parte 1: 
Camino de las flores a las 1:18 de la tarde un ‎miércoles, ‎5 ‎de ‎mayo ‎de ‎2021 (días antes del Global BigDay), buenos aires argentina. En esta grabación logramos captar un clima con mucho viento, ya estaba comenzando el otoño y lo que pudimos analizar es que habían muchas especies convergiendo en un ecosistema de humedales y pampa deprimida. "Camino de Las Flores" es uno de los dos últimos espacios verdes dentro del partido de Alte Brown. Conserva muestras de flora-fauna autóctonas y humedales. Tiene una superficie de 160 has, y se encuentra en el sector Oeste de la ciudad de Longchamps recalcando que está limitando con el Sector Industrial.

Logré capturar junto con mi grabadora y mis micrófonos binaurales el sonido de teros, pitogües (bienteveos), zorzales colorados, chimangos, perdices de campo, tordos músicos, cotorras, ratoneras, garzas blancas y entre otras especies. Pero al mismo tiempo se cruzaba un avión en el cielo mezclándose con los sonidos de este bello paisaje sonoro de la reserva. Miraba desde el cielo y al mismo tiempo cerraba mis ojos para entender cómo éstas especies se han adaptado a nuestros sistemas de comunicación y transporte. 
Siempre me hago la pregunta de ¿Qué tanto impacto producen estos elementos tecnológicos del humanx a estas especies? 

Con esto también me pregunto ¿Qué quieren comunicarnos con sus sonidos, qué tan altas o bajas son sus frecuencias
y como nosotrxs receptores captamos el mensaje que quieren llegar a quizás, darnos a conocer para poder entenderles. Más allá de sus formas de comunicación entre especies, también tienen mucho que "decir" y nosotros mucho por aprender... (((Escuchemos))).

#buenosaires #paisajesonoro #argentina #soundscape #ecoacoustics #soundecology #autumn #invierno #otoño #globalbigday #birds #ebird #xenocanto #ecoregistros #inaturalist #sonidos #fieldrecording

Paisaje Sonoro Parte I - Reserva Ecológica Camino De Las Flores

A track from the 2021 CD 'Magneto Mori: Vienna' on Canti Magnetici.

Magneto Mori: Vienna

Better Never Than Late

Cattle is drinking and swimming while it’s hot in the desert of Arizona, in the area of Arivaca. 

Recorded by a Sound Devices MixPre6
With a ORTF Schoeps Setup CCM4 x 2 in a windscreen by Cinela,
Sound Ref: AZ210816T001
Wave, 96kHz
Recorded on 16th of August 2021
GPS: 31.661166, -111.165792

Cows’ choir around a pound in the desert

Notice Recordings is pleased to present the release of Portland, Oregon-based percussionist Matt Hannafin’s “John Cage: Four Realizations for Solo Percussion”, which offers attentive, probing interpretations of pieces that bookend the final thirty years of the composer’s work. Simultaneously restless and nuanced, Hannafin’s performance demonstrates Cage’s continued relevance and enduring ability to push performers beyond their performative biases and toward the unexpected.

Written with no instrumentation, “Variations II” (1961) and “Variations III” (1963) both provide toolkit-like sets of marked-up transparencies which are allowed to fall into random overlapping patterns. “c Ȼomposed Improvisation for One-Sided Drums with or without Jangles” and “One4” (both 1990) are two of only five pieces Cage wrote specifically for solo percussion, and explore Cage’s late-career interest in directed improvisation. “c Ȼomposed Improvisation” was written for percussionist Glen Velez, with whom Matt Hannafin studied just three years after the piece was created.

Commissioned by Notice Recordings, these four performances are in dialogue not only with each other but with Notice itself, which has its roots in the underground/DIY realm while also exploring contemporary/academic composition. The accessibility, inventiveness, and challenge of compositions like these make Cage a unique pivot point between these two worlds.

