You bound me with a contract only your death could end—and you thought me the fool?"
—Cram

お前は私と、死によってしか解消できない契約を結んだじゃないの。私が間抜けだと思っていたのかしら？」
── クラム

CRAM
Twitter: twitter.com/cram_moevius
Soundcloud: soundcloud.com/cram-2
Spotify: https://spoti.fi/35fmtRU
Apple Music: https://apple.co/2TmmQr8

Touch Me, Tease Me

Our latest mix comes from Moscow's Sasha Grishin. A regular resident in venues as Strelka, Denis Simachev Shop&Bar, Solyanka, Cult, Oldich Dress&Drink. Grishin is also part of dj duo Shiny Boots and his mixes can be found on sites such as Noncollective, Red Light Radio, deepfrequency.com, The Growing Bin and LBF.fm. 

LN-CC Store Mix 034 - Sasha Grishin

Mississippi Records Tape Series #15 I Learned It All the Hard Way (Side A)

The Drop EP

1-Triorganico/25 De Octobro Nostalgia   2-Victor Bermon/Teatre of Sings   3-Hope Sandoval/Butterfly Mornings   4-The Cinematic Orchestra/To Build A Home   
5-Azymuth/Montreux   6-Triorganico/Correndo   7-Chihei Hatakeyama/voices Ⅱ
8-Glenn Gould/Mendelssohn:Allegro Non Toroppo   9-Brian Eno/Deep Blue Day

Repeat for Hard Working People

For any tracklist requests please send us a private message.
Up next: Basso (Growing Bin, Hamburg)

https://soundcloud.com/anjaknoppers
https://groovecityrecordstore.com

Pingipung Podcasts

Pingipung Podcast 112: Knoppers - Inside Out

Christine Renee @ The Lot Radio 01 - 03 - 2020

tasty love 1

RESOUND

DJ Bacon returns to the production realm with one of the deepest, and most comprehensive mash up projects ever attempted.
Once again he blends the elements of rock and hip-hop, this time using samples from Pink Floyd & Beastie Boys exclusively. This dedication mix is called “Beastie Floyd” and is destined to leave fans of both bands wanting more.

Not only is this a whole album of 7 new remixes, the album is mixed into itself to create a mega-mix album over 20 minutes in length. Most of the 7 Beastie Boys vocals used are laced with a sound bed of multiple Pink Floyd and Beastie Boys sound bites – not just the one groove as per a traditional remix.

As is now standard with a DJ Bacon Mega-mix, Beastie Floyd will have a proper
12-inch vinyl release later this year.

This not for profit release is strictly promotional and educational in nature.

The release will be dropping on his bandcamp page here – early to mid May
2020.

https://therealdjbacon.bandcamp.com/
Media enquiries: therealdjbacon@gmail.com

Previous work

His previous release from 2018 ‘Back in Hell” was praised by the likes of Chuck D
from Public Enemy who played the mix exclusively on his radio show and stated
“Fans of AC/DC and RUN-DMC can not miss this one”.
https://therealdjbacon.bandcamp.com/track/back-in-hell-megamix

The DJ Bacon 2016 mega-mix release “Fear of An OG” was praised by ICE-T on
twitter stating to his 1 million plus followers… “This is the hardest ICE-T /PE mix
I’ve ever heard” https://therealdjbacon.bandcamp.com/track/fear-of-an-o-gmegamix

Likewise, his 2015 mega-mix “RUN-BST” gained global acclaim from the likes of
Beat Junkies, Ambrosia for Heads, DMC and DJ lord and many more.
https://therealdjbacon.bandcamp.com/track/run-bst-megamix

Beastie Floyd Megamix Parts 1 & 2

Okinawa-based artist Kanako Horiuchi centres her practice around her voice and the sanshin - an Okinawan musical instrument and precursor of the mainland Japanese shamisen – but opens the aesthetic possibilities of the instrument wide open, including excursions into electronic music, Senagelese music, minimalism and more. On 'Hope' she explores both the opaque nature of our current times and the glimmer of hope we can find in different places. ‘Darkness’ dives into the present with industrial synth washes and electronic drum cycles, before setting new co-ordinates on with the help of a drifting Okinawan Taiko on ‘Break Away’. On ‘Hope’ she shares vocal refrains with her 2 year old daughter, telling the tale of a buddha's arrival, world peace, mothers and the sea appearing. On final track ‘thanks’, recorded in Senegal before lock-down, she returns her instrument to folkloric traditions of the country, embracing the hope that can be gained through travel, exploration and generational love between mothers and children.
“I never thought the covid-19 pandemic would affect my personal life, but it did. Somehow I wanted to formalise my thoughts and feelings I have had over this period into music.

Okinawa, the county of Japan once used to be an independent country /kingdom, totally independent from Japan and any other country, has gone through and still has been going through the many layers of dark long history. I believe there are many places like Okinawa in the rest of the world. I wanted to make the music of Hope.” - Kanako Horiuchi

Repeat for Hard Working People

So Nagayama

Recent comments

So Nagayama

Related tracks