'Dub Revolution' by Dub Evolution is a masterful journey through the rich history and future of dub music. Blending the deep, resonant echoes of classic foundation dubs with the innovative energy of new school sounds, this album pays homage to the roots of reggae while pushing the boundaries of the genre.

ECHO DUB

“Broken Radio” is a gritty melodic punk opener with fast guitars, tight drums, and raw, yearning vocals, the song captures the frustration of trying to hear God through the static of life. It’s a cry for connection — a desperate prayer wrapped in distortion and melody. The mix balances angst and atmosphere, bridging vulnerability with a powerful, hook-driven chorus that feels like reaching through static for grace.

TOMORROW NEVER WAITS

Broken Radio

BandCamp

Rochelle Jordan - Bite The Bait (Philly Club Remix)

"Same Bowl" is a soulful reggae anthem that transforms the concept of limitation into a testament of power. Through the potent metaphor of a fishbowl, the song explores how two souls navigate the same confined space—one feeling trapped by its walls, the other finding a universe within them. It’s a celebration of inner depth, ancestral strength, and the profound truth that our environment doesn't define us; our perspective and resilience do. With layered harmonies and a steady, uplifting rhythm, this track is a reminder that true freedom is built from within, turning any "bowl" into a sacred kingdom.

Title_ Fish Bowl

“Darkness That Has Never Left” chronicles a path from isolation and rebellion to addiction. It reflects on guilt, recovery, and professional renewal, highlighting enduring inner struggles and the quest for peace.

Darkness That Has Never Left - KX

see through

Given in Aventura Florida.
If you have been inspired by this class/lecture please share it with your friends. Thank you.

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What Am I Going Through? - Podcast with Gedale Fenster

We Fux Wit $um Drill Pop A Bill prod. ev1ltw

A dramatic blend of strings, tension and rhythm. “Through the Apex” captures the struggle between passion and pressure on the track – the fight for pace, the weight of expectations, and the drive to keep going no matter what. A mix of cinematic energy and raw emotion, built around a repeating melodic line that carries the whole song forward.

The instrumental composition and melody were performed and recorded manually.
Vocals and production support were generated using Suno for artistic enhancement.

Cover-Photo Post-Processing: Thx to Steven

Through the Apex

"arrivederci , we are through . in all honesty i need a break from you."  (song made from G-O-A-T music genre formula)

Arrivederci

Jordan James Greydanus Official Music
"super Midget(o)" "Jorjin/Jahjah" itsasupermidget itsamemidgeto blxsphmer Hell's Rebellion Voidrock Voidrockrap

Trevor Felix is a photographer, author, and visionary artist creating emotionally driven music and visual stories. For inquiries or collaboration, contact: neweustace@yahoo.co.uk

Jericho Records USA – The Story Behind the Sound

Welcome to Jericho Records USA.
This isn’t a traditional label — it’s the archive of a lifetime spent writing, recording, experimenting, breaking rules, and rebuilding myself through music.

The original Jericho Records was an independent label my father started in the 1950s. What you’re hearing here is something new — my continuation of that legacy, shaped by the times, the tools, and the life I’ve lived.

I grew up in a musical home. My father ran the church music ministry, my mother played piano, and I was singing before I could read. Drums at 5. Guitar at 7. Bass. Saxophone. Piano. Songwriting became the way I made sense of the world, and I’ve written close to a thousand songs — with thousands more to come. I later graduated from Full Sail University with a degree in Audio Production, blending old-school recording with modern technology.

You’ll notice the sounds here are diverse. That’s intentional.
I create under different artist names, different styles, different worlds — but the voice behind all of it is mine.

And to be fully transparent:

• Some tracks are traditional studio recordings — real drums, real guitars, real vocals, all performed by me.
• Some tracks blend live instruments, VSTs, and AI-assisted production.
• Some began as my raw guitar or vocal recording and were “covered” or re-interpreted through AI tools.
• Some are fully AI-generated compositions created from my prompts.
• But every song — no matter the method — was written by me and comes from real experiences, real chapters of my life.

AI, to me, is another instrument — another creative partner.
It doesn’t replace my voice or my story; it helps me bring more of it into the world.

Over the years I’ve worked with incredible people, including Dez Dickerson (Prince & The Revolution) and Tim Gaines (Stryper), and I’ve shared stages with bands like Drivin’ N’ Cryin, Corey Taylor, Saving Abel, Hinder, and Avenged Sevenfold. But the journey didn’t end there — it evolved.

Jericho Records USA is where all those chapters live at once:
the human hands, the digital experiments, the scars, the healing, the imagination, and the divine spark that keeps me creating.

If you’re here, I hope you find something that resonates — something that reminds you that music, in any form, is a lifeline.

— Jericho

I walked through loss and found my way back, learning along the path of grief, resilience, and recovery.

An Audiophile / Lyricist / Composer who likes various Artists like Jamiroquai , Eiffel65, and Deadmau5. I like to create tracks from various sources and am always trying to create something engaging for the mind. Lyrical creations are my favourite. and to mix them to different sounds makes my life worth while. Feel free to follow my musical journey of discovering new sound creations.  A proud "Aspie" or individual with Autism Spectrum Disorder.  Originator of the G-O-A-T genre of Music Formula which stands for "Greatest Originals  Of All TIme". The G-O-A-T formula can be applied to different songs for an unique listening experience.

Grunge/Metal_Trackday-RaceBike_IT-Nerd... 😁

I’m a former drummer of ANNOYING L.I.F.E. and still play at home on a Roland e-drum (after years with a Mapex double-bass kit). I also use a keyboard – just enough to record the melodies that come to my mind.

Most of my tracks start as 2–10 minute live recordings of my own compositions. I never learned proper keyboard playing; I just use it to express ideas. I deliberately record the raw sound with a Zoom H2n above the keyboard, because that captures the real character of my playing – something line-out or MIDI can’t reproduce.

I upload this recording to Suno, use the Cover mode, and usually set the “Audio Influence” to around 70–80 % so the original structure stays recognizable. The AI adds layers and polish, but the core melody, rhythm and feel come from my recording. To me, Suno works like my own band: I provide the idea, and the AI helps shape the result. That’s why these AI-assisted songs feel very personal to me – they start with melodies I invent myself.

All covers and remakes are based solely on my own ideas. No outside songs, no borrowed melodies.

PRODUCER....BRANDING...SYNC DEALS..PRODUCTION CREDITS...THE MARLEY FAMILY...JAHOVA EVIL...URBAN MUSIC PRODUCER..TRAP ..REGGAE..AFROBEATS..DANCEHALL....

New tracks tagged #through