Full doomload here : http://gestrococlub.org/qebrus1.htm

Le Mystère Des Femmes Fontaines

QEBRUS - "Oazhu" (Out feb, 2008)

Géranomachie (2021)
pour grand ensemble et électronique
Commande de l'Ensemble Intercontemporain et de l'Ircam-Centre Pompidou

3 December 2021, Cité de la Musique-Philharmonie de Paris 

Direction: Léo Margue
Rim: Carlo Laurenzi

Géranomachie (2021)

🌻
by X4 Records

1. Danny Playamaqui - Milk Moon FM
2. Jerry La Flim - LAST OF THE JUNO CHORDS
3. Quadrawulf - mmountain rivers
4. Jerohme - optimism
5. l̒̒̏oͧ͗ͯv̋̏̔҉̴́͞eͮ̒́ ̈́͐h͊͐̃ȭͪrͮ̀ͮs͗̃̎e̅ͣ̓s̔ͦ̾ - eyes r 4 peepin
6. Lucita Octans - Toxic Slag Heaps
7. Anitta - fd
8. Dollarstore Keyboard - Chordata
9. lee - Unseen
10. Mause - k4_SIDmldy
11. Anitta & Placa Acero - TR BS CR MM
12. WHRK - Dozboks [140]
13. Greystar - Linker
14. Florian Förster - political
15. Rave Liotta - Grover
16. fxbip - Phasma Corollata
17. Isobutane - Fifi and I
18. utopia cloak - Late at night
19. Retape - Yindy

Mastered by Danny Playamaqui

Artwork by Jerohme

Tracklist curation by Purpledaughter

releases April 22, 2022

Hot on the heels of 🛸 comes 🌻

Sowing the seeds in mid-April and hoping for beautiful flowers for better times in the future.

Featuring all of your favourites and some super special guests.
This compilation is pay what you want and all proceeds will be donated to UAnimals: linktr.ee/uanimals

Since 2016, UAnimals has been promoting the humane treatment of animals, their protection from exploitation and abuse. We have managed to ban circuses with animals in two dozen cities, agree to abandon natural fur by several dozen designers, as well as achieve the adoption of several important animal rights laws over recent years.

However, on February 24, 2022, Russia attacked Ukraine and now the main efforts of UAnimals are focused on rescuing animals in this situation. We help shelters financially, we provide them with food and try to evacuate animals to other countries.

Thank you for your support.
Humanity will win!

Quadrawulf - mmountain rivers

Enabl.ed (James Batista) returns this year with classic material. Infantil is a collective work of his hidden eps "Delicate Glitch" & "Dips33" together along with some hidden/Bonus tracks all written around the same time (2011).At once hard and biting, soft and lush, dark and impenetrable, bucolic and bright, Infantil is an introduction to the beginning of Enabl.ed's older productions and the realm of his style. At the core of each track is a head-bobbing mid-tempo dance pulse perfect for late night summer mixes; the pads are luscious, the bass tones warm and inviting. Built on this is a precise balance of urban static, post-digital glitch, and minimalist melody that holds a cracked mirror up to the cuts he produces. As we expected from his music after the release of his L.A.M.B [ep] and Tipsy Haux 2.0, Enabl.ed has become an intriguing writer of melodies. His skeletal leads leave much to the imagination, a fair accomplishment considering the ability of digital artists to become omnipotent over-writers. Check out the emotive sparsity of the strings on "Thelpwe" to hear how much he can say with so little.Batista in general has a more concise approach to style in this offering. Where in like his newer productions are more sprawling as he explored every color and option of the IDM idiom, he is here dialing into a recipe of composing that suits him well.

Infantil

Buy Here

ERR040: Enabl.ed - Infantil - SIDE A (Preview)

From the split tape / digital release with Loto Retina on Prix Libre Records :
https://prixlibrerecord.bandcamp.com/album/loto-retina-c-c?fbclid=IwAR042rXU-vpoOvEIRwrms_vsGRyQlaoSElyuPYZ-9RZUH5DGeuiO5gKZhxU

Loto Retina // C_C

(Gd_Bst) II

S&S&N - XXXIL

all horrid compress sorry

@aprilbourne
Good morning, good afternoon and good evening. Whatever part of the world you're in... What is living? What is life? The world is made up of living and non-living things. Living things building non-living things until death becomes them. These words and mix are from April Bourne.

Short & Sweet Class #41 with April Bourne

https://fxbip.bandcamp.com/album/liquid-entity

Liquid Entity

Fauna Modulara - Blackhole

From the new album - 'Sound Postcards from the Centre of the Periphery' by Manja Ristić and Mark Vernon.

We made this 13-track journey around the sounds and sonic histories of the island of Korčula. In addition to our own field recordings, we were given access to the audio archives of the local radio station, including recordings of folk customs, traditional songs, dances and music...

