Love

Say Something - Alex And Sierra(Studio Version)

Written and performed by Ravi Das and Andrew MacDougall.
Percussion performed by Brock Weston.
Recorded and Mixed by Steve Kempnich at Bedlam Studio.
Mastered by Mike Marsh at The Exchange (UK)

Essick - Ghost Towns

"Signals" is taken from Madeline Kenney's release "Signals EP."

Album available here:
company shop: smarturl.it/signalsep_company
itunes: smarturl.it/signalsep_itunes

Catch Madeline on tour: http://bit.ly/1TKrc2t

Madeline Kenney - Signals

"Modern Act" is taken from Cloud Nothings' forthcoming album "Life Without Sound." Out January 27th, 2017 on Carpark Records.

Pre-order the album & receive "Modern Act" instantly:
Carpark Records (US)- http://smarturl.it/withoutsound_carpark
Wichita Recordings (UK) - http://smarturl.it/withoutsound_wichita
iTunes - http://smarturl.it/withoutsound_itunes

TOUR DATES
October 14th - Greenville, SC - Fall for Greenville Fest
November 12th - Santa Ana, CA - Outpost Festival
November 14th - Oakland, CA - Starline Social Club
November 16th - Los Angeles, CA - Hi Hat
January 26th - Cleveland, OH - Beachland ballroom 
January 27th - Toronto, ON - Lee's Palace
January 28th - Montreal, QC - Fairmount Theatre
January 30th - Philadelphia, PA - Union Transfer
January 31st - Boston, MA - Paradise
February 1st - New York, NY - Webster Hall
February 3rd - Baltimore, MD - Ottobar
February 10th - Chicago, IL - Thalia Hall 
March 1st - Copenhagen, DK - Loppen
March 2nd - Malmo, SE - Babel
March 3rd - Stockholm, SE - Debaser Strand
March 5th - Oslo, NO - Parkteatret
March 6th - Hamburg, DE - Knust
March 7th - Berlin, DE - Bi Nuu
March 8th - Munich, DE - Kranhalle
March 9th - Cologne, DE - Luxor
March 11th - Amsterdam, NL - Paradiso
March 12th - Brussels, BE - Botanique
March 14th - Paris, FR - Petit Bain
March 16th - Bristol, UK - Thekla
March 17th - Glasgow, UK - Stereo
March 18th - Manchester, UK - Deaf Institute
March 19th - Leeds, UK - Brudenell Social Club
March 21st - London, UK - Koko
March 22nd - Birmingham, UK - The Hare & Hounds
March 23rd - Brighton, UK - The Haunt

LYRICS
Here we are among the living,
see and count your friends
gathered in a room together.
This is how it ends.
Can’t stand the modern act
whose war is this, what god is that?
Feels like the tide is only
starting to come in.

Do you know what it’s like
to be out and alive?
To say you’re doing alright,
yeah, you’re doing just fine?
When you feel like an ocean
coming out of a creek,
filling rivers to wait for you wherever you are?
When you’re out and around
and all you ever see
are people looking away?
It’s nothing new to me.

I want a life, that’s all I need lately.
I am alive but all alone.

Calling on the light, forgiving,
see to all and then
waiting on the old, expiring force
to go and end.

SOCIALS
facebook - https://www.facebook.com/cloudnothings/
twitter - https://twitter.com/cloudnothings
instagram - https://www.instagram.com/cloudnothings/

"Modern Act"

Released 25 November via Label Fandango.

Written & Recorded by Softer Still
Produced by Ollie Kitson
Mastered by Joe Reeves Recording

Softer Still

Eulogy

ALASKALASKA - Patience

Recorded in one day for an episode of shaking through:
http://www.shakingthrough.com/snowmine

Curfews

Matilda / Fitzpleasure

Fitzpleasure

Make It Wit Chu

White Wedding

Press contact: michelle (at) teamclermont (dot) com

Artist: Lapland
Album: Lapland
Release date: March 26, 2013
Record label: Hundred Pockets Records

About: 
The beginning of Lapland started before it even had a name. It was born in a tiny half-bedroom in Brooklyn, where songwriter Josh Mease began recording a new batch of songs in early 2011. Mease has always found comfort in the solitude of his own thoughts, often preferring the landscapes within his mind’s eye over the bustle of the city that surrounds him. So it seems fitting that in making Lapland’s self-titled debut, he worked alone using whatever was within reach – only rarely using other musicians.

Perhaps this self-imposed isolation is why Lapland has such an introspective tone. Themes of separation and loss are woven throughout the album, as Lapland moves fluently through different styles and genres while maintaining a uniquely personal sound.  From the percolating electronic gallop of the opening track, “Unwise”, to the blue-eyed soul of “Aeroplane”, to the acoustic haze and layered harmonies of “Overboard”, Mease always keeps things interesting.  One can hear the effect of the myriad of music styles and genres that informed Lapland – Early synth pioneers of the 60′s and 70′s, French Impressionists like Ravel and Debussy, and 1970′s staples like Fleetwood Mac.

Mixing styles is not new for Mease. He grew up in Texas where his childhood love of rock and country evolved into studying jazz guitar. After moving to New York, he eventually shifted his focus from playing jazz to singing and writing songs. This transformation gives Mease a unique approach to songwriting, and his work has earned him fans not only in indie circles but also in jazz, R&B, and classical music as well.

The name Lapland only presented itself after the album was completed, when Mease picked up a book from the $2 stacks at a used bookstore called “Lappland Wanderland.” The book contained photos of other-worldly landscapes and vast open spaces which seemed to connect with Mease’s new recording. It was not a difficult decision to adopt the name Lapland for this new phase of Mease’s career. The scope of his work deserves a moniker of symbolic significance. And so, Lapland began.

Lapland - "Unwise"

Paper Cup

Paper Cup (feat. Sylvan Esso)

www.facebook.com/howsadmusic

From the upcoming debut EP, Indian Summer, out August 6th, 2013

Curfews

SNOWMINE

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