Debut Album of Clothilde, Twitcher was made and shaped using Clothilde’s partner, Hobo, homemade machinery and modulars with each track recorded in one take and filling us up with textures, melodies and sections of zero visible ending points echoing Annea Lockwood, Jessica Rylan, Oliveros, Maryanne Amacher and Radigue in a mesh of primal experimentation and awe.
52 minutes of deep listening brutalism.

Big Day Part I

GLITCH Berlin returns in 2016 with the CTM/Vorspiel edition, featuring a selection of the most radical Audiovisual and Nü Experimental-Electronic scene in Berlin.

Video: https://youtu.be/6hEMAswH29s
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www.lucasgutierrez.com

Lucas Gutierrez live at GLITCH Berlin: Vorspiel / Transmediale & CTM 2016

[Floresta Oblíqua] - Bass, synthesizer, 
[hobo & the birds] - hobo synthesizers analog
[Clothilde] - hobo synthesizers analog
[Contreira] - synthesizers

J Ú P I T E R

A2 – 3 Lucas Gutierrez ▬ Cuero

6:53
13,3 MB
256 kbps
44,100 kHz
24/10/17

Obstacles

from a session recorded by Joaquim Monte at Namouche Studios, Lisbon, Feb 2011 / Mixed by Rodrigo Pinheiro and ACRE.

Gabriel Ferrandini - drums
Pedro Sousa - Tenor Sax
Filipe Felizardo - Electric Guitar

Painting by Tiago Baptista

ACRE - The Golem has a cough ( excerpt )

Filipe Felizardo played an electric guitar.
Carlos Nascimento recorded, mixed and mastered the music.

This is track one from the upcoming record 'Guitar Soli for the Moa and the Frog', to be released April 9th via Shhpuma Records - Clean Feed.

Photography by Sara Rafael

Filipe Felizardo - Against the Day

Demónio António @ Irreal

Guest mix recorded for LABAREDA show on RÁDIO QUÂNTICA (Lisbon)

LABAREDA 51 w/ 𝘎𝘏𝘒𝘊 on RÁDIO QUÂNTICA (10.07.19)

Clothilde and her machines have an intimate relationship. Built from scratch by her partner Zé Diogo these modular machines have their own identity and authenticity. Clothilde approaches them as equals and that resonates in the music she creates. She or they, because at some point you can’t really differentiate one from another. That’s the beauty of Clothilde’s music, she has a unique empathy with the machines/instruments she uses, and that relationship expresses itself in every moment. This creates music impossible to predict, not necessarily related to improvisation, randomness or chaos theory, but to the unknown dialogue between humans and machines. It is a primal sense of electronic music, but one that engages the listener into a constant idea of world building. Marvellous and intense. Releases like “Twitcher” (Labareda, 2018) and “Os Princípios do Novo Homem” (Holuzam, 2021) show how pure, transparent and organic Clothilde’s sound is.

Big Day Part I

Clothilde

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