This album unites two specific sensibilities that for many years have been embedded in the domain of sound and radio arts. Although they arose from very different environments, their work explores similar issues around preserving personal sonic histories. By stirring up nostalgia and collective memory, both artists often refer to the importance of individual experiences in the poetic "body" of micro-communities. 

The artistic practice of both creators has been deeply immersed in the sonic strata of space and the imaginary narratives that emerge from it. A dedication to the culture of memory, the sounding of lost voices and an unorthodox approach to re-composing the soundscape, conveniently unites these two experimenters in a collaboration that arises from research into one particularly inspiring locality – the island of Korčula. 

In addition to their own field recordings the artists were given access to the audio archives of the local radio station, including sounds of local folk customs, traditional songs, festivities and music. The strong anthropological emphasis in this collection of works is intended to encourage a deeper consideration of the coexistence of people and the environment in a historically dense climate. The appropriation of the hidden narratives of a small town on the fringes of the European Union opens up new fields of reflection on identity that looks back at the "center of the periphery", pointing to the importance of "small" spaces in the creation of European heritage. 

‘Sound postcards from the center of the periphery’ will be stored permanently in the audio archives of Radio Korčula. Who knows, maybe someone will dig them out in 50 years and say: "...there you go! This will make your head ring!" 

Special thanks to Radio Korčula, Gordana Šuperak and Ivan Sardelic Šore. To Pere from the Marasa printing house and to all the fellow citizens of Korčula who found themselves on this album intentionally or accidentally.

Manja Ristić and Mark Vernon - Voli more drš’ se kraja / Love the Sea but Stay on the Shore

Image created by me.
https://www.deviantart.com/leehon/art/This-World-Is-Full-Of-Parasites-975110006

Freak

Born in Thessaloniki (Greece) in 1988, Sofia Avramidou graduated from the composition department of Aristotle University (Bachelor's and Master's degrees, 2009-2014) and from the National Academy of Santa Cecilia in Rome (specialized Master's degree, 2014-2016), receiving the highest distinction in the class of Professor Ivan Fedele, as well as an excellence scholarship from the "Alexandros Onassis Foundation”.
In Paris, in 2020, she graduated from IRCAM's "Cursus de composition et d'informatique musicale".
She has been awarded numerous prizes, including the Goffredo Petrassi Prize from the Quirinal Palace in Rome (2016), 1st prize at the IX "Francisco Escudero" International Accordion Composition Competition (2016) in Spain, and 1st prize at the 6th "Dimitris Dragatakis" Composition Competition (2014), organized by the Greek Composers' Union. She participated in numerous composition courses and seminars, with Beat Furrer, Philippe Manoury, Georges Aperghis, Francesco Filidei, Yan Maresz, Jean-Luc Hervé, Franck Bedrossian, Dmitri Kurljandski...
Sofia Avramidou also collaborates with director Evangelia Kranioti, for the film "Obscuro Barroco", which received the Teddy Award at the 2018 Berlin International Film Festival. That same year, she was selected by the Venice Biennale to compose the chamber opera "Rodi rodi, morsicchia! La casina chi rosicchia?" performed at the Teatro Piccolo Arsenale.
She has been commissioned by ensembles and institutions such as Ensemble Intercontemporain, Philharmonie de Paris, Ircam, Venice Biennale, Musikfabrik, Ictus, Lemanic Modern Ensemble, 2e2m, Radio-France, Festival Ensemble(s), Festival de Prades, Festival Nouveaux Horizons, Orchestre National de Jazz, ECHO, Fondation Calouste Gulbenkian, Lisbon, Auditorium Orchestre National de Lyon....
Her compositions have been performed at the Philharmonie of Paris, the Musikverein (Vienna), the Concertgebouw (Amsterdam), the Bozar (Brussels), the Barbican (London), the Elbphilharmonie (Hamburg), the Philharmonie of Cologne, the Venice Biennale, the Auditori (Barcelona), the Festspielhaus (Baden-Baden), the Philharmonie of Luxembourg, the Auditorium of Lyon, the Auditorium Parco della Musica (Rome), the Teatro La Fenice (Venice), the Boston University, the Megaron (Athens)...
Alongside composition, Sofia Avramidou studies Byzantine music, Hymnology, Oud and Ney instrument, as well as traditional Greek singing.
As a singer, she collaborates with various ensembles and orchestras, such as the Cyprus Symphony Orchestra, the Thessaloniki Municipal Orchestra, the Raanana Symphony Orchestra (Israel)...

 In 2018, she arranged traditional songs for voice and clarinet and recorded the album "Binôme" in Greece.
Her works are published by Éditions Lacroch' and BabelScores.

Géranomachie (2021)

Sofia Avramidou / composer, singer