##many types of guitar sounds and performances##

A guitarist who favors music from the 20th and 21st centuries, but doesn't neglect other repertoire. He graduated from the University of Minho and the Royal Conservatory of Music in Madrid. 
On this platform he posts some of his edited and live performances.

Maria Pelekanou lives in Bremen, Germany and works as a sound artist and composer for interdisciplinary projects. She combines electronics, electroacoustics and 3D sound technology with visual elements in live performances to penetrate deeply into the physical and emotional essence of sound and space. Since childhood, music has accompanied Maria throughout her life. She grew up singing and playing piano in Thessaloniki. During her studies at the Department of Music Technology and Acoustics of the Mediterranean University of Crete, she gradually found her way as a creative composer. Her artistic research is based on immersive sound, listening and perception and is mainly influenced by the human voice for embodiment, human-machine interaction and acoustic ecology.

Her works have been presented at "next_generation" at the "Zentrum für Kunst und Medien", at the "Long Night of Music" in Oldenburg (2020,2021) and Bremen (2021), at the Greek Days of Electroacoustics at the University of Ioannina (2021), at the "6th Conference on Acoustic Ecology" at the Aristotle University of Thessaloniki and at the Spanish radio RTVE. One of her most recent compositions was selected in a competition for the CD of the 30th anniversary of DEGEM and was presented at the concert ceremony at the ZKM in Karlsruhe.

Trinity Hlynn Prater (*2000) is a southeast-American composer of acoustic and electroacoustic concert music. Prater's music has been described as being ". . . concerned with sensuousness . . ." and ". . . marked by a sensitivity to sound color, formal rigour underneath beguiling musical surfaces, and the need for new musical notations and instrumental extensions . . ." 

Prater has collaborated with musicians throughout the United States and the European Union, with soloists and large and small ensembles such as Irvine Arditti, Ensemble PHACE, the JACK Quartet, the Ensemble Institute .abeceda, and the MDR Orchester. 

Prater has composed since 2020, taking part in long-term formal study with Sivan Cohen Elias (University of Iowa), Robert Morris (Eastman School of Music), and Claus-Stephen Mahnkopf (Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig). Long-term informal, but no less influential teaching relationships have included Trevor Bača and Gregory Rowland Evans. Prater is currently a PhD candidate in the composition program at the University at Buffalo, where she studies with Ming Tsao.

born in Gifu, Japan /present location in Germany;
instrumental, electronic music composer;

_flutist based in Germany
_artistic director of the „Konzerte in der Elfenbeinstadt Erbach(i.Odenwald)“
_founder of new music ensembles Lunaire & Broken Frames Syndicate, the Duo Zweisam, Duo |H:S|, and the chamber orchestra O!Contraire
_part of Ensemble Sargo, Asambura ensemble & the artist collective Intertwining Arts
_International Ensemble Modern Academy 2017/18

WOMEN* COMPOSERS Project
I am currently working on a repertoire list for flute music by women* composers.  Please get in touch with me...
...if you are a women* composer and would like to be included
...or if you know pieces that should be included in the list. 

The full list is available on my website. Any exchange about this topic or remarks are welcome! Thank you!

Composer and Musicologist, based in Hamburg, Germany.

I am a contemporary classical composer working in Sydney, Australia.  I have composed across a wide variety of areas including orchestral, chamber, electronic, film and installations.  Please visit my website or contact the Australian Music Centre or my publisher Wirripang Pty Ltd for more details.

Titelliste Fraufeld Vol.2 
Label: arooo.records (arooo.001 / 2019)
Curated by Sara Zlanabitnig
Recorded by Christoph Amann & Alexander Yannilos, January & February 2019 at Amannstudios
Mixed and Mastered by Alexander Yannilos
Produced by Fraufeld Fieldwork & Alexander Yannilos

01_  x_08
Katharina Ernst / drums, electronics & composition 05:47
02_  Cardio FM
Mona Matbou Riahi / clarinet, toys & composition 04:45
03_  Bruma - Perpetuum Mobile
Emily Stewart / violin & composition I Asja Valcic, cello 04:09
04_  plug and play
Rina Kaçinari / cello, voice & composition I Elise Mory / prepared piano & composition 07:43
05_  making pieces
Katharina Ernst / drums & composition I Christina Ruf, cello & composition 02:26
06_  Meerschaum
Christina Ruf / e-cello & composition 09:05
07_  something’s brewing
Lissie Rettenwander / prepared zither, electronics, voice & composition 05:05
08_  n'atual sutileza 
Luiza Schulz / prepared piano, render rhodes & composition I Sara Zlanabitnig / flute & composition 06:11
09_  241
Black Biuti: Katrin Hauk / e-bass, effects & composition I Steffi Neuhuber / paetzold recorder, electronics & composition 08:46
10_  noiseau
Mutt/Mayr/Hackl: Johanna Forster / e-guitar, effects & composition I Birgit Michlmayr / violin, effects & composition I Aurora Hackl / drums & composition 08:07
11_  Leave me Something Stupid
Anna Anderluh / voice, autoharp, effects & composition 06:24

Thibaut Surugue absolvierte ein Klavierstudium in Paris bei Hortense Cartier-Bresson, in Brüssel bei Jan Michiels (Konzertexamen mit der Auszeichnung »great distinction«) und schloss seinen Master für Neue Klaviermusik bei Pierre-Laurent Aimard an der Hochschule für Musik und Tanz Köln ab. Darüber hinaus war er Stipendiat der Internationalen Ensemble Modern Akademie in Frankfurt. Er hält mehrere Abschlüsse und Diplome u.a. in Musikwissenschaft (Universität Paris La Sorbonne) und Musiktheorie. 2021 erhielt er den Förderpreis des Landes NRW und ist Preisträger zahlreicher internationaler Klavierwettbewerbe. Er arbeitete mit Ensembles wie Musikfabrik, Ensemble Modern, 2e2m. Als Solist oder mit Ensemble hat er für Produktionen des WDR und des Deutschlandfunks gespielt. Zu seinen Studioaufnahmen gehören außerdem Klavierwerke von Debussy, Bartók, Brahms, Mozart, Haydn und Fauré, und in jüngerer Zeit von Georg Kröll und Francisco C. Goldschmidt für den WDR. Thibaut unterrichtet Neue Klaviermusik an der Folkwang Universität der Künste in Essen.

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