For bookings please contact -

james@earth-agency.com

Bookings - jan@makinoagency.com

https://bio.site/Amoss___

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1 - all music should be pay what you want
2 - music, framed in the gig economy paradigm, shouldn't be a career
3 - all artists should be encouraged to do what the fuck they want
4 - all listeners should actively dig for music
5 - music labels, in their current operating form, are redundant
6 - underground scenes participants should ditch all social media activity
7 - underground scenes participants should be educated about the detrimental effects of algorithms
8 - underground scenes participants should abstain from all forms of streaming platforms, unless it is used for promotion
10 - promotion shouldn't be offering a whole piece to the algorithms
10 - commissions on music sales are straight theft, of the most evil sort
11 - sampling is not theft, plagiarism is. But it's not the cardinal sin the industry would like you to believe
12 - free party
13 - culture is what we pass on to the next generations, not what we are doing now
14 - less is more
15 - sharing is caring
16 - caring is also checking on each others, and truly bonding as humans
17 - bonding through music is one of the best experience in life
18 - the world needs to slow down
19 - AI is just straight dumb, and shall make us hoomanz dumber
20 - open source is the best thing technology has ever had to offer
21 - FUCK PIONEER

Discord : l0g1n_dnb

Enquiries:
whineymusic@gmail.com

UK/ROW:
chrism@clinictalent.com

North America:
rob@respectartistagency.com

Will Hine aka Whiney, one of Hospital Records' youngest ever signings, has been lighting up dancefloors and festivals with his trademark underground sounds for over 7 years. Introduced  to  Drum  &  Bass  at  14  and  classical  instruments  at  7,  Will  focused  his  efforts  on  production  signing  his  first  track  'No  More'  to  Hospital  Records  at  the  age  of  18 - already  turning  heads  at  a  young-age,  Will  signed  exclusively  to  Hospital's  sister-label  Med  School  Music  just  2  years  later.  

It  only  took  a  couple  of  years  and  the  release  of  his  debut  album  'Talisman'  for  Will's  impact  on  the  scene  to  really  get  noticed.  3  nominations  (Best  Album,  Best  Newcomer  and  Best  Track)  at  the  D&BA  awards  and  the  release  of  the  2017  anthem  'Flashlight',  Will  was  proving  to  be  one  of  the  scenes  hottest  prospects,  performing  regularly  across  the  UK  and  Europe  at  clubs  such  as  Fabric,  Studio  338,  Standon  Calling  Festival  and  a  debut  solo-tour  of  Australia.  Originally  picked  up  by  the  Djs  DJ  Randall,  Flashlight  went  on  to  hold  the  D&B  top  spot  on  Beatport  for  2  weeks,  becoming  a  key  track  in  DJs  sets  and  heard  across  stages  at  Let  It  Roll,  Notting  Hill  Carnival  and  Boomtown and the Radio 1 airwaves courtesy of DJ Friction.   

No longer viewed as a newcomer, Whiney’s second album “Waystone” cemented his name as one of the scene’s most well respected artists. There followed remix requests from S.P.Y, Etherwood, London Elektricity, BCee and Ecuador as well as radio and dancefloor support from DJ Target, Friction, Noisia, High Contrast, Rene LaVice, Annie Nightingale and Camo & Krooked, to name but a few. Whiney’s compositions are also included in diverse sync projects with BT Sports and Letterkenny and computer games like FIFA 23, Need For Speed Heat, Forza Horizon 3, 4 & 5, and GRIP.

In recent years, Whiney has become renowned for carving out his own sound alongside a slew of top-tier vocalists, most specifically on his infamous ‘Bubblers’ EP series. Following an iconic long-standing pairing with Inja as well as producing the beats on his most recent ‘Smile & Wave’ album, Whiney has a long list of vocal collaborations under his belt with a string of some of the finest MCs including Subten on his original grime and drum & bass infusion ‘Headlines’, Parly B, Ben Verse, Truthos Mufasa… And now the one and only P Money as the duo works towards a very special project on Hospital Records, already boasting hit singles including ‘Buss The Red’, ‘Sorry I’m Not Sorry’ and ‘Dead In The Eye (feat. Example)’.

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