အခုေတာ့လည္း အခ်စ္ေရ ... ငါအေၾကာက္ဆံုး နင္နဲ႔ေကြကြင္းတဲ့ ဒုက	ၡေရ...
မင္းမ်က္၀န္းေလးငယ္ ငါ့တသက္လံုးရင္ထဲ သိမ္းထားရေတာ့မယ့္
ငါ့ကမာၻၾကီးထဲမွာ ကြက္လပ္ေလးေသာ့ခတ္ျပီးထားတယ္
မင္းေျပာပါ .... အခ်စ္ရဲ႕၀ဋ္ေၾကြး .... ဘ၀ဒီမွ်နဲ႔ျပီးေစေတာ့ကြာ ....

ေလးျဖဴ - အခ်စ္၀ဋ္ေႀကြး

နီနီဝင္းေရႊ - ပန္းရည္ဘဏ္တိုက္
Burmese songs.
I do not own copyright of these songs. No Copyright Infringement Intended.
This is personal & non-commercial use only.

Ni NI Win Shwe (နီနီဝင္းေရႊ - ပန္းရည္ဘဏ္တိုက္)

အထက ေက်ာင္းသား - စိန္၀င္းထြန္း

အဆံုးအျဖတ္​

Blood and Bone is a reckoning set to rhythm—an album built where the body meets myth, where memory scrapes against metal, and survival grows teeth. Its sonic palette threads drum-machine pulse through dust-bitten guitars, twang through circuitry, and flamenco flicker through industrial grit. Every track lives in the tension between ruin and insistence, between a world that shakes with fire, violence, wind, and destiny, and a narrator who keeps stepping forward anyway. The project treats rhythm not as a backdrop but as a heartbeat you can almost hear splitting, mending, and refusing collapse.

Across this landscape, the human form is battered, unmasked, hunted, resurrected, and set ablaze—but never surrendered. The music leans into acoustic grain, the sweat-salt of live strings, the grit of surf twang and outlaw twine, yet plants those textures in a scaffold of relentless electronic precision. What emerges is a bruised hymn to endurance: techno carved out of earth, alt-country scorched into myth, psychobilly swagger sharpened by war and weather. Blood and Bone doesn’t seek redemption so much as it chronicles the cost of staying alive when the elements, the mountains, the inner voices, and the gods all stare back—and demand a response.


Empty Space

Electric Heart Presents: 1950’s Juke Box — Volume 3**

Slide into your saddle shoes and tighten that bouffant, sweetheart — Volume 3 is the grand finale of the 1950s Juke Box trilogy, and it is utter, unapologetic theatrical chaos. The heartbreak is tragic. The vocals are camp. The drama is nuclear. And the choir? High enough to crack the diner windows.

Connor Charles takes modern queer heartbreak and throws it into a time machine — delivering a jukebox musical that never existed… but absolutely should have. From moody rock-and-roll confessions to over-the-top Elvis-style showdowns, every track is dripping in retro magic and modern attitude.

It’s heartbreak, rebellion, glitter, and swagger — all dressed in a vintage leather jacket.

THIS is the Hopefire way.
1950s style. 2025 soul. Infinite camp.


Walking Away - 1950's Juke Box (1)

R Zarni အာဇာနည္ - Eain Met Yin Saunt အိမ့္မက္ရင္းေစာင့္

ရင္ခုန္လိုက္တိုင္း-ေလးျဖဴ

ခြင္႔မေတာင္းေပမယ္႔ ရပါတယ္ - စုိင္းထီးဆုိင္

ဘယ္ပန္းခ်ီေရးလို႕ မမွီ  
ဆို/ေဇာ္၀မ္း
ဘယ္ပန္းခ်ီေရးလို႕ မမွီ  . . . ဘယ္ပန္းခ်ီ ေရးလို႕ မမွီခဲ့ၿပီ ခ်စ္ေမတၱာေတြသည္ ညႊန္းစာဖြဲ႕ ႏြဲ႕လို႕မမွီ . . . အာဏၰ၀ါ သမုဒၵရာ ပင္ျပာေတြ ကုန္ေစ့မည္ အာကာေတြ တခြင္လံုသံုးေတာ့ ေပလႊာေတြ မဆံုးၿပီ ႏွလံုးသားမွာ ခ်ိဳစြာ ညႊန္းဆိုေႏွာ ေျပာျပေလသည္။

သႀကၤန္ဆုိရင္ သူမပါရင္မၿပီးလုိ႔ နာမည္ႀကီးတဲ့ အကယ္ဒမီ ရုပ္ရွင္သရုပ္ေဆာင္ အဆုိေတာ္ ေဇာ္၀မ္းဟာ

အသည္းေရာဂါနဲ႔ ၾသဂုတ္လ ၁၂ရက္ မေန႔ ညပိုင္းက ကြယ္လြန္သြားခဲ့ပါတယ္။

“ကိုးနာရီကေလ ဆံုးသြားတာပါ။ အင္းစိန္က ေဆးခန္းမွာပဲ။” မင္းသား ေဇာ္၀မ္းရဲ႕ ပထမဆံုး ရုပ္ရွင္ျဖစ္တ

ဲ့ ေစလုိရာေစ ဇာတ္ကားမွာ အတူ သရုပ္ေဆာင္ခဲ့တဲ့ ရုပ္ရွင္သရုပ္ေဆာင္ အကယ္ဒမီ ေဆြဇင္ထုိက္

ေျပာသြားတာပါ။


ဘယ္ပန္းခ်ီေရးလို႕ မမွီ

“ျမင္ေစခ်င္စမ္းလွသည္
ေတာင္တန္းျပာစစ္စခန္းမွာ
ေက်ာပိုးအိတ္ကိုသယ္ခ်ီ
စစ္သည္မ်ားစြာ အားမာန္တက္အသက္ေပးကာခ်ီ”


ဘယ္ပန္းခ်ီေရးလို႕ မမွီ

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