Production, performance and coding with a twist.

Mat Ward blends future bass, drum and bass, punk and politics to come up with a different sound. He began producing music in 2016 for his favourite rapper, Provocalz. Their first single together, "Behind Enemy Lines" got radio play worldwide. Mat Ward's debut solo release, Slow Car Crash, a jungle album about financial markets, was released in 2017. A chill trap album about Apple, Inside My Device, made entirely on an iPad, followed the same year. On July 31, 2018, when Mars was closest to Earth, he released Disrupted, a lo-fi future bass album about Elon Musk. In 2019, he released Five Eyes - a chill trap album about surveillance. A month later, Provocalz released his hip-hop EP G.O.D with all tracks produced by Mat Ward, who called it "my favourite thing I've done, music-wise". In 2020, he released an acclaimed "future DnB" album about the media - Filter Bubble. In 2021, he released Interplanetary Species - an album about making humans multiplanetary.  In 2022, he released an album based on protest chants, Why I Protest. In 2023, he released the album Climate Wars. He writes a monthly music column that has been shared by the likes of Ru Paul, Public Enemy's Chuck D, Rage Against The Machine's Tom Morello and Ministry's Al Jourgensen. He wrote "Around The World In 80 AA's", hailed as an "excellent book" by travelmag.co.uk. He also wrote the book "Real Talk: Aboriginal Rappers Talk About Their Music And Country", called "a must-read" by Britain's I Am Hip-Hop magazine.

DJ | PRODUCER |SOUND DESIGNER | REMIXER |
Moshic Aka Argonout
MoshicDaSilva
Moshic is a globally renowned electronic music artist best known for his deep, dark, melodic, and emotional approach to progressive house. With a career spanning over two decades and more than 500 original releases, he continues to receive strong support from industry legends like Pete Tong, John Digweed, Solomun, Nicole Moudaber, Dubfire (Deep Dish), Sasha, Hernán Cattáneo, and many more. His latest tracks were recently featured by the mighty John Digweed on Bedrock Records, and he also received a special Remix from his close friend and fellow Israeli luminary Guy J, highlighting Moshic’s enduring influence and respect within the scene.
Born into a family of musicians, Moshic was surrounded by creativity from an early age. However, his musical path was deeply shaped by his time serving as a medic in the Israeli National Service at age 18—an experience that brought him face-to-face with the fragility of life and instilled in him a sense of emotional depth that would later permeate his music.
After his service, he dedicated himself entirely to electronic music—specifically progressive house, which was still under-recognized in Israel. Despite early pushback for his “dark” style, a bold move to New York City became a turning point. The city’s vibrant underground scene allowed him to fully express his vision and connect with global artists.
Moshic began releasing music under the alias Argonout, with early singles signed to the legendary Dutch label Cyber Records. One of Moshic’s first releases under his own name was the track “Nightstalker,” which quickly became an underground anthem and gained widespread recognition, featured in top compilations and praised by DJ Magazine. In a major milestone, the entire Argonout project catalog was later purchased by Armin van Buuren’s label, Armada Music, confirming its importance in progressive music history.
Building on that momentum, Moshic released the landmark compilation "Distorted Patterns," which featured top Middle Eastern talent and showcased his curatorial skills. His Essential Mix for BBC Radio 1, invited and hosted by Pete Tong, became legendary—marking him as the first Israeli artist ever featured on the show. Tong praised him as “the best Israeli thing since falafel.”
Moshic’s sound is instantly recognizable—dark, melodic, hypnotic, cinematic, and infused with subtle Middle Eastern textures. Avoiding commercial trends and easy samples, his productions are built from the ground up with emotional precision and an uncompromising vision.
With his independent label Contrast Records, Moshic provides a home for his distinct sound and a platform for rising artists who share his love for deep, boundary-pushing progressive house.
He has toured extensively around the world, released on top labels, and has been recognized three times in the DJ Mag Top 100 DJs. In 2003, he won two MTV Israel Awards: Best Underground Release and Best Producer.
From Tel Aviv to Tokyo, Buenos Aires to Berlin, Moshic’s sound continues to move dancefloors, inspire producers, and remind the world that authenticity and depth will always stand the test of time.

Paul Martinez was born in the summer of 1983 in Győr, Hungary. His engagement with music began early, marked by a deep curiosity for sound and structure. By 1996, he was already experimenting with digital audio using FT2 (FastTracker 2), a DOS-based tracker, laying the foundation for his future in electronic music. In 1997, he acquired his first Taya players—modest equipment, yet sufficient to begin refining his technique and developing a disciplined approach to DJing.

That same year, he made his public debut with a minimal techno set at a classic underground event in Hungary. Over the following years, his musical direction evolved toward progressive and psychedelic genres, earning recognition across the country through open-air and underground performances.

By 2001, Martinez shifted focus from DJing alone to music production, seeking to create original material that resonated with audiences on a deeper level. He began working with FL Studio, recording his own samples, building loops, and later mastering the use of VSTi plugins. His first official releases appeared in 2010 on Mistique Music, followed by signings with respected labels such as Sudam Recordings, Balkan Connection, Proton, Ready Mix Records, OLD SQL Recordings, and KP Recordings.

His work has received support from internationally acclaimed artists including John Digweed, Sasha, Anthony Pappa, Markus Schulz, Sultan, and Matt Darey—affirming his relevance and credibility within the global electronic music scene.

Since 2016, Martinez has been actively involved in education, teaching FL Studio, hardware integration, and studio production techniques. His expertise in studio design and acoustics is internationally recognized, with contributions spanning from Buenos Aires to Tokyo. In recent years, he has played a key role in professional studio projects in London, Barcelona, and Budapest.

Now based in Amsterdam, he launched Radio Amsterdam in 2025—a platform dedicated to broadcasting high-fidelity underground electronic music (48 kHz / Opus 256 kbps), fostering a global community of listeners who value precision, depth, and artistic integrity.

For Paul Martinez, music is not merely a profession—it is a lifelong pursuit, encompassing performance, composition, mentorship, and the creation of spaces where sound can thrive.

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