'WON'T BE POSSIBLE' 
with Odd Mob & Goodboys May 9th! 
https://tiesto.lnk.to/wbp

MGMT: bo@id8mgmt.com

MGMT:
Anthony@radishmgmt.com 

Booking: 
Brian@ABtouring.com
Alex@ABtouring.com

--
SWARM has carved out such a strong and unique sound for himself that if we were to start a new Mount Rushmore for producers, his songs alone would sculpt out his image in the stone. - YourEDM

https://rlgrime.lnk.to/play

contact: deker@mixedmanagement.com

booking: dcallender@teamwass.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Alison Wonderland architects a world of her own design as its chief author, creator, and voice. The Sydney-born and Los Angeles-based singer, songwriter, producer and DJ first emerged in 2009, and since then her sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella” label, captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively, headlined sold out arenas around the globe plus headlined stages at the biggest festivals in the world, and to date has clocked upwards of 500 million streams.

Booking North America:
Brad Owen (Wasserman)
bowen@teamwass.com

Booking Europe:
Paul McQueen
paul@primarytalent.com

Valentino Khan’s talents exhibit limitless creativity and versatility.  From performing at some of the world’s largest festival stages to producing for some of the most prominent figures in the music industry he is the quintessential example of what it means to be an incredible DJ + producer.

In addition to performing at world renowned events such as EDC and Lollapalooza, Valentino has taken his electrifying ‘High Power’ live shows into sold out venues, determined to leave the audience with a spectacular core memory from every performance.  While specializing in house & techno, Khan’s musical knowledge runs beyond any single genre.  His adaptability as a DJ has afforded him the ability to play in every kind of environment and connect with any crowd.

As a producer, Khan has also crafted widely successful tracks like ‘Welcome to the Party’ with Diplo, French Montana and Lil Pump; which went RIAA Platinum in the US. Khan also secured gold plaques as a producer for ‘Oops’ by Yung Gravy & Lil Wayne and ‘Bubble Butt’ from Major Lazer, Tyga & 2 Chainz.

He is also no stranger to creating dance floor hits.  Valentino’s record ‘Deep Down Low’ propelled him into an entirely new stratosphere. The record was statistically the most played song in live DJ sets for 2 years in a row and was coupled with an award-winning, mind-bending music video.  Valentino’s versatility has also allowed him to collaborate with a wide range of dance music artists such as Skrillex, Diplo, Alison Wonderland, Dillon Francis and Deorro. 

Whether it’s house, techno or everything in between, Khan’s tracks and DJ sets always carry his signature touch.  Valentino Khan has placed no ceilings on his world.  The sky is truly the limit.

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