Noxin&Senmove&Senglar - Ashes

Paral·lel & François Fontaine - Glisten

Maxpatch by Noxin
https://soundcloud.com/nnoxinn

Paalmax

Improvising on contrabass recorder to acoustic jungle loops by Ned Haweeli.

Drum And Contrabass Recorder

Modi in Cascada

for A Filetta and Ensemble Resonanz
premiere performance WDR Funkhaus Köln,
21st August, 2022

Modi In Cascada (2021/22)

SenSen - LeC II

Destiny is a piece made from electronic audio materials created on an analog modular synthesizer following simple processes on signal treatment and the choice of a restrict palette as an aesthetic constraint, while keeping both an overall organic expressivity and a slightly des-articulated quality at the edge of compositional agency.

Variations and antecedents of this piece have been performed live in various electronic music festivals and events. The definitive version is a part of Sisbiosis, a collaborative album put together with the artist and musician Ryoko Akama, released in 2022 on Erstwhile records (US).

https://erstwhilerecords.bandcamp.com/album/sisbiosis

Destiny (Excerpt)

art work par Alice Rosa, Mulher Branca : https://alicerosa.portfoliobox.net/images
Strabisme Auditif : https://soundcloud.com/user3052871

tracklist 
    1 Résidents de la République, intro 
    2 Magma, Tröller Tanz, 1976 
    3 A glade, Earthling, 2023
    4 Strabisme auditif, Manifestacio 
    5 Brigitte Fontaine, Interview. 
    6 Tulgirdas, NU KĄ? AAA!!!, 2020
    7 Spontaneous Overthrow, Party, 1984
    8 Fulguromatic, Top 5 des citations d’Einstein sur internet (la 3ème va vous surprendre), 2023
    9 Fred Weinberg, Animosity, 1970
    10 La Pisse, Un café une fois par an, 2022
    11 Massicot, Cuska, 2020
    12 Un éternuement venu de loin 
    13 The Space Lady, Interview. 
    14 Jimmy Hendrix, EXP, 1967 
    15 Tatsound, Go (Where you want to go), 2022
    16 Ingetrapt, Le Carnaval des animaux de Tchernobyl, 2023
    17 Strabisme Auditif, Cum Shlago Spiritu, 2022
    18 The Space Lady, Domine libera nos, 1990
    19 Cam Wicked, This year ahead, 2019
    20 Pavel Matela, Už se nám to krátí, 1993
    21 Norma Tanega, Illusions, 1971

Paravision invite Strabisme Auditif ~ 18.10.2023

Resonancias

Hydrophonic sample of snow with some added instrumentation. Half speed Macumbista Benjolin, Soma Dvina and other friends.

Samplad snö

For fixed sounds

Βased on the poem ''La cité dolente'' of Laure Gauthier
(Chatelet-Voltaire, 2015, translation La cità dolente, Gabriela Serrone, Macabor, 2018)

IL CANTO TERZO (2020)

Born in Thessaloniki (Greece) in 1988, Sofia Avramidou graduated from the composition department of Aristotle University (Bachelor's and Master's degrees, 2009-2014) and from the National Academy of Santa Cecilia in Rome (specialized Master's degree, 2014-2016), receiving the highest distinction in the class of Professor Ivan Fedele, as well as an excellence scholarship from the "Alexandros Onassis Foundation”.
In Paris, in 2020, she graduated from IRCAM's "Cursus de composition et d'informatique musicale".
She has been awarded numerous prizes, including the Goffredo Petrassi Prize from the Quirinal Palace in Rome (2016), 1st prize at the IX "Francisco Escudero" International Accordion Composition Competition (2016) in Spain, and 1st prize at the 6th "Dimitris Dragatakis" Composition Competition (2014), organized by the Greek Composers' Union. She participated in numerous composition courses and seminars, with Beat Furrer, Philippe Manoury, Georges Aperghis, Francesco Filidei, Yan Maresz, Jean-Luc Hervé, Franck Bedrossian, Dmitri Kurljandski...
Sofia Avramidou also collaborates with director Evangelia Kranioti, for the film "Obscuro Barroco", which received the Teddy Award at the 2018 Berlin International Film Festival. That same year, she was selected by the Venice Biennale to compose the chamber opera "Rodi rodi, morsicchia! La casina chi rosicchia?" performed at the Teatro Piccolo Arsenale.
She has been commissioned by ensembles and institutions such as Ensemble Intercontemporain, Philharmonie de Paris, Ircam, Venice Biennale, Musikfabrik, Ictus, Lemanic Modern Ensemble, 2e2m, Radio-France, Festival Ensemble(s), Festival de Prades, Festival Nouveaux Horizons, Orchestre National de Jazz, ECHO, Fondation Calouste Gulbenkian, Lisbon, Auditorium Orchestre National de Lyon....
Her compositions have been performed at the Philharmonie of Paris, the Musikverein (Vienna), the Concertgebouw (Amsterdam), the Bozar (Brussels), the Barbican (London), the Elbphilharmonie (Hamburg), the Philharmonie of Cologne, the Venice Biennale, the Auditori (Barcelona), the Festspielhaus (Baden-Baden), the Philharmonie of Luxembourg, the Auditorium of Lyon, the Auditorium Parco della Musica (Rome), the Teatro La Fenice (Venice), the Boston University, the Megaron (Athens)...
Alongside composition, Sofia Avramidou studies Byzantine music, Hymnology, Oud and Ney instrument, as well as traditional Greek singing.
As a singer, she collaborates with various ensembles and orchestras, such as the Cyprus Symphony Orchestra, the Thessaloniki Municipal Orchestra, the Raanana Symphony Orchestra (Israel)...

 In 2018, she arranged traditional songs for voice and clarinet and recorded the album "Binôme" in Greece.
Her works are published by Éditions Lacroch' and BabelScores.

IL CANTO TERZO (2020)

Sofia Avramidou-composer

Recent comments

MNM

Related tracks