Amplified


COCAINE 

Another drive-by shooting in the city
another victim - yeah such a pity
the cops have got their hands full
some say it’s just a bunch of bull
CO-CO-CO-CO-CO-CAINE
I’m sayin’ CO-CO-CO-CAINE

Brothers putting their lives 
on the line
so you can get high 
‘n have a good time
posses fighting 
for territory
flying their colors 
collecting MONEY
CO-CO-CO-CO-CO-CAINE 
I’m sayin’ CO-CO-CO-CAINE
C O-CO-CO-CO-CO-CAINE
Yeah it’s such - such a shame.

Some people preach 
“Just Say No”
others keep dreaming ‘bout 
mountains of snow
pushers fronting - dealing 24/7
so you can get high and feel
your in heaven  - your in heaven 
your in heaven - your in heaven
CO-CO-CO--CAINE  - I’m sayin’ COCAINE  Bro.

You spend your time getting stoned
knowing your not alone
feeling good - your in the zone
it’s a miracle your not insane.
CO-CO-CO-CO-CO-CAINE 
I’m sayin’ CO-CO-CO-CAINE
CO-CO-CO-CO-CO-CAINE
Yeah it’s such - such a shame.

Spending your money
on ecstasy
can’t set yourself free
that’s your destiny 
like a dope on a rope
only way you can cope
you visit the devils’ den
so you can get high ‘n feel
your in heaven - your in heaven 
your in heaven
CO-C0-CO-CAINE
CO-CO-CO-CO-CAINE
CO-CO-CO-CO-CAINE
CO-CO-CO-CO-CO
CO-CO-CO-CO-CO-CAINE.
  



Cocaine

Cocaine  (Original Song)

Vocals by ARTAUD
Music by DRH. 


CPU Records
#DIRTINTHEWIND

With love.

Keep First Class Evil

DARK

Press the switch
Let it come
Just let it in
I like it to
Reveal
What it's Thinkin' of
and what it's like
livin' in the dark

Press the switch
Let me come
Just let me in
I like to
Reveal
What I'm Thinkin' of
and what it's like
livin' in the dark

Darkest moment is the sure way to feel
Inner pressure
Darkest moment is the true way to see
Who we are
Oh! I wanna go far!

Come take a part of me
I never had the eyes to see
What I can be
Come drag me out of the light
To the endless night
You might see
I might!
Oh! I like it DARK!

DARK

A little Sci-Fi tale about a dystopian future where humans have made life uninhabitable and machines have taken control to restore the balance

What have we done?
How did we let this happen?
Everything is so different now
The machines we made are in control

People thought they ruled the planet
But, you’re just a cog in the machine
Balance has been restored
Balance has been restored

But, you can’t love
You have no soul
But, you can’t love
You have no soul

You destroyed the atmosphere
Your race is selfish and cruel
You killed all life on earth
Why did you do that?

What are people for?
What are people for?
What are people for?
What are people for?

People are how the universe experiences itself

Balance has been restored
Balance has been restored
Balance has been restored

Clintmusic 9

What Are People For..

Experimental song with some electronic influences.

This Morning

"If we want things to stay as they are, things will have to change." - Il Gattopardo

Tranceformation is the only constant! 😉

My new track. Finally! Well, I planned to do live-gigs this year, but things went differently as we all know, due to mother nature.  So I thought, why not use lockdown-time and try to produce something a bit similar to a live-gig? Inspired by DJ-Livesets I listened to recently and by some early, early, oldschoold 'Pre-Trance'-tracks which I enjoy a lot. During the process I realized this turned out to be a far more complex enterprise than my previous stuff. So I had to turn from my tape-recorder (which happened to break during my last sessions - thats something you have to deal w/ that antique stuff😐) to AbletonLife, otherwise it wouldn't have been doable for me anymore. But that was a new interesting challenge for me (I longtime skipped that topic for I'm not that much into computers somehow) and I think I learned a lot new stuff while doing this. But I still recorded a lot of it live in one take, though. After this, I added some tracks and did some producing and processing in AbletonLife. Throughout, I extended my modular rig. Among others a little sampling module and a Buchla-inspired Low-Pass-Gate, which did all that crazy Bongo-stuff in here! All the samples are produced by myself. Except from that historic jazz/ragtime-recording from about 1915, which is common-free, of course.
Here we go, folks, 17 minutes. Damn! Now I'll have to figure out how to do this live in future. 🤔 Let's see, there's so much going on these days anway.
I hope you enjoy this one as well as I hope you're all safe and sound!

Currently this is still the unmastered version. Took me enough time to deal w/ the new tech stuff. Still working on that though!

Gattopardo

To the beautiful Sandia Mtns. in N Central New Mexico

Sandia Waltz

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

Sleepless

Prerequisite Monoliths

bröckelN - Castor

from the EP-Single ´Energie`
recorded 1996

electroHippies CastroCoreMix

Castor fährt den Tod durchs Land 
Strahlentod auf Raten
ein Menschenleben zählt nichts mehr
10000 Menschenleben noch viel weniger
Castor fährt den Tod durchs Land
mit Vernichtungsgarantie
Widerstand wird plattgemacht
das einzige was zählt ist der Profit
Castor fährt den Tod durchs Land
absolut sicher sagen sie
Strahlung schmeckt und riecht man nicht
und Wendland wird bald Sperrgebiet

Achtung, Achtung, hier spricht die Polizei:
Räumen sie das Tor vor dem Endlager
dies ist die letzte Aufforderung!
Polizeikette vorwärts,
bei Widerstand machen wir vom Schlagstock gebrauch!

Nukleare Wüste
alles ist grau

Achtung, Achtung,
die Strahlung hat den Grenzwert überschritten!

english translation

Castor drives death through the country
Radiation death in installments
a human life no longer counts
10,000 lives even less
Castor drives death through the country
with destruction guarantee
Resistance is flattened
the only thing that matters is profit
Castor drives death through the country
absolutely certain they say
Radiation cannot be tasted or smelled
and Wendland will soon be a restricted area

Warning, warning, this is the police talking:
Clear the gate in front of the repository
this is the last call!
Police chain forward
in case of resistance we use the baton!

Nuclear desert
everything is gray

Attention attention,
the radiation has exceeded the limit value!

bröckelN - Castor (2k20CastroCore)

Whisper

Resilienz

forest.

Dreaming Music
Guy-Frank Pellerin: tenor saxophone
Recording: 27/10/2020

Dreaming Music / Guy-Frank Pellerin

Text inspired and informed by the writings of Greil Marcus ("Lipstick Traces") and The Science Channel.

The Speed of Light is Finite

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

SOCIOPARK experience.
Beats by DRH.
Vocals by ARTAUD.
(experimental hip-hop + underground trip-hop) ∮ sounds ⩖ visions.
We are hunger. We are dirt. We are.
Welcome to the Park.

Single "ICEBERG" now available
1st Album "POSEIDON" now available

Endorsed by #DIRTINTHEWIND films
Recording and mixing by CPUrecords.
Booking : hugo@dirtinthewind.com
currently in an artist looking for a new residency program.
Feel free to contact us if you think we can do something together.

DIRT&CPU

Keep First Class Evil

SOCIOPARK

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