Our latest isolatedmix comes from Mark Nelson, who as Pan•American, or as part of Labradford or even Anjou, has garnered relative cult status amongst the ambient and experimental lifers. 

More info: http://asip.me/isolatedmix118

ASIP - isolatedmix 118 Pan•American

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isolatedmix 118 - Pan•American

After a long, and hot summer, fall has arrived to embrace Brooklyn in its cooling winds and chill nights. The days grow shorter, and the mornings starker, the leaves changing through their autumnal colors. To soundtrack these changes, we look to none other than Laima Adelaide. After a stellar set at the experimental and avant garde music festival, Mostra, we connected well and are pleased to give platform to an ambient live set. Expect lush drone tones, layered with guitar musings, and wonderful texture as Laima takes us through her version of a Sunday morning…

@amlia
www.instagram.com/laimaadelaide/

www.itsdelayed.com
www.instagram.com/_____delayed/
www.facebook.com/itsdelayed

Sundays are for... Laima Adelaide

In this episode of Animal Circle we delve into the mystical imaginary of the artist Andra Ljos. 4th world ambient in the form of a soundtrack in which your imagination creates the movie. What do you see? 
https://andraljos.bandcamp.com/music

ANIMAL CIRCLE_ Episode 4_ANDRA LJOS_for TNP radio

Ideas musicales para los que nadan contracorriente
Musical ideas against the tide

BrokenLoop Podcast #418

​
Welcome to Ambient Daily, the podcast dedicated to ambient music!
Discover the latest ambient releases, from new-age to pure ambient music.

00:00:00 - Bailrigg, Kieldfal - Bonfire of the Profanities - Kieldfal Rework
00:03:36 - Philippe Deschamps - What the Sea Promises
00:06:54 - Le Code - Maybe The Foam Will Be Different Tomorrow
00:10:48 - Spacecraft - Ursa Major
00:15:06 - Richard P John - Insight
00:17:48 - Gollden - Breathing Room
00:20:38 - Old Amica - Tiden far
00:24:50 - vhskid. - Purple Sky
00:27:16 - Abstract Aprils - Where Presence Waits
00:30:00 - Drifts In Autumn - Early Morning Dragonflies
00:33:30 - Unknown Observer - There
00:37:16 - Magnus Söderstörm - Inspire
00:39:16 - Ceramic - Fragments of an Ancient Sky
00:43:38 - Den Flydende - Hideaway Skies
00:46:04 - xo_bye - silence
00:48:38 - Hessien - Approaching Dusk
00:52:10 - Maeve Everbrook - Exploring
00:53:48 - Isobel Watts - Luminance
00:56:12 - Gefjun - Marea

🎶 To discover more ambient music
Ambient Nap https://spoti.fi/3wftliY
Ambient Daily https://spoti.fi/49rf68Q
Piano Nap https://spoti.fi/49rBLSl

🎧 To send your music
Submithub https://bit.ly/3SAIkLH
Groover https://bit.ly/3HZ2Twg

👍 Follow Ambient Daily
https://instagram.com/ambient.daily

📩 Contact
contact@le-code-music.com

Ambient Daily - The Latest Ambient Releases

Ambient Daily - Episode 11 - Night and Dusk

TT mix sep 2024

Theory Therapy 66: Lucas Dupuy

AMBIENT - KOKURITSU KOEN

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three Particles

Hell Canto

On 7.10.23, Palestinian forces, led by Hamas, broke down the fence separating the Gaza enclave from Israel and unleashed a savage day of slaughter and kidnapping that ended with 1,195 dead on the Israeli side and 251 taken as hostages. The Israeli response was just as savage but much longer lasting and much, much more devastating. It resulted (at the time of writing) in around 72,000 deaths (70,000 - most likely, many more - Palestinians, largely non combatants, and 2,000 Israelis, largely soldiers) in Gaza, as well as at least 170,000 Palestinians injured, compounded by a genocidal policy of starvation and destruction of civil order. A response that has destroyed most of Gaza and accelerated the expansion of illegal settlements in the West Bank - where there have been around 1,000 Palestinian deaths caused by Israeli settlers and the IDF since October ’23. There have also been many deaths and injured in Lebanon, Syria, Iran and Yemen.

The horrors of the Unholy Land felt near at home, and like the invasion of Ukraine, pushed me to give some kind of personal response - however pointless and inadequate - beyond following and sharing news and commentaries. Already far into Luna rising, a text and electronica album about Ukraine and Russia, I didn't feel capable of responding with texts so I embarked on a wordless album called Hell Canto.

The parameters are the same for each of the Hell Canto pieces. I’d call the methodology a way of comprovisation, of making sound poetry, derived from vocal improvisations and electronic manipulations. In November '25, having recorded 50 pieces, decided to stop adding more - also the fragile and unlikely October '25 ceasefire remains in place though in practice the word ‘ceasefire’ is a bad joke, with no sign of real peace and humanitarian and political solutions on the horizon. I’ve listened through the 50 pieces and chosen 27 that I’d like to be included in the album and 23 which are orphans for the time being at least. The 27 pieces come to a total of 80 minutes which might be too long for a CD. It’s not sure yet. Anyway, for now there are 2 Soundcloud playlists - the 27 in the draft order for the album, and the 23 which for now are in order of recording.

Raining Spiderling
Istanbul, December 2025

Gasping (mix 1.12)

Live at Mayhem September 27 2018

Hello dear people. Here is the 50th episode of the Stellar Series. Is it the beginning of a new era, as we recently entered through the new age of Aquarius ? Only the sky and the light can bring the answer. 

This one is from Kolya Kalpa, a producer and selector from St Petersburg. , He have released two beautiful tracks on the great @tehnofonika label, and some beautiful deep techno and ambient podcasts. The one he made for the Stellar Series is very evocative in his way to think and arrange music - deep in all circumstances, going through ambient and immersive techno with subtil and different kind of rythmics, evocating an enlightened journey between the sky and the sea.
The picture was taken by himself. 

Follow him : @kolyakalpa

Stellar Series Episode 50 - Kolya Kalpa (Isolate)

booking: contact@pr-t-n.org
mgmt: wannes.cuypers1@gmail.com
inquiries: connect@sofiebirch.dk

Live at Mayhem September 27 2018

Sofie Birch