"Music For Picture: Vol. I (Parallels)" out NOW: https://orcd.co/musicforpicture

Contact:
Management: hamish@bluetopmusic.com
Live: naomi@earth-agency.com

Biog:
London-based duo Tom Kingston and Joe Wilson are simultaneously lauded for their commercial releases and composition for TV and film. Working on both side-by-side, they combine contemporary production and classical composition to create a unique and distinctive sound.
 
Tastemaker labels Black Butter, Kitsuné and the illustrious Decca have helped push Solomon Grey’s commercial releases to the masses, whilst their work for picture across television, movies, trailers and commercials includes original soundtracks for BBC TV series The Casual Vacancy (adapted from the J.K. Rowling novel), The Last Post and Back To Life.
 
“We’re incredibly fortunate to create music for picture without compromising our sound as artists. We get to be in a band and also write for orchestras, arrange strings and work with opera singers. As musicians, we feel like we’ve come full circle,” says Tom.
 
Joe adds: “Creating soundtracks made us more experimental and aware of what we are capable of. The music we’ve always made has lots of elements that ‘shouldn’t’ go together.” With that in mind, while you’re listening you might hear the sounds of the car ‘The Weight’ was originally recorded in, spot the on-location recordings used in The Casual Vacancy score including rivers, lawnmowers and Morris dancers, and appreciate the juxtaposition of an operatic vocal over synth recordings on ‘The Drowning’.
 
Classically trained musicians and long-time friends from Oxford, Tom and Joe originally met as performers in a local covers band. The journey of Solomon Grey has seen the duo up sticks on more than one occasion, progressing from Oxford to London, finding and cementing their sound of the time with the first track they wrote ‘Last Century Man’. Musical bases took in the Australian outback and a lighthouse in the south west of Ireland, before returning to their current studio in South East London.
 
Solomon Grey’s debut release ‘Gen V’ via Black Butter Records in 2013 carved a path for a debut ‘pop’ album, but the serendipitous opportunity for score work gave them another outlet for their music. Next up was Decca-issued mini-album Selected Works, a mixture of original music and songs which featured parts of their score for The Casual Vacancy. Solomon Grey’s eponymous full-length debut followed in 2016.
 
Album two, Human Music (Mercury KX, 2018) is a poignant collection of intricate and transcendent songs, encompassing the themes of choice, love and loss following the death at Swiss clinic Dignitas of Joe’s mother Sandy. The album features the same luscious sounds provided by the 22-piece Hungarian orchestra and vintage CS-80 synth which feature on the soundtrack to the BBC/Amazon production The Last Post.
 
2019 was another abundant year for Solomon Grey’s sync and soundtrack work with the song ‘Home’ featuring in multiple hit US TV shows, and BBC/Showtime critically acclaimed series Back To Life - which topped end of year polls in Vogue, The Times, The Guardian, Digital Spy, TIME, USA Today and more - bolstered by their original soundtrack. “Carefully crafted soundtracks enhance the connections you make with the characters and overall emotive quality,” says Joe. “We’re delighted Back To Life has resonated with so many people across the UK & US.”
 
For 2020, Music For Picture: Vol. I (Parallels) EP serves as the first of a series of new works, written for & inspired by moving images. This first instalment showcases the duo’s more euphoric cinematic side, with featured track ‘The Return’ (composed for Sony PlayStation’s 2019 dystopian advert for PSVR), similar to 'The Rift' which has become synonymous with Vue Cinemas ident. Each volume in the Music For Picture series promises to explore a different part of Solomon Grey's sonic landscape, giving glimpses of the rich visual world their music evokes.

Music producer from Norway.


Booking North/South America: 
Joel Zimmerman  JZimmerman@wmeentertainment.com

Bookings International: 
Simon Clarkson SClarkson@wmeentertainment.com 


Management/All other inquries: 
myles@goldenharegroup.com

Press INFO:
US Press: myles@goldenharegroup.com
UK/EU Press: matt@getinpr.com

Scand: scandinavia.press@gmail.com

Welcome to Rainbow Valley, the home of all Matt Corby stuff.

New single 'Know It All' out now
https://MattCorby.lnk.to/KnowItAll

MUN es una banda mexicana de Pop–Rock, compuesta por Gonzalo Ramírez (Voz líder y Guitarra Rítmica), Pablo Ramírez (Batería), Carlos Trevilla (Bajo) y Salvador de la Maza (Guitarra Principal).


La banda se forma en el 2008 originalmente como “The Moan” empezando a tocar juntos en guerras de bandas y tocadas hasta que con el tiempo fueron creciendo, consiguiendo fechas para presentaciones propias en bares, antros y foros importantes en la Ciudad de México, por mencionar algunos están Hookah Santa Fé, BullDog Café, Babilonia ShowCenter, Hard Rock Live Polanco, etc.

En el 2011 fueron teloneros de “Gama” en su gira por la ciudad de Mérida, han alternado escenario con bandas como Ruido Rosa, Reyno, Little Jesus, etc. y en los últimos años se intensificaron las presentaciones en vivo.

A finales del 2012 decidieron meterse al estudio y tomar un camino nuevo en español, con un proyecto que tiene un enfoque diferente y mucho más dinámico, con José Ignacio Portilla como productor y masterizado en Master Disc, por Drew Capotto en la Ciudad de Los Ángeles E.U..

Actualmente están lanzando y promocionando su primer EP Profesional en Español “NADA  HA CAMBIADO”. El nuevo material discográfico de MUN contiene 6 canciones y una introducción; disponilble en iTunes, Amazon, Mixup Digital, Spotify, Pandora, 8tracks, Rdio, Soundcloud, Rhapsody, Xbox Music, y su versión en venta física.

MUN es un grupo que se ha logrado distinguir en la Ciudad de México por su capacidad de llenar escenarios con energía y ambiente, por la incesable entrega en el escenario y la fuerte unidad y cercanía que ha tenido con su público. Se espera el lanzamiento de su primer Álbum después de la promoción de su EP y su gira en la Ciudad de México.

(b. 1987, Utah) Crossing boundaries is a feature of Hannah Epperson's life and music—from residence in the US and Canada to nearly 300 live performances in North America, Europe and the Middle East. Singled out by Bandcamp as “one of the most stunningly unconventional artists making music today,” renowned musicologist/critic Ted Gioia chose her debut album Upsweep as one of the Top 3 recordings of 2016, calling it “unique, haunting, addictive.” Classically trained, her genre-bending violin looping and singing was enriched by apprenticeships with the fiddler of acclaimed Deseret String Band and studio work and performances with Fleet Foxes, Julianna Barwick and Ry X. A graduate in Human Geography, a member of Canada’s world champion Ultimate Frisbee Team, Hannah embodies music as a bridge, gathering soundscapes and people together in transfiguring moments of live and studio performances.

Juan Bokeh is an artist that combines music and storytelling. "Living in a Bubble" is the first work of this group reflects the human behavior in different social realities. It is projected through the interaction of different characters under a simulation, in which outsiders are invited to come inside of the social bubble.
Circular, the second album is influenced by Mexican folklore music to narrate an introspective trip to discover the protagonist true self. In the journey he encounters Yaxkin Bamoa a Chaman that helps the character overcome loses and redefine his mission on earth.
If Circular takes you to the beach, Leaf the last EP published by this artist aims to take you to the forest. Based on songs related to freedom in different ways: connection, purpose and self realisation, this work aims to provoke important reflections regarding the dominant lifestyle.

Sofi Moreno is following