NTR049 - John Cage & Matt Hannafin - Sided Drums With Or Without Jangles

Full doomload here : http://gestrococlub.org/qebrus1.htm

Le Mystère Des Femmes Fontaines

QEBRUS - "Oazhu" (Out feb, 2008)

https://anjicheung.bandcamp.com/album/fearless-body

Fearless Body

Géranomachie (2021)
pour grand ensemble et électronique
Commande de l'Ensemble Intercontemporain et de l'Ircam-Centre Pompidou

3 December 2021, Cité de la Musique-Philharmonie de Paris 

Direction: Léo Margue
Rim: Carlo Laurenzi

Géranomachie (2021)

One of the best Belgian producers works his magic on this Coburn track. If you don't know him yet , go check his bandcamp or soundcloud. It will be a nice discovery! Promise!

Aggressive Riffage Sk'p Rmx

From the split tape / digital release with Loto Retina on Prix Libre Records :
https://prixlibrerecord.bandcamp.com/album/loto-retina-c-c?fbclid=IwAR042rXU-vpoOvEIRwrms_vsGRyQlaoSElyuPYZ-9RZUH5DGeuiO5gKZhxU

Loto Retina // C_C

(Gd_Bst) II

Audito Poem 7 Instrumental

Thunderstorm-sleepytimesounds for deepsleep and relaxation

Born in Thessaloniki (Greece) in 1988, Sofia Avramidou graduated from the composition department of Aristotle University (Bachelor's and Master's degrees, 2009-2014) and from the National Academy of Santa Cecilia in Rome (specialized Master's degree, 2014-2016), receiving the highest distinction in the class of Professor Ivan Fedele, as well as an excellence scholarship from the "Alexandros Onassis Foundation”.
In Paris, in 2020, she graduated from IRCAM's "Cursus de composition et d'informatique musicale".
She has been awarded numerous prizes, including the Goffredo Petrassi Prize from the Quirinal Palace in Rome (2016), 1st prize at the IX "Francisco Escudero" International Accordion Composition Competition (2016) in Spain, and 1st prize at the 6th "Dimitris Dragatakis" Composition Competition (2014), organized by the Greek Composers' Union. She participated in numerous composition courses and seminars, with Beat Furrer, Philippe Manoury, Georges Aperghis, Francesco Filidei, Yan Maresz, Jean-Luc Hervé, Franck Bedrossian, Dmitri Kurljandski...
Sofia Avramidou also collaborates with director Evangelia Kranioti, for the film "Obscuro Barroco", which received the Teddy Award at the 2018 Berlin International Film Festival. That same year, she was selected by the Venice Biennale to compose the chamber opera "Rodi rodi, morsicchia! La casina chi rosicchia?" performed at the Teatro Piccolo Arsenale.
She has been commissioned by ensembles and institutions such as Ensemble Intercontemporain, Philharmonie de Paris, Ircam, Venice Biennale, Musikfabrik, Ictus, Lemanic Modern Ensemble, 2e2m, Radio-France, Festival Ensemble(s), Festival de Prades, Festival Nouveaux Horizons, Orchestre National de Jazz, ECHO, Fondation Calouste Gulbenkian, Lisbon, Auditorium Orchestre National de Lyon....
Her compositions have been performed at the Philharmonie of Paris, the Musikverein (Vienna), the Concertgebouw (Amsterdam), the Bozar (Brussels), the Barbican (London), the Elbphilharmonie (Hamburg), the Philharmonie of Cologne, the Venice Biennale, the Auditori (Barcelona), the Festspielhaus (Baden-Baden), the Philharmonie of Luxembourg, the Auditorium of Lyon, the Auditorium Parco della Musica (Rome), the Teatro La Fenice (Venice), the Boston University, the Megaron (Athens)...
Alongside composition, Sofia Avramidou studies Byzantine music, Hymnology, Oud and Ney instrument, as well as traditional Greek singing.
As a singer, she collaborates with various ensembles and orchestras, such as the Cyprus Symphony Orchestra, the Thessaloniki Municipal Orchestra, the Raanana Symphony Orchestra (Israel)...

 In 2018, she arranged traditional songs for voice and clarinet and recorded the album "Binôme" in Greece.
Her works are published by Éditions Lacroch' and BabelScores.

Géranomachie (2021)

Sofia Avramidou / composer, singer