no way

nightbreaker

Whisper of Truth – Original Song
A cinematic, emotional ballad built around piano, cello, and a soft female voice.
The song reflects on how truth struggles to be heard in a world shaped by misinformation, fear, and comfort. It draws parallels between climate denial, digital manipulation, and our collective reluctance to face reality.

There are no drums, no effects — only three voices: piano, cello, and the human one.
Intimate, quiet, but confronting.

🎧 Genre: Alternative / Cinematic Ballad
🎻 Mood: Reflective, emotional, intellectual, calm tension
💬 Themes: Truth, lies, manipulation, climate, awareness

The instrumental composition and melody were performed and recorded manually.
Vocals and production support were generated using Suno for artistic enhancement.

Thanks to Dookie for the prompt inspiration.

Whisper of Truth

Whisper of Truth – Instrumental
A cinematic, emotional instrumental built around piano and cello.
This piece explores the quiet tension between truth and illusion — without words, only tone and space.
The arrangement evolves gently, balancing human warmth and analytic clarity, inviting reflection rather than emotion alone.

There are no vocals — only the dialogue between two instruments and silence.

🎧 Genre: Alternative / Cinematic Instrumental
🎻 Mood: Reflective, atmospheric, neoclassical, calm intensity
💬 Themes: Truth, perception, complexity, awareness

Credits:
The instrumental parts were entirely performed and recorded by hand.
The arrangement was created with Suno to complement the original composition.

Whisper of Truth (instrumental)

"Pixel Dreams" is a retro-synth instrumental inspired by the golden age of the Commodore 64.
It captures the magic of simple graphics, endless imagination, and late-night gaming sessions with a joystick in hand.
A blend of joy and melancholy - remembering when every pixel felt alive.

The instrumental parts were entirely performed and recorded by hand.
The arrangement was created with Suno to complement the original composition.

Pixel Dreams (instumental)

Pixel Dreams

A dramatic blend of strings, tension and rhythm. “Through the Apex” captures the struggle between passion and pressure on the track – the fight for pace, the weight of expectations, and the drive to keep going no matter what. A mix of cinematic energy and raw emotion, built around a repeating melodic line that carries the whole song forward.

The instrumental composition and melody were performed and recorded manually.
Vocals and production support were generated using Suno for artistic enhancement.

Photo by www.sport-fotografie.de ©
Cover-Photo Post-Processing: Thx to Steven

Through the Apex

ANNOYING L.I.F.E. was formed in february 1993 by Mike Kaiser, Tim Lutze and Anders Jensen. Funny enough out of all people the band got a lot of support from the Didderse church community and so they moved into their first rehearsal room in the basement of the local community centre.

In the beginning the band played doom with a little bit of death influences. But after lots of rehearsals and the joining of Dennis Olsen and Christian Klein the music changed more and more. The style of music is difficult to define. ANNOYING L.I.F.E. are trying to be open for all sorts of ideas. Let´s just call it Crossover!? Lyricwise and in general (not just because of the church´s support!) the band doesn´t want to be associated with the glorification of violence, occultism and other clichees; the songs are focused on problems of the society and the world in general (e.g. nuclear testing, sects, rassism).

In June 1994 the band recorded their first half official demo tape "nightbreaker" and tried to reach a broader audience with this tape and their first gigs.

In May 1995 singer and lyricwriter Anders Jensen left the band to go to university to study business studies in his homecountry Denmark. For more than half a year ANNOYING L.I.F.E. was looking for a new singer who could identify himself with the style of music. Finally they found Carsten Baatz who stayed for half a year but then left the band because of musical differences. A bit later Kay Schwarz who beforehand played guitar and sung for three years with the braunschweiger band N.O.T.B joined the band. 



LaST dAYS

tRUE LiES

wELCOME tO aNOTHER dAY

Grunge/Metal_Trackday-RaceBike_IT-Nerd... 😁

I’m a former drummer of ANNOYING L.I.F.E. and still play at home on a Roland e-drum (after years with a Mapex double-bass kit). I also use a keyboard – just enough to record the melodies that come to my mind.

Most of my tracks start as 2–10 minute live recordings of my own compositions. I never learned proper keyboard playing; I just use it to express ideas. I deliberately record the raw sound with a Zoom H2n above the keyboard, because that captures the real character of my playing – something line-out or MIDI can’t reproduce.

I upload this recording to Suno, use the Cover mode, and usually set the “Audio Influence” to around 70–80 % so the original structure stays recognizable. The AI adds layers and polish, but the core melody, rhythm and feel come from my recording. To me, Suno works like my own band: I provide the idea, and the AI helps shape the result. That’s why these AI-assisted songs feel very personal to me – they start with melodies I invent myself.

All covers and remakes are based solely on my own ideas. No outside songs, no borrowed melodies.

Through the Apex

TiMLUMPi

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