available now on brownswood bubblers three and also forthcoming on emanative// time which drops on april the 5th 2010

Turn Your Lights On

A smoothed out, catchy little downtempo bobber from a cool late-winter night in The Vault.  Makaya bounces on a flammed rimshot, Abrams jumps in quickly with some nice bass chords, Justefan colors the progression with his singing vibraphone harmonies, and Marquis tops it all off with a gorgeous trumpet melody and solo verse.

Recorded on March 5th, 2014 by Dave Vettraino.  Personnel: Makaya McCraven - drums, Joshua Abrams - bass, Justin Thomas - vibraphone, Marquis Hill - trumpet.

Steppe Smoothe

Single: Treasure 
Project: Hypnotic Joints II
Apple Music: http://itunes.apple.com/album/id/1672931201
Official Video: https://youtu.be/9nYK16lm8f4
Bandcamp: https://hypnoticbrass.bandcamp.com/track/treasure

Treasure

[Verse 1]
Waited by the lamp 'til the wax gave in
Your shoes were gone, so I let the night win
Clock spun circles like it knew my name
The walls leaned in, but you never came
I folded towels just to feel in control
Let the room fill up, kept it casual and slow
Poured a little calm in a second glass
Left the window open, just in case you passed

[Chorus]
I waited for you until I melted
Soft around the edges, barely held it
Sank into the couch like it knew the drill
You were out chasing some kind of thrill
I burned low while you disappeared
Left your scent and a souvenir
Yeah, I waited for you until I melted

[Verse 2]
You came home with a crease in your grin
Said her name wrong, then tried to pretend
The room went quiet, but my head got loud
I laughed once just to cover the sound
You smelled like nights that don’t belong to me
And I let it slide, slow and easy
Lit a stick of something to clear the air
But the truth hung thicker than your stare

[Chorus]
I waited for you until I melted
Drifted sideways while you dealt it
Kept my lips still, took it in stride
While you kept your stories neatly tied
I burned low, your eyes looked past
Said “I love you,” but it didn’t last
Still, I waited for you until I melted

[Bridge]
The floorboards knew before I did
That nothing good grows where you hid
I was softer than I should've been
You came back late with your keys and a grin

[Final Chorus]
I waited for you until I melted
Sank into silence and you felt it
Took my warmth, left me cold
Said you loved me, but you never told
I burned low while you disappeared
Now all that’s left is what's been cleared
Yeah, I waited for you... until I melted

Melted

Blast Off

04.HER HANDS Feat. Allysha Joy - SO.Crates

About “The Egyptian Second Line” 

In the spirit of reclaiming that which colonization sought to destroy, I'm releasing the first single from my upcoming album Afro-Caribbean Mixtape at the top of Columbus Day weekend. Like a piece of African patchwork, this track is comprised of a lot of different elements — some old, some new. The main body of this record was constructed from the end vamp of a tune I wrote for Dr. Greg Carr (chair of African-American studies at Howard University) called, “Kimathi.” In fact, throughout the piece, you can hear my turntablist, DJ Lady Fingaz, scratching a sample I chopped from one of his interviews. I constructed a new work by cutting and pasting the best moments of Kevin Hays and I playing keyboards on top of the extended jam, and superimposed that over the groove laid down by bassist Vicente Archer, drummer Joe Dyson, and percussionist Daniel Sadownick. I did this with the help of my mix engineer, Blake Leyh (The Wire, Treme). 

Towards the beginning of the piece, you'll hear a chant from vocalists Yolanda Robinson, Jolynda Phillips, and Christina Machado. It's from a thing my father made up while walking through his childhood neighborhood of 13th Ward New Orleans back in the 1940s, “Na-na ni-ta ho-ho. Left, right. Left, right.” Thirty years later, as an elementary school band teacher at McDonogh #15, he had us chant this whenever we marched in second line parades. It recalls the syllabic prayers of ancient languages used in modern dance songs like Mani Dibango's “Soul Makossa,” of which Michael Jackson borrowed for “Wanna Be Startin' Something.”  


The centerpiece of the single is my recitation of a poem I wrote back in 2006 in the aftermath of the flood commonly referred to as “Katrina.” It's called “The Egyptian Second Line.” The gist of the poem toys with the theory that somehow Africans submitted to slavery in an attempt to become better versions of themselves. After the ladies chirp the hook, I step away from the keyboards and embrace the instrument I'm most known for — the trumpet — and blow a few before we take it out. With this song, I am channeling the energy of the ancestors to help give Africa back to herself in the best way I know how, through the power of music. 


In New Orleans, a “second line” is the procession where we dance in the streets to music played by a brass band to celebrate either life or death. When I think about what an Egyptian second line looks like, I think of the imagery of that photo of Louis Armstrong serenading his wife, Lucille in front of the Sphinx — again Africans giving Africa back to herself.
credits
released October 7, 2016 

Nicholas Payton: trumpet, spoken word, Fender Rhodes, Hammond B-3, Clavinet 

Kevin Hays: Fender Rhodes 

Vicente Archer: acoustic bass 

Joe Dyson: drums 

Daniel Sadownick: percussion 

DJ Lady Fingaz: turntable, sampler 

Yolanda Robinson: background vocals 

Jolynda Phillips: background vocals 

Composed by Nicholas Payton (BMI) 

Produced by Nicholas Payton 

Recorded, mixed, mastered, and designed using the PAYTONEsonic™ programming process 

Recording Engineer: David Stoller 

Assistant Engineer: Emily Eck 

Mixing Engineer: Blake Leyh 

Recorded at The Shed, New Orleans, LA 

Mastering: Michael Fossenkemper, Turtletone Studios, NYC 
turtletonestudio.com 

Art Direction: Nicholas Payton 

Cover Painting: Ayanna Bassiouni 

Cover Design: Ayanna Bassiouni

The Egyptian Second Line

'The Idea' (Feat. @nubya-garcia, @sheldon-agwu & Dylan Jones)
Buy or stream now: https://bluelabbeats.lnk.to/TheIdea

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The Idea (Feat. Nubya Garcia, Sheldon Agwu & Dylan Jones)

Subdued EP

Where Are Your Branches? (Where Is Your Fruit?)

Those following beat culture in the last years might have heard about Swiss producer @melodiesinfonie already. From his tracks on the early Soulection compilations, releases on Melting Pot Music and Sichtexot to countless live sets in Europe and even South Africa. We are very happy to now announce his first release on Jakarta Records. In comparison to previous output the most apparent difference is the extend to which Melodiesinfone incorporated live elements to his productions, achieving a more eclectic and organic sound. Get a first taste with the upcoming single „Longo Do Rio“ before the full length album „A Journey To You“ will drop 26th of April.

A Journey To You

PREORDER

melodiesinfonie - AO Longo Do Rio (taken from A Journey To You LP; April 26th)

NEW SOUNDS BY OKVSHO. 

Get "Kamala's Danz" NOW (12" Vinyl + Digital):
https://boyoomconnective.bandcamp.com/album/kamalas-danz

“Kamala is the manifestation of kama, which is all pleasure and individual experiences with one or more senses: hearing, tasting, smelling, seeing and feeling—assisted by the mind together with the soul. Experiencing harmonious music is kama, as is being inspired by natural  beauty,  the  aesthetic  appreciation  of  a  work  of  art,  and  admiring  with  joy something created by another human being...”

---

Credits:
Vocals – Sreya
Trumpet –Rachid Freudemann

© 2020, BOYOOM – ALL RIGHTS RESERVED

IT'S ALL LOVE.

Kamala's Danz

SUPPORT

Okvsho - Kamala's Danz (Official Single / Album OUT NOW, Vinyl + Digital)

BOOKINGS: arthur@foreignbrothers.com
The S, from Skomes, beatmaker, producer and backup whisperer.
The O, from Cazeaux O.S.L.O, MC, vibe merchant and vocalist.
The Crates hold the history which we revive and reinterpret.