoustic instruments and effects. All valuable groundwork for the Zebra3 project and other spin-off products - watch this space!
Especially well known for the Zebra2 and Diva software synthesizers, u-he has developed several other successful products over the last decade, and regularly contributes freeware to popular magazines (available as download or on cover discs).

Despite their underlying complexity, u-he synths and effects are widely acclaimed for their ease of use. This is often attributed to Urs Heckmann's background as industrial designer. Heckmann sees the seemingly unconventional decision to start an audio software company as a direct result of his equal love for industrial design and for synthesizers.

Most recently, u-he has been exploring concepts for analogue synthesizers, and the first results can be heard in the software synths ACE / Bazille (audio-rate modulation paths) as well as Diva, Presswerk and Satin (accurate simulation of electronic circuitry). Hive is u-he's first foray into the world of low CPU dance-oriented synths.

Blair Jollands is a compelling recording artist and songwriter. His compositions are cinematic in scope and call to mind aspects of Scott Walker, Bowie's new sound and Beck at his heartbroken best. As well as an ear for lush instrumentation, Jollands brings his award-winning sound design skills to his music, incorporating found sounds and samples into his productions. He has previously collaborated with Boy George and The Strokes producer Gordon Raphael, and released albums under his alter ego El Hula. Holograms is an album big on mystery & melody with a hint of Morricone. Release date is September 2021.



****Pure magic-The Guardian  **** Big soul stuff-UNCUT  **** Classy-NME

Producer and DJ are just a few of the hats that digital media artist, HRVST wears. With over 20 years experience in the studio, HRVST has honed his soundscapes to entice listeners with dirty rhythms and chugging bass lines. Taking inspiration from UK Dubstep, West Coast Glitch Hop, and Minimal Tech House, HRVST seamlessly delivers an absolute vibe with every production. Back alley tinged basslines to rattle your chest, psychedelic synth riffs floating through space, and original vocal hooks are defining staples of his sound. Equipped with vibes for any situation, HRVST's DJ sets are unparalleled with selections exploring different bass fueled flavors of Tech House, UK Garage, and Breakbeats.

Releases on: 
@unlearnrec 
@83_label 
@dtweapons
@latenightmunchies

Official Soundcloud of Thievery Corporation

Founder of Thievery Corporation.

In a time where much of the world is confined and fearful comes Thievery Corporation co-founder Eric Hilton’s first solo record “Infinite Everywhere”, an elegant exploration of inner space that will leave listeners feeling replenished and centered. While Thievery painted with a broad musical brush, genre hopping across (and sometimes within) over 20 plus years of albums and live work, Hilton’s solo debut is distilled, focused, and more personal.  "I’m kind of the drum & bass guy in Thievery – I’ve never been much of a player of melodic instruments. “Infinite Everywhere” is me challenging myself to play more. I started work on a laptop and cheap midi controller; when my engineer Igor Garnier heard the rough tracks, he encouraged me to play more,” says Hilton. “I’ve always been a bit of studio rat, but I've found I really enjoy making music on my own, late night with just me and a keyboard – I’m kind of hooked on that. On this record I played nearly every instrument, which I’ve never done before.”

“Infinite Everywhere” was recorded at The Winter Palace in Washington, DC from September 2019 through March 2020. The album title and concept predate the current global crisis, but are remarkably prescient, conveying feelings of melancholia and optimism in equal measure. And while Hilton has incorporated exotic musical ingredients from diverse cultures on his previous work with Thievery Corporation, “Infinite Everywhere” is decidedly more European in feel. This influence came from an unexpected place, Hilton explains: “I took a tongue in cheek influence from prog rock – the best elements of it anyway. Prog too often goes off in a direction I don’t like. But some more mellow progsongs aren’t necessarily “rock” – at their best they’re explorations of space, organic, with truly gifted playing. That part of the genre appeals to me.” 

The meditative title track and first single, “Infinite Everywhere”, personifies Hilton’s humanistic and exploratory ethos. “Infinite Everywhere” is so simple, but it always gets me into my chakra mode – there’s a realignment that comes when listening to it,” he says. The song isn’t just a doorway to the album, but a potent rhythmical mantra for willing ears. “When I meditate, I become vapor, flowing free around the earth or the atmosphere – I let myself explore in my mind, pop up on a Tokyo Street, then in Prague, or on the Ganges in India. My mind decides on the time and space. “Infinite Everywhere" represents that experience of doing that."

But don’t make the mistake of thinking that descriptors like “exploratory” and “meditative” are code for a sleepy record. As an album, “Infinite Everywhere” is the ne plus ultra of elegant groove, which Hilton has been distilling for over two decades. It kicks, and it sounds amazing. “In Thievery, we always wanted to make music that was electronic but sounded real, -that’s what I’m into. I love making real sounding things with an unusual process.”  We are living in strange times – perhaps the strangest in our lifetimes. The album’s second single, “This Strange Daze” featuring Puma Ptah, is something of an outlier, being the only song on the record with vocals, and more of a Jamaican feel. “Strange Daze” was a strong instrumental sketch, but something in me said it would be more powerful
with a vocal. I’ve been working with the incredible Puma Ptah for many years, he’s done some tracks and toured with Thievery and is the main singer for The Archives. He’s such a great writer, so I hit him up to collaborate on the track. He wrote the song about week one of this current crisis, riffing off the title, powerful lyrics about anxiety and worry eating at you, how to deal with it and cope. It occupies a very special place on the record, another point of connection.”

Inner Ocean Records is a platform and collective for emerging artists to release music and visual art. Based in Calgary, Alberta, Canada, the label was conceptualized in 2012 as a vehicle for artists to have their music heard and seen, to build a community of passionate people.  We designed the label to be what we would have loved to have as artists ourselves, redefining the rules in an ebb and flow to the changing landscape of music. We have made a conscious commitment to be transparent, adaptable and always for the people.

We are a label for artists, by artists. 

We’ve built the backbone of this label around great sound and feeling; laid back, honest and forever chill. We have released a lot of different sounds; Ambient, Lofi Hip Hop, RnB, Modern Funk, Future Soul and Indie. Since our inception, we have prioritized natural evolution and organic growth in the music – we value the process and accept change.  Expect the unexpected; we want to delightfully surprise you;)

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