Track taken from the album "Euplexia" due out April 18th 2014.

Having spent the first half of 2013 working on two site-specific installations; UnThread in Southend, and After the Flood as part of Hebden Bridge Arts Festival, Isnaj Dui (aka Katie English) presents the follow up to 2012’s ambitious year-long Duodecim project.  Euplexia, Isnaj Dui’s most recent studio album, sees a return to the raw, edgy sound prevalent in earlier works, yet combines this with the maturity of composition which English has refined over the years.

With Euplexia, Isnaj Dui has drawn on aspects of her installation work and the journal-like nature of Duodecim to combine field recording and sampling alongside her trademark concert and bass flutes and dulcimer.  Using coil pickups, dictaphones and other electronics to build unstable textures and throbbing basslines, English has created a soundscape that is at once serene and grating.  Whilst the trademark schizophrenic nature of tracks is in check, this album also sees a move towards more dissonant harmonic structures and high frequency playing on the flutes.  The CD comes packaged in a hand-printed sleeve. 


isnaj dui / fjoeg

moving time

Vast, open, dreamy, Ambient soundscapes with a Cinematic, journey feel. Great music for nature, natural wonders, world history and heritage, amazement, wonderment, space travel or timelapses. A unique, growing and developing piece of cinematic ambient music. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Sakura Tea

140825

Jean-Luc Godard’s past rests in thousands of cardboard boxes. The filmmaker has incorporated his entire personal archive to an inconspicuous place in France that hides numerous film rolls, personal belongings and reel to reel sound tapes. In 2014 Soundwalk Collective received access to this archive and now offers a Godard acoustic behind the scenes: in meticulous detailed work, the trio’s extracted recordings from before and after Godard’s film takes. Stage directions, the atmosphere on the set, false starts and new attempts to show the universe of a perfectionist and phantasmagoric personality. “Art attracts us only by what it reveals of our most secret self.” (Godard)

“Son Seul - JLG Joue Du Piano” is part of "What We Leave Behind": a work-in-progress album composed solely of unreleased fragments of sound that were recorded on the film sets of Jean-Luc Godard, and never saw the light of day. The sound composition shows us the very real and somewhat forgotten audiovisual archive of the film director, rediscovered by accident somewhere in France.

Son Seul - JLG Joue Du Piano [Piano Day 2017]

Cinderland

high plains 'black shimmer'

Mirall

Rauelsson - Sierra

One of the pieces I wrote as part of the score to the 2012 documentary film, "Outliers Vol. 1: Iceland".

More info here: www.outliersiceland.com

Black Beach (Outliers Vol. 1)

from 'Methoden und Maschinen' [CD|2LP|DIGITAL]
Denovali Records · den323
available on all formats at http://denovali.com/bersarinquartett

Nikolai Erastowitsch Bersarin, the ambivalent colonel general, communist and first Soviet city commander of Berlin, had an accident with his motorcycle in 1945 at the age of only 41. In the enraptured, now somewhat more compressed and at the same time more colorful (not more cheerful) electronic sound(track)s of the strange Bersarin Quartett, in its East Block sea landscapes with latently kitsched wallpaper and double bottoms, shadows of this strange figure Bersarin can be guessed - still or again - at a good 70 years later. But perhaps that is also irrelevant. This 'band' could just as well play imprisoned in the remixed court of the eternal, crazy North Korean presidents, whether embodied in an orchestra, quartet or as masked solo entertainer. It brings us supposedly post-rock and post-socialist grandeur, which has degenerated very slightly, in a great new splendour amidst all our irritations and emotions. And everything takes place in our heads.

The Bersarin Quartett - after thirteen years and three epic, (bad-)dreamlike beautiful albums - have settled down with their fourth album "Methoden und Maschinen" ("methods and machines"). For the time being. Because at the same time many new layers and paths are emerging. Playing live in many arrangements and at great concerts in Slovenia, Poland, Czech Republic and Russia, this has grown into a quartet, but it is still the project of DJ, musician, graphic and audio designer Thomas Bücker. The numerous concert evenings with Andy Stott, Tim Hecker, Fennesz, Murcof, Dictaphone or Hidden Orchestra, among others, are undoubtedly noticeable on "Methoden und Maschinen". The Bersarin Quartett continues to stand for the outing of a complex musical subconscious. 'The Dark Side of the Moon', only that the moon is shimmering here, at least now and then. It's probably also due to the sun shining on it. Minimalism and bombast go together. Constantly developing and entangling contrasts, paradoxes and contradictions are the motor. Constantly caught between two sides. Don’t believe the hype!

Methoden und Maschinen

Bersarin Quartett - Das ist alles, was wir haben

P.L.U.R.

Time Swim


A beautiful live recording taken from last year's Punkt festival featuring a remarkable line up of musicians


jan bang - exile from paradise / undertow

(bang/ endresen/hassell)

jan bang: samples
lars danielsson: double bass
sidsel endresen: vocals
jon hassell: trumpet, keyboards
arve henriksen: trumpet
erik honoré: live sampling

recorded by geir østensjø at punkt, september, 2010.
mixed by erik honoré and jan bang at punkt studio kristiansand.

see also:

... and poppies from Kandahar (http://www.samadhisound.com/janbang/)

exile from paradise / undertow

booking: contact@pr-t-n.org
mgmt: wannes.cuypers1@gmail.com
inquiries: connect@sofiebirch.dk

Time Swim

Sofie Birch