Management: 
info@palmartists.com

Bookings:
UK, EU, Middle East & Africa:
Dave.Blackgrove@teamwass.com & Lucy.Putman@teamwass.com

Americas, Australia & Asia:
bshprits@teamwass.com

MGMT:
management@offaiah.com

BOOKINGS:
ben@radiusartists.com

i sometimes upload stuff here when i can be arsed.

Weiss is most innovative when he’s untethered from the conventions and trends of Dance Music production. Although he embodies the spirit of classic House Music forms like old school Jackin and 90’s era Chicago House, his underlying philosophy is quite simple - construct a beat that taps into the primal and speaks to the universal love of dance shared around the world. Growing up in the UK, Weiss accumulated a diverse range of musical tastes and influences, from Metallica to Motown and Phil Collins to Disco. An apprentice to Massive Attack’s Musical Engineer James Day early in his career, Weiss was able to draw from that deep well of inspiration and expert technical training to produce what would become a trove of instantly recognizable classics and unique, chunky, club rollers. 
Weiss’ initial success as a producer was immediate and profound. His hit single “My Sister”, released in 2013, hit the top of the Beatport Charts and stayed there for four months. Assisted by a generous amount of support from BBC Radio 1, his sounds caught the attention of industry heavyweights like Annie Mac, Groove Armada, Green Velvet, Loco Dice, and Kenny Dope. After several years of successive hit radio singles like his 2016 “You’re Sunshine”, which premiered on Danny Howard’s BBC Radio 1 show and netted a spot at the top of the Beatport charts, Weiss’ profile continued to expand. It wasn’t long before his musical contributions and electrifying performances began to transform the modern House Music landscape. 
Overwhelming support poured in from artists including Gorgon City, Eats Everything, Jax Jones, Duke Dumont, MK and Claude Vonstroke, and through a wildly successful career punctuated by remixes for Kylie Minogue, Robyn, Calvin Harris and Claptone, Weiss has found himself amongst House Music’s elite sharing stages with legends including Todd Terry, Armand Van Helden and Pete Tong. His 2018 single “Feel My Needs”, netted an immense amount of critical acclaim, earned the #1 spot on 5 international music charts, as well as a spot on the Radio 1 A-List and was voted DJ Magazine’s “Best of British Winner” for best single of 2018. 
Weiss is gearing up for an eventful 2019. Following lucrative bookings at Fabric  London and BPM Festival Mexico, he has confirmed over one hundred shows through 2019, including Creamfields, Electric Zoo and key showcases in Ibiza, Miami Music Week, and ADE.

DJ, Grammy-nominated producer and label owner Mark Knight is one of the most celebrated electronic artists of his generation with an impressive 200 Million + global streams to his name. His career has spanned close to two decades, with releases on a diverse range of world-leading labels such as Sony, Warner & Ministry of Sound, through to cool independents such as Cooking Vinyl, BBE, Elrow and of course Toolroom.   

Armed with a musical library that knows no boundaries and a consistent run of chart-topping hits, the success of Mark Knight’s recording career is matched only by the credibility and integrity maintained throughout his discography to date. Anthems such as ‘Man With The Red Face,’ ‘Alright’ & ‘Downpipe’ and working closely alongside bands such as Faithless, Underworld & Florence & The Machine have sealed a diverse musical heritage for the accomplished producer.   

Aside from his industry-leading production work on the underground dance scene he has also written and produced music for a range of global superstars including Calvin Harris, Black Eyed Peas, Dido, David Guetta, J Lo, Flo Rider, Icona Pop and more.  Mark Knight also continues to grow across international radio with Toolroom Radio now reaching over 15 million people in 60 countries across the world each and every week.

Listen to my new track 'Velvet & Ice': https://selectedbase.lnk.to/velvetice

Ferreck Dawn is all about the drums. They have to be heavy and physical to get his dance floors full, while the vocal details bring the all-important heart and soul. After 20 years in the game, this signature sound is what the Dutchman is recognised for around the world. It has taken him to every major club and festival, to labels like Defected, Repopulate Mars and Club Sweat and to the Beatport number 1 spot a number of times. 

"I like to please everybody on the dance floor," he says of this mix of the visceral and more emotional. Whether using original vocalists or digging deep for a sample, it is the melody, soul and texture of the human voice rather than the words that Ferreck is drawn to. And it has been this way since his international breakout tune in 2014: 'Love Too Deep,' with his friend Redondo, got signed to Spinnin Records, made the daytime playlist on BBC Radio One and led Ferreck to quit his job and pursue music full time. 

His early tunes soon got support from the likes of Carl Cox, Luciano and Green Velvet, and another milestone came with 'In Arms' on Defected in 2018. It became one of the most played tracks of the Ibiza season, reached the overall number 1 on Beatport and gathered over 70 million streams. In 2021, he repeated the trick of serving up a sizzling summer anthem and Beatport chart-topper with 'Back Tomorrow' together with UK powerhouse singer Jem Cooke, again on Defected. As with many of his tunes, global radio support and high-profile DJ plays helped make it a modern classic.

Part of the reason Ferreck remains a chart-topping producer after nearly 20 years is his ability to do it all. He searches out interesting collaborators from different sub-genres to mix it up and find new inspirations. Whether it's David Guetta's house alias Jack Back, 'The Void' with Lee Foss, 'My Own Way' with A-Trak and Lord, he never stops evolving. Of course, the best in the scene also come calling for the famous Ferreck sound: he has remixed an a-list of artists including Diplo, Tiesto, Martin Garrix, Vintage Culture, Claptone, Oliver Heldens and many more. 

Ferreck traces his love of chunky bottom ends back to his earliest experiences of dance music. Growing up in the Netherlands, he was surrounded by gabba and hardcore. It swept him up and defined his early years as DJ Dusk. But the often high tempos and impenetrable grooves proved to be a creative dead end for him once he began producing. He had more to say and was keen to explore a wider array of moods and grooves so added a stylized version of his own first name, Freek, and flipped Dusk to Dawn. He gravitated towards a unique mix of powerful techno drums and emotional house vocals and Ferreck Dawn was born. 

As a DJ now, he understands people want to hear the signature Ferreck sound. So in the booth, he balances his own productions with tracks that speak most to him, as well as some carefully chosen classics and future gems. This means he is able to smash out a high-impact 90-minute festival set at Extrema Outdoor, but also go deeper and play all night long at cult clubs like London's Fabric, and everywhere in between.

Fresh off the back of his first solo tour of the US, Ferreck has a wealth of new music coming with Meduza, Vintage Culture, Dom Dolla and Izzy Bizu. "If I won't play it, I won't release it," he says, "and I stand by that 200%." It is that quality control that has kept him at the top of his game for almost 20 years. 

MGMT: dmc@purplewall.com / lucas@purplewall.com
Bookings: 
Worldwide: harrison@activetalentagency.com
North & South America: charlie@spinartistagency.com
Benelux: maurits@peoplesagency.nl

:)







Love letters and/or hate mail: tronderslarsson@gmail.com

MGMT
charlie@palmartists.com / greg@palmartists.com

BOOKINGS
dave.blackgrove@teamwass.com

so far so good